Who Actually Discovered America? ~ The Imaginative Conservative

Yet, was Columbus the first to discover America? Well, let’s leave aside the fact that at least three separate migrations of people in pre-history migrated to the Americas to become the Native American Indians. Obviously, we leave this aside merely for the sake of argument. Once, when my family visited Plymouth Rock, my oldest son looked down at the moment—a massive rock stamped 1620—and asked, “Dad, how did the Indians know that the Pilgrims would arrive in 1620”? A great question to be sure, and we too often—as Americans and as scholars—imagine the American Indians standing around, doing next to nothing, impatiently waiting for the Europeans to arrive so that their history might begin.

So, aside from this… there are actually five rivals to the claim about which non-American Indian discovered the Americas.
— Read on theimaginativeconservative.org/2020/06/who-actually-discovered-america-bradley-birzer.html

An Interview With Neal Morse

Randy George, Neal Morse, and Mike Portnoy

I think Neal Morse is one of the most exciting and important artists working in music today. Since his embrace of Christianity almost twenty years ago, he has stayed true to his faith while writing and performing some of the most thoughtful and original music in all of rock. However,  his upcoming release, with long-time collaborators Randy George (bass) and Mike Portnoy (drums), is a collection of covers. It is the third album in their wonderfully fun Cover to Cover series, and Inside Out music is rereleasing the first two volumes with it in remastered form.

The new volume, Cov3r to Cov3r, features songs originally performed by Yes, Jethro Tull, David Bowie, Ringo Starr, Gerry Rafferty, Badfinger, King Crimson, Squeeze, Tom Petty, and Lenny Kravitz. While some are obvious hits (their version of Rafferty’s Baker Street is killer) others are deeper cuts, like Crimson’s One More Red Nightmare.

I had the pleasure of chatting with him on the phone while he was out walking with his daughter, enjoying a beautiful summer day in Tennessee.

Thanks for sharing a little of your time with me to discuss yours, Mike’s, and Randy’s new covers album! I think we’re pretty close to the same age, and if I made a massive mixtape of my favorite songs from high school and college, it would include every song on all three volumes of Cover to Cover. How do you all decide which songs to record?

Thanks! Mike loves to do covers, and he is the driving force behind most of these songs. The first two volumes are mostly bonus tracks from earlier albums. We’d finish an album, and the record company would ask us to do some songs for bonus tracks. We all love covers, because they are a wonderful way to blow off some steam after playing long and complicated prog tunes. If we’re on the road, and I’m doing a soundcheck, I can start playing some Zeppelin, and Mike will come running out of the dressing room to join in!

My favorite moment on the new album is pairing up Squeeze’s Black Coffee in Bed with Tempted. Whose idea was that?

That was mine – I used to play Black Coffee in Bed back in the ‘80s, along with Petty’s Running Down a Dream.

When I first heard the opening track, Yes’ “No Opportunity Necessary, No Experience Required”, I was wondering, “Who the heck is that singing?” Then I saw in the promo notes that it’s Jon Davison!

Yeah, we got together with him through playing Cruise to the Edge. When we looked at recording that song, I asked myself, “Can I sing this?”, and I realized there’s no way! So we were really glad Jon agreed to sing it.

I think I actually like your version of Baker Street better than the original. I’ve watched the video for it several times and  I get chills when you play your guitar solo. Who is the mystery sax player?

Thanks, man! That’s Jim Hoke, a local Nashville musician. He also does a great job on One More Red Nightmare, which is one of my favorite King Crimson songs.

Listening to all three volumes, it sounds like the three of you just had a blast recording these songs. What was it like recording during a pandemic?

We actually finished our recording before the pandemic hit. Mike recorded the drums in November, I did my stuff in December, and we mixed it in December and January. My “pandemic album” is my upcoming album, Solo Gratia, which I’m really excited about.

Are there any plans for you, Mike, and Randy to do some shows in support of Cover to Cover?

Well, we are going to play a bunch of covers the first night at Morsefest this September. Because of the virus, we have to limit the number of people who can be there in person, but we are also streaming it live, and we have some cool online VIP events planned, like charades and other interactive games.

I have the original versions of the first 2 Cover to Covers, and I notice you’ve changed the track order on the reissues. Why?

They are? I didn’t know that. Ha ha! Mike must have done that. He is the man for figuring out what the best order of tracks should be for albums. It’s his gift, you know, and we figure, let him use it!

I think Randy George is an unsung hero of the bass.  I’ve always wondered, how did you two first connect?

Oh, that’s an interesting story. He actually called me up – we had a mutual friend, and he asked me if I was interested in playing on a solo album of his. I think I was too busy at the time, and I put it off.  Then I had just left Spock’s Beard, I think it was around 2002, and he said he was willing to work with me if I had any projects. He drove all the way from Seattle to Tennessee to audition for my Testimony album, and we’ve been together ever since.

After Cover to Cover Vol 1 -3 is released in July, what other projects are you getting ready to unleash on the world?

Well, MorseFest is coming up in September, there’s a new Transatlantic album coming out next year, and I’m working on the mixes for my Solo Gratia album.

What are you listening to these days?

Ah, let’s see… mostly the Solo Gratia mixes. I am also listening to the audiobook of Andy Stanley’s Irresistible. As far as music goes, I was listening to Pandora’s Neal Morse station, and a really cool Frost* song came up. I’m a big fan of them.

One last question – what role should Christian artists play in today’s culture?

Well, I think we should be pointing people toward the Lord. I want people to experience God through my music; I’m trying to express the glory of God’s heart.

Yeah, I’m glad you didn’t get stuck in the CCM ghetto; you’re taking your music to whomever will listen to it.

You know, the old saying is true – God will provide. He has given me some incredible music for Solo Gratia. I’m the performer, but God is the director. I’m like a piece of glass reflecting his love and glory.

Can I make a request for Volume 4 of Cover to Cover? Something by Jellyfish, and something from Joe Walsh!

Ha Ha! Yeah, I know there are a lot of people who are fans of them, so that might happen one day.

Well, thanks so much for taking the time to talk with me, Neal.

Sure! Take care!

Cover to Cover Volumes 1 – 3 will be released July 24, 2020 on Inside Out Music, on CD, vinyl, and digital formats.

You can order tickets to Morsefest 2020 at nealmorse.com.

 

 

 

The Odd History of the Whig Party ~ The Imaginative Conservative

When Andrew Jackson delivered his famous (or infamous, depending on one’s point of view) veto message regarding the re-chartering of the Second Bank of the United States, his most adamant supporters labeled it “a second Declaration of Independence.” While Jackson’s message was excellent, it certainly was not at the level of the Declaration of Independence. In a less hyperbolic fashion, one pro-Jackson paper stated: in “the final decision of the President between Aristocracy and the People—he stands by the People.”

This newspaper statement is almost certainly true, but not everyone agreed that the president should ever stand “by the People.” The president’s job, they believed, was to execute the laws that the representatives of the People—through the House—had drafted into law. To proclaim himself the representative of the people was to violate all that was sacred in the Constitutional understanding of the American Founders as expressed in Article II of that glorious document. Even the most adamant supporter of a strong executive, Alexander Hamilton, had feared that Article II might be the “fetus of monarchy.” To the opponents of Jackson, he had crossed a line that should never have been approached. One opposition paper proclaimed, not without justice: “the King upon the Throne: The People in the Dust!” Other papers mocked Jackson as a monarch, a king, and a dictator. All critics came together and began to refer to the president as “King Andrew,” and one of the most important political cartoons of that age depicted an old and wary man, sitting on his throne, with his feet resting on a shattered constitution.
— Read on theimaginativeconservative.org/2020/06/odd-history-whig-party-bradley-birzer.html

The Economics of Marriage in Greta Gerwig’s “Little Women” ~ The Imaginative Conservative

Greta Gerwig’s big-screen adaptation of Little Women offers an emphasis on women’s economic independence that has precipitated some protest from purists, who correctly point out that such moments as Amy’s “marriage is an economic arrangement” speech are not in Louisa May Alcott’s novel. What such criticism misses, however, is the reminder Ms. Gerwig’s script provides of just how central the story of Little Women is to the American literary landscape. Since the novel’s publication in 1868, the four March sisters and their neighbor Laurie have lived in the imaginations of generations of Americans and readers across the globe, inspiring plays, musicals, movies, television series, and even Japanese anime. Each adaptation maintains the broad strokes of the story but alters the details to emphasize, and sometimes completely reimagine, the moral of the story. Ms. Gerwig’s retelling of Little Women maintains the major aspects of Alcott’s beloved novel, but rearranges them to serve as a commentary on the very real lack of economic opportunities available to middle- and upper-class women (really, the genteel poor) in nineteenth-century America.
— Read on theimaginativeconservative.org/2020/06/economics-marriage-greta-gerwig-little-women-dedra-mcdonald-birzer.html

Calvin Coolidge and the Finality of Natural Rights

About the Declaration there is a finality that is exceedingly restful. It is often asserted that the world has made a great deal of progress since 1776, that we have had new thoughts and new experiences which have given us a great advance over the people of that day, and that we may therefore very well discard their conclusions for something more modern. But that reasoning can not be applied to this great charter. If all men are created equal, that is final. If they are endowed with inalienable rights, that is final. If governments derive their just powers from the consent of the governed, that is final. No advance, no progress can be made beyond these propositions. If anyone wishes to deny their truth or their soundness, the only direction in which he can proceed historically is not forward, but backward toward the time when there was no equality, no rights of the individual, no rule of the people. Those who wish to proceed in that direction can not lay claim to progress. They are reactionary. Their ideas are not more modern, but more ancient, than those of the Revolutionary fathers.

–Calvin Coolidge, July 4, 1926

NDLS Dean G. Marcus Cole: “I am George Floyd. Except, I can breathe. And I can do something.” // News // de Nicola Center for Ethics and Culture // University of Notre Dame

As an African-American man, I have had the experience of being pulled over by a police officer, with no apparent or expressed reason for the stop. I have been berated and verbally abused, without receiving a ticket or a warning. The most scarring of these events occurred in front of my two little boys, who are now grown, African-American men themselves. The police officer was intent on nothing more than humiliating and emasculating me in front of my small children, hoping to provoke me to respond. At that moment, I remember thinking that the most important thing I could do for my sons was to survive the encounter. Still, I have often thought about what lasting scars may have cut into their psyche by watching what that officer did to me that night. I often wonder what my sons think of me, as a man, and as their protector, knowing that I could not fight back.

Yes, I am alive, and George Floyd is dead. I can breathe; he cannot. But just because a police officer did not murder me or my children does not mean that he did not harm us.

Like many African-American men, my experiences are far too common. While they have never left me, these memories are all too frequently brought back to the surface by watching the videos that have become routine on American televisions and mobile telephones. The callous murders of unarmed men like Ahmaud Arbery and George Floyd are real for me. That could have been my father. That could have been me. That could be either one of my sons. And in a very real sense, like many other African-American men, I am George Floyd. Except, I can breathe. And I can do something. I must do something.
— Read on ethicscenter.nd.edu/news/ndls-dean-g-marcus-cole-i-am-george-floyd-except-i-can-breathe-and-i-can-do-something/

Cicero’s Decaying republic

Before our own time, the customs of our ancestors produced excellent men, and eminent men preserved our ancient customs and the institutions of their forefathers.  But though the republic, when it came to us, was like a beautiful painting, whose colours, however, were already fading with age, our own time not only has neglected to freshen it by renewing the original colours, but has not even taken the trouble to preserve its configuration and, so to speak, its general outlines.  For what is now left of the ‘ancient customs’ one which he said ‘the commonwealth of Rome’ was ‘founded firm’?  They have been, as we see, so completely buried in oblivion that they are not only no longer practiced, but are already unknown.  And what shall I say of the men? For the loss of our customs is due to our lack of men, and for this great evil we must not only give an account, but must even defend ourselves in every way possible, as if we were accused of capital crime.  For it is through our own faults, not by any accident, that we retain only the form of the commonwealth, but have long since lost its substance.

–Cicero, The Republic, Book 5, Section 1.

Pieper on the 7 Virtues

How the virtues all tie together:

“First, the Christian is one who, in faith, becomes aware of the reality of the triune God.  Second: the Christian strives, in hope, for the total fulfillment of his being in eternal life.  Third: the Christian directs himself, in the divine virtue of love, to an affirmation of God and neighbor that surpasses the power of any natural love.  Fourth: the Christian is prudent; namely, he does not allow his view on reality to be controlled by the Yes or No of his will, but rather he makes this Yes or No of the will dependent upon the truth of things.  Fifth: the Christian is just; that is, he is able to live “with the other” in truth; he sees himself as a member among members of the Church, of the people, and of any community.  Sixth: the Christian is brave, that is, he is prepared to suffer injury and, if need be, death for the truth and for the realization of justice.  Seventh: the Christian is temperate; namely, he does not permit his desire to possess and his desire for pleasure to become destructive and inimical to his being.”

–Josef Pieper, A Brief Reader on the Virtues of the Human Heart (San Francisco, Calif.: Ignatius, 1991), 10-11.

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