Held by Trees: LIVE


For Immediate Release

Two New EPs From Held By Trees Recorded at Peter Gabriel’s Real World Studios Released Exclusively by InnerSleeve.com

Featuring Paul McCartney/Pretenders guitar legend Robbie McIntosh!

Hot on the heels of their critically acclaimed debut album, “Solace”, instrumental project Held By Trees is excited to be releasing two new EPs this year on Sound Canyon Records through InnerSleeve.comrecorded at Peter Gabriel’s famous Real World Studios, the first EP is comprised of live versions of five tracks from “Solace”. The six-piece live iteration of Held By Trees brings together three of the Talk Talk/Mark Hollis alumni that contributed to “Solace” including renowned guitarist Robbie McIntosh. The band recorded playing all together in the ‘Big Room’ at Real World in November 2022, a week after their debut live performances.

The second EP is an entirely new suite of pieces themed on the transition from daylight to darkness. Entitled “Eventide”, it was tracked live at Real World Studios and then additional layers were added by musicians in America and Canada, by old friends of project leader David Joseph.

The twin EPs will be released on separate CDs and as two sides of one vinyl pressing by new American record label, Sound Canyon and their retail arm www.InnerSleeve.com

The new material sees Held By Trees continue to create instrumental music characterized by skilled improvisation over spacious, epic arrangements. The music draws on the influence of Van Morrison and John Martyn, alongside their usual late Talk Talk and Pink Floyd references. The live versions of “Solace” tracks bring a fresh intensity to the music, with a heavier vibe created by the band in real time.

The main musicians who worked on the new EPs are…
Laurence Pendrous – piano
James Grant – bass, double bass
Robbie McIntosh – guitar
David Joseph – guitar
Andy Panayi – flute, clarinet, saxophone
Paul Beavis – drums

Pre-orders available at https://www.innersleeve.com/en-gb/collections/held-by-trees

First 50 customers pre-ordering the bundle (both EP’s and the vinyl) will receive an exclusive signed poster and one lucky winner will receive a set of album cover cushion covers


Held By Trees and www.InnerSleeve.com will be celebrating the release with a launch show at the Half Moon in Putney London on September 21st 2023


A fascinating project… Rekindles the spirit of Talk Talk to startling effect… channels their psychedelic post-rock vibe to an almost eerie degree” – Prog Magazine

“…beautifully played throughout…” – Mojo Magazine

A tree is planted for every album sold… I’ll be planting a few trees – giving them out at Christmas!” – Guy Garvey, Elbow / BBC 6 Music

…beautiful, minimalist, instrumental delight” – Scottish Daily Express

Timely, important, beautiful music” – Under the Radar

A tantalising project evokes the spirit of latter-era Talk Talk and David Gilmour-led Pink Floyd…highly recommended for fans of Hollis’ sparse aesthetic” – Classic Pop Magazine

New heroes of post-rock/prog have arrived.” – Record Collector Magazine

“…Lovely but very different guitar work… somehow sparse but also slightly proggy as well which I know will sound very appealing, almost like a perfect combination…” – Elizabeth Alker – Unclassified, BBC Radio 3

“Solace” charted at Number 4 on the Indie Breakers Chart and Number 23 on the main Indie Chart

For more information: www.heldbytrees.co.uk UK

Latest from THE BAND WAGON

Have you seen the latest issue of PROG Magazine? As always, the magazine is filled with exciting news from new and old bands. But, in the latest issue of our eyes fell on the Q&A with Matt Dorsey. Having known Matt for years we are very excited about his debut solo release and pleased that he has allowed us to be a small part of it. Have you heard it? What do you think? We love it, but, then again, we might be biased … 😊
As always, if you know any independent bands or record labels looking for distribution assistance in North America, please feel free to put them in contact with us (sven@thebandwagonusa.com) or drop us a message telling us to check them out.
Vonn Zandus is the new solo project from Joe Burns from UK proggers, Guranfoe. This project combines keyboards, synthesizers, drums, marimba and glockenspiel into ecstatic progressive music. There is really no better way to describe this rhythmically complex and melodically vibrant album. If you like vibrant instrumental prog, you should really give this one a try.
Vonn Zandus – The Band Wagon USA

Strange Horizon
Strange Horizon is back and kicking … you know what we mean 😊 The labels we attach to music can be strange and sometimes confusing and one of the reasons we often try to avoid them. Strange Horizon is described as Doom Metal or as they like Blytung Skandinavisk Heavy Metal. What we hear is 70’s inspired hard rock that … yes you know what we mean. No matter how you describe it, this is a great album, with lots of energy that begs to get turned up to 11.
Strange Horizon – The Band Wagon USA
Candles – YouTube

Nick Bohensky & Max N’Adamo
Some of you already know Nick and Max from the band The 16 Deadly Improvs. What you may not know is that they have more to offer. While waiting for the next installment from their band to finish up, these two decided they have more to give and have released the EP Imphilosible. Give them a listen, we know some of you will like this. Physically only available on Vinyl.
Nick Bohensky & Max N’Adamo – The Band Wagon USA
Forwards/Backwards by Nick Bohensky and Max N’Adamo – YouTube
Syllogism – YouTube


Matt Dorsey – Let Go (CD)
Available Now!

Matt Dorsey – The Band Wagon USA

Dave Foster Band – Glimmer (CD, Black Vinyl, Yellow Vinyl)
CD Available Now! (Vinyl delayed until mid-May)

Dave Foster Band – The Band Wagon USA

Waking Dreams – Sliding Lines (CD & Vinyl)
Available Now!

Waking Dreams – The Band Wagon USA

Aisles – Beyond Drama (CD)
Available Now!

Aisles – The Band Wagon USA

Big Big Train – Ingenious Devices (Hoody)
April 19 deadline for pre-orders has passed
May 12 Release

Big Big Train – The Band Wagon USA

Howlin’ Sun – Maxime (CD, Black Vinyl, Transparent Orange Vinyl)
May 19 Release

Howlin’ Sun – The Band Wagon USA

Hex A.D. – Delightful Sharp Edges (CD, Black Vinyl, Transparent Orange Vinyl)
May 26 Release

Hex A.D. – The Band Wagon USA

Strange Horizon – Skur 14 (CD, Black Vinyl, Purple Vinyl)
May 26 Release

Strange Horizon – The Band Wagon USA
Rick Armstrong – Chromosphere (CD)
May/June Release

Rick Armstrong – The Band Wagon USA

Vonn Zandus – Unimortal (CD)
June 9 Release

Vonn Zandus – The Band Wagon USA

Big Big Train – Ingenious Devices (CD, Black Vinyl, Sky Blue Vinyl)
June 30 Release

Big Big Train – The Band Wagon USA

Rita is jetting off today to see some Scottish Heavy Metal band (aka Marillion) in Italy. She claims she is “working”, but Sven isn’t buying it. If you are going to be in Padua, stop by the merch desk and say hello. She’ll be the one who kinda looks like our logo 😉 She will be back on Monday, then home for a week before it is off to Montreal for the Marillion Weekend there. Rita will be working at the merch desk, along with running the charity event, helping supports acts Matt Dorsey and John Young, and orchestrating the John Young solo show on Sunday, May 14. Sven will be busy giving Rita grief for doing too much while performing his duties “herding cats” and whatever else bands and management need. If you catch a glimpse of us, come and say hi, we would love to meet you. Don’t be shy, we don’t bite. Unless we are hungry 😊

Are you following us on Facebook and Instagram? If not, we would appreciate if you would, thereby adding another way for us to communicate. It is a great way to see what we are putting up on our site and will usually be the first place you will see it.

Brad Birzer: Your Faithful Guide Through Mythic Realms

Mythic Realms
The prolific Dr. Birzer’s latest tome

Angelico Press has just published a new book by Bradley Birzer (where does he find the time to write all these wonderful works?) entitled Mythic Realms: The Moral Imagination in Literature and Film, and it is an unabashed love letter to everything that is good in contemporary American popular culture. I’m sure some of you are spluttering, “Everything that is good in American culture? There’s nothing good there!” Dr. Birzer would beg to differ, and for that we can all give thanks.

A quick look at the Table of Contents gives the reader a sense of the scope of Birzer’s loves. Here are just a few examples:

On Loving Libraries
An American Greatness: Willa Cather’s Oh Pioneers!
The Dark Virtues of Robert E. Howard
Romance After Tolkien?
The Audacity of Frank Miller
Alfred Hitchcock’s Vertigo
Batman on Film, Part I: Bruce Timm’s Animated Series
Steven Wilson’s Hand.Cannot.Erase: An Incarnational Whole

Clearly, his interests range far and wide! How many scholars can write intelligently on such disparate topics as The Inklings, Steven King, Russell Kirk, Alfred Hitchcock, a Batman animated series, and the prog rock wunderkind Steven Wilson?

But what makes Mythic Realms so much fun is Birzer’s infectious enthusiasm. When he gets going on a film or writer that he loves, he’s like a kid in a candy shop, and the reader can’t help but smile and join in. Take this example from his chapter on the Christopher Nolan Dark Knight Trilogy:

“In Nolan’s expert hands, Batman becomes what he always meant to be: an American Odysseus, an American Aeneas, and American Arthur, an American Beowulf, and an American Thomas More….Batman resonates with us because he is the best of us and the best of what came before us. Bruce Wayne is the embodiment of western virtue and heroism.”

Wow, that’s quite a claim, but Birzer makes an excellent case for it. After reading his in-depth analysis of Nolan’s trilogy, I came away having learned many fascinating behind-the-scenes facts, as well as gaining a greater appreciation for Nolan’s vision of Batman as another enduring chapter in western civilization’s mythos – oops, I mean Mythic Realms.

I also was introduced to a great American novelist of whom I knew next to nothing: Willa Cather. Birzer devotes two chapters to this underappreciated writer, and I hope other readers will take the plunge and immerse themselves in her delightful world of the American frontier. As he notes, “The Great Plains unveil treasure after treasure to those who explore. The same is true of Cather’s novels.” Birzer fittingly compares her painstaking craft of novel writing to Steve Jobs’ attention to detail when designing Apple products.

One of my favorite chapters is Birzer’s tribute to John Hughes. I have long thought his run of coming-of-age movies set and filmed the 1980s was one of the most brilliant series of movies ever made. Hopefully, Birzer’s thoughtful tribute to Hughes will spark a reassessment of this overlooked writer/director/producer.

Not many cultural critics can write credibly and engagingly on writers such as Ray Bradbury, J. R. R. Tolkien, Willa Cather, comic book writer/artists Frank Miller and Alan Moore, film directors like Hitchcock, Nolan, and Hughes, let alone TV series such as Star Trek and Stranger Things, and THEN pull them together to make a deeply meaningful point: that even in lowly pop culture, truth, beauty, and transcendent Christian morality can be found. Birzer does it, again and again. That’s the joy of this book – discovering eternal truths in the most unlikely places.

The last chapter, Oh, White Lady: Faith as a Struggle begins with Birzer’s personal confession of his struggle during his youth to see anything except hypocrisy in organized religion in general and Roman Catholicism in particular. But through the example of devout friends and a growing appreciation for the role Mary, the Theotokos, has played in history throughout the world, he returned to his faith. It’s a fitting finale to a wild ride through Mythic Realms. After all, how does the old saying go? “All roads lead to….”

The Caravel and the Starship

Prior to the 15th century, European maritime adventures were primarily limited to coastal navigation outside the Mediterranean Sea.  In the late 15th century, spearheaded by Henry the Navigator, the Portuguese developed a new type of ship called the caravel.  The caravel had capabilities beyond other sailing ships of the day, and because of its design, was capable of voyages on the open ocean.  On August 3rd, 1492, the caravels Nina, Pinta and Santa Maria departed from Palos de la Fronterra, Spain, heading westward into the Atlantic Ocean.  On October 12th, they made landfall on an island that is now part of the Bahamas.  Months later, the Nina sailed into the port of Lisbon with news of the discovery.  It was an epochal moment.  The world has never been the same.

Today, on the Gulf Shore of Southeast Texas, the world witnessed the first launch of the caravel of the Space Age.  Starship, boosted by the Super Heavy first stage (the largest, most powerful rocket ever built) cleared the pad and roared into the skies over the Gulf of Mexico.  While the flight did encounter what Elon Musk refers to as a “rapid unscheduled disassembly, one should not view this test as a failure.  This is particularly true when considering the iterative engineering process of SpaceX – and its mantra of “Move fast, break things.”  The flight hit several important milestones while also yielding valuable data which SpaceX engineers will use to further refine the design, fix flaws, and get the next iteration of this rocket on the pad within a few months.  Keep in mind that SpaceX is the same company now has over 100 consecutive successful, propulsive landings of the Falcon 9 booster – many of them re-used multiple times.  There was a time when the “smart” people said such a thing was not even possible.  And yet, here we are – propulsive landings of the Falcon 9 first stage are nearly as routine as successful airplane landings.  When a company has a track record like that, it’s foolish to bet against them.

Why is Starship significant? Just as the caravel was designed to carry people across the oceans of Earth, Starship was designed for carrying people across the oceans of empty space.  And just as the caravel took many too the new world, the motivation for designing Starship was the same, with Mars being the prime target (a variant will also take astronauts back to the moon).  It will be entirely reusable, capable of returning to the world from which its journey started, just as the Nina did.  No other such crewed spacecraft currently exists or has ever existed. Starship will be the first. Furthermore, it will further reduce launch costs.  Falcon 9 can already put approximately the same amount of payload into the same orbit as the Space Shuttle could – but at 1/20th of the cost.  A fully operational Starship promises at least another order of magnitude reduction in that cost.  Thus, in both cost and capability, Starship will be the vehicle that truly opens the final frontier, not just for a few astronauts that can meet NASA’s exacting standards, but for ordinary people.  When Starship lands on Mars with humans on board, it will be every bit as epochal as the moment when Columbus realized the significance of his discoveries.

Like the 1960’s, we live in tumultuous times.  But also, like the 1960’s, we live in exciting times, certainly when it comes to advances in spaceflight.  Whereas the previous era was driven by governments and the impetus of the Cold War, the advances of the present era are being driven by the private sector, and without many of the non-technical limitations of the former era.  While looking at some of the goings-on in the world today is rather depressing, the world of spaceflight is as exciting as it has been at any time since the build-up to Neil Armstrong’s call of “Tranquility Base here – the Eagle has landed.”  

To be sure, there is a long way to go, as the ending of today’s test flight attests.  But I am more confident than ever that we will see Starship take humans to Mars, and maybe even beyond; that we will see the first trickle of a migration that was once as inconceivable as the migrations to the New World were in 1491.  What an incredible time to be alive.

Godspeed, Starship.

Kite Parade’s Retro Is Great From The Get-Go


Kite Parade is a project of multi-instrumentalist, singer/songwriter Andy Foster, and Retro is the second album from them. I always enjoy discovering new artists that immediately hit that pop/rock/prog sweet spot such as Jonas Lindberg & The Other Side, Frost*, or Lifesigns, and Kite Parade is an admirable addition to that elite list.

Right off the bat, the first song, Retro, evokes the best of ’80s rock with a pulsing synthbeat while snippets of TV ads play in the background. Foster’s vocals remind me a little of Kyros’s Adam Warne. He has an unerring sense of melody throughout the song that had me hitting replay several times. 

Speed of Light, the second track, kicks off with a funky bass groove and propulsive melody that reminds me of classic OSI (Office of Strategic Influence). The brief loping guitar solo midway through is excellent and sets things up for the final, exhilarating chorus. Both Nick D’Virgilio and Joe Crabtree play drums on the album, and it sounds like D’Virgilio is playing on this song.

The next track, Wonderful, is the single (scroll down to watch the official video), and at first I thought it was a letdown from the joyous pop/rock energy of the first two tracks. It starts off sounding like many a generic ballad, but it slowly builds energy throughout. Then, at the 2:50 mark, Foster puts a nice twist in the melody that takes the song to an entirely new level. Keys and guitars trade solos, adding layer upon layer of sound that make this a standout song. Great choice for a single, guys!

The next two songs, Shadows Fall and Under the Same Sun, continue the winning streak. The former is a mini-epic, clocking in at more than 9 minutes. However, Foster’s gift for providing endless musical hooks makes the time fly by. 

Retro closes with the 14+ minute-long Merry-Go-Round, which deftly avoids any “hmm, how much longer?” thoughts in the listener. As a matter of fact, the entire album is such an enjoyable experience, I listened to it three times in a row without a break.

We’re almost a third of the way into 2023, and so far Retro is my favorite album. It’s a perfect mix of, well, retro synths, catchy melodicism, tasty guitar riffs, and pleasing vocals. If you’re looking for some nice ear candy with a prog rock feel, you can’t do much better than Kite Parade.

When you find love TAKE IT! Don’t delay! You may never have another chance.

By Richard K. Munro

(16) Puccini – La Bohème – Musetta’s Waltz – YouTube

My old battalion commander who shall remain nameless at this time once said to me “Why have one girl when you can have them all!”

I answered humbly I rather have one good one than 100 bad ones.

Some enchanted evening, you may see a stranger,
You may see a stranger across a crowded room,
And somehow you know, you know even then,
That somehow you’ll see here again and again.

Some enchanted evening, someone may be laughing,
You may hear her laughing across a crowded room,
And night after night, as strange as it seems,
The sound of her laughter will sing in your dreams.
Who can explain it, who can tell you why?
Fools give you reasons, wise men never try.

Is love at first sight possible? Do people really meet and in moments later know they have met someone special? Yes, I believe it. There is a lot of evidence for it! LOVE is very powerful. I believe it happens all the time when we least expect it. John Joseph Powell in the SECRET OF STAYING IN LOVE wrote:
“Do you believe in true love? Do you believe in love at first sight? Do you believe in love lasting forever? I think that these love stories will renew or reinforce your faith in love… They are the most famous love stories in history and literature, they are immortal. “It is an absolute human certainty that no one can know his own beauty or perceive a sense of his own worth until it has been reflected back to him in the mirror of another loving, caring human being.” Yes, no one can know true happiness unless they know the love of a husband and wife or of a child. I know when i first saw my grandchildren it was love at first sight! But I am going to write mostly of romantic love today.

The German author Herman Hesse described love at first sight in his charming novel GERTRUDE: “I already thought on that first evening of our meeting how glorious it would be to spend one’s whole life regarded by those beautiful, candid eyes, and how it would then be impossible ever to think or do ill.”

Victor Hugo believed in it when Gringoire saw the beautiful gypsy ESMERALDA in the THE HUNCHBACK OF NOTRE-DAME: “If he had had all Peru in his pocket, he would certainly have given it to this dancer; but Gringoire had not Peru in his pocket; and besides, America was not yet discovered. (p. 66)

This is the actress MAUREEN O’ HARA (1939) as Esmeralda in the film HUNCHBACK OF NOTRE DAME. Who with eyes and heart in breast could not fall in love with such a smile?

Shakespeare believed in love at first sight and described it beautifully:

“Oh, she doth teach the torches to burn bright!
It seems she hangs upon the cheek of night
Like a rich jewel in an Ethiope’s ear,
Beauty too rich for use, for earth too dear.
So shows a snowy dove trooping with crows
As yonder lady o’er her fellows shows.
The measure done, I’ll watch her place of stand,
And, touching hers, make blessèd my rude hand.
Did my heart love till now? Forswear it, sight!
For I ne’er saw true beauty till this night.”

The Finnish author Mila Waltari believed in love at first sight. By the way he was a favorite author of Cari Munro’s Spanish father Carlos Perez (Juanita Perez told me and had his book in Spanish translation). I never met him of course but talked to his father Don Benigno in 1973 and 1976 and I own a book that belonged to Carlos called the LAST OF THE MOHICANS in Spanish.
Waltari wrote:
“Today I saw you and spoke to you for the first time.
It was like an earthquake; everything in me was overturned, the graves of my heart were opened and my own nature was strange to me.
I am forty, and I believed I had reached the autumn of life.
I had wandered far, known much and lived many lives.
The Lord had spoken to me, manifesting Himself in many ways; to me angels had revealed themselves and I had not believed them. But when I saw you I was compelled to believe, because of the miracle that happened to me.”

Arthur Conan Doyle believed in love at first sight:
    “From the first day I met her, she was the only woman to me. Every day of that voyage I loved her more, and many a time since have I kneeled down in the darkness of the night watch and kissed the deck of that ship because I knew her dear feet had trod it. She was never engaged to me. She treated me as fairly as ever a woman treated a man. I have no complaint to make. It was all love on my side, and all good comradeship and friendship on hers. When we parted she was a free woman, but I could never again be a free man.” (From the Return of Sherlock Holmes).

Here is love at first sight that is unrequited. It happens sometimes. The person is married. The circumstances are too difficult the age difference is too big. I met a beautiful woman who was very fond of me but she was a youthful 42 and I was 19. We parted as friends. And I thought I had no one in the world to love so I wrote (true) to my Spanish friend Cari whom I had not seen in two years but with whom I carried on a regular correspondence from 1973 until 1982!

Of course, the idea is romantic. Wonderfully romantic but then I have always been a romantic. Italian operas are romantic. Scottish and Irish songs are romantic and are full of stories of the FORCE OF DESTINY. Today I think we are living in a more hedonistic and less romantic age and dating is very difficult. It almost seems too good to be true that an instant attraction and electric feeling could change our lives forever. And the old saying is very true: “Better to have loved and lost then never have loved at all.” So if you feel that strong attraction you should act on it. Robert Burns sang of one of the most beautfiul girls he had ever seen:

    This Mary Morison – I first heard it sung in concert and later on recordings by Kenneth McKellar.

This is love at first sight:

O Mary, at thy window be !
It is the wish’d, the trysted oor.
Those smiles and glances let me see,
That mak the miser’s treasure poor,
Sae blithely wad I bide the stoure,
A weary slave frae sun tae sun,
Could I the rich reward secure –
The lovely Mary Morison.

Yestreen, when to the trembling string
The dance gaed thro, the lichted ha’,
Tae thee my fancy took its wing,
I sat, but neither heard nor saw:
Tho’ this was fair, and that was braw,
And yon the toast o’ a’ the toon,
I sigh’d and said amang them a’ –
‘They are na Mary Morison!’

O Mary canst thou wreck his peace
Wha for thy sake wad gladly dee?
Or canst thou break that hert o’ his
Whase only faut is loving thee?
If love for love thou wilt na gie,
At least be pity to me shown:
A thought ungentle canna be
The thought o’ Mary Morison.

She was the TOAST OF THE TOWN and immortalized by the poem. I have been to her gravestone. In Mauchline, Scotland not far from the tavern where Burns wrote the poem in her honor.

Poor wee lassie! She died of a fever and no one could save her and that was the end of sweet Mary Morrison! Not even 21 and never married! Sad she had many gifts but health and strength of body were not hers. .But I think she must have felt the thrill of being loved and admired as least for a while and perhaps was waiting for her majority to say yes. The story of Mary Morrison tells us that no one is master of the line of his or her life.

When you find love TAKE IT! Don’t delay! You may never have another chance.

Poosie Nancy’s one of Robert Burns’s pubs. I have been there and had dinner and a few drinks afterward. I recited his poems and as the evening wore on we walked to the graveyard to see the stone of MARY MORRISON:

Jazz for Record Store Day 2023 – Zev Feldman’s Quest Continues

Record producer Zev Feldman hasn’t slowed down one bit since we checked in with him about this time last year. For this year’s Record Store Day (Saturday, April 22nd), Feldman’s fingerprints are on no fewer than six releases of consistently excellent archival jazz — on four different labels, no less! All will be available on LP in limited quantities only at participating stores, beginning on RSD. CD and digital release dates vary; purchase links are included in the titles below.

Three of these releases come from the vaults of Baltimore’s Left Bank Jazz Society, which sponsored concerts by a multitude of great musicians for 50 years starting in 1964; two of them are the latest in a series from Cory Weeds’ Vancouver-based Reel to Real Recordings. On Bish at the Bank: Live in Baltimore, pianist Walter Bishop Jr. leads a quartet of first-class players — including saxophonist/flutist Harold Vick, bassist Lou McIntosh and drummer Dick Berk — through sets from 1966 & 1967 marked by thrillingly extroverted, thoroughly satisfying interplay. Confident and crisp, Bishop and his bunch leave a distinctive, sparkling mark on standards, blues and a hefty chunk of Miles Davis’ repertoire, based in classic bebop stylings but stretching the idiom to a John-Coltrane-tinged probing of “Willow Weep for Me” (complete with soprano sax).

If Bishop’s music sparkles, organist Shirley Scott’s Queen Talk: Live at the Left Bank positively sizzles! Playing a classic Hammond B-3 (and providing her own bass lines on foot pedals) for this 1972 date, Scott, backed by George Coleman on tenor sax and Kenny Dorham on drums, leaps out of the gate ablaze on Coltrane’s “Impressions”, lays down smoky grooves that ground the contemporary hits “Never Can Say Goodbye” and “By the Time I Get To Phoenix”, and steps out in high style for the standards “Witchcraft” and “Like Someone in Love”. And when vocalist Ernie Andrews joins the party towards the end, full-fledged testifying breaks out and the blues prevail.

The third Jazz Society show, Sonny Stitt’s Boppin’ in Baltimore: Live at the Left Bank, is being released through Feldman’s new Deep Digs Music Group, on his fledgling Jazz Detective label. A giant on both alto and tenor sax, Stitt took the legacy of Charlie Parker to new heights of innovative expression; for this 1973 set, he brings a sweet, dancing touch to ballads “Lover Man” and “Stella By Starlight”, digs into the challenging changes of “Star Eyes” and “They Can’t Take That Away from Me” and turbocharges multiple 12-bar hard bop workouts. The veteran rhythm section of Kenny Barron on piano, Sam Jones on bass, Louis Hayes on drums meets the challenge of keeping up with Stitt with energy to spare, prodding his creativity onward and upward while asserting a presence all their own. Exhilarating stuff!

The other Jazz Detective release, Blue Room: The 1979 VARA Studio Sessions in Holland, provides an evocative distillation of the magic trumpeter/singer Chet Baker could conjure, taken from two Dutch studio sessions. Given room to explore on Wayne Shorter’s bossa nova “Beautiful Black Eyes” and the title ballad, Baker’s tone is rich and his improv work a thing of genuine beauty; his dashing up-tempo takes on “The Best Thing for You” and “That Old Devil Moon” build delightful momentum; and his vocals on “Oh You Crazy Moon” and “Candy” are finely shaded, with pensively inventive scat episodes. A variety of players provide empathetic backing; Phil Markowitz’s interactive piano and Jean-Louis Rassinfosse’s sturdy bass stand out.

In lieu of a new release, Resonance Recordings (where Feldman made his initial impact and continues as Co-President) is offering a second LP edition of Eric Dolphy, Musical Prophet: The Expanded 1963 New York Studio Sessions. A fellow traveler with cutting-edge players such as Coltrane and bassist Charles Mingus, Dolphy brought a refined yet pungent new voice to the alto sax, flute and bass clarinet. This comprehensive set includes the solo albums Conversations and Iron Man (recorded by Jimi Hendrix’s future producer Alan Douglas with an all-star session group), plus outtakes and “A Personal Statement”, a flamboyant neoclassical piece by future smooth-jazz stalwart Bob James (?!?). Fusing primal hollers and sophisticated dissonance into a spicy musical gumbo, Dolphy was deprived of appropriate recognition by his early death; this multifaceted compilation lays out his unique contributions to jazz for all to hear.

The final Feldman RSD release, Bill Evans’ Treasures: Solo, Trio & Orchestra Recordings from Denmark (1965-1969) on Elemental Music, was not yet available for review — but based on previous finds like 2020’s Live at Ronnie Scott’s and last year’s Morning Glory and Inner Spirit, it should be another winner. Kudos to Zev Feldman and to all involved for the cornucopia of great jazz from the past that makes every Record Store Day an eagerly anticipated event, and will enrich fans of the music for years to come.

— Rick Krueger


Exodusters–Voting with one’s feet

                  One of the greatest rights any person can hold is the “right to exit,” that is, the right and ability to depart a bad situation in search of a better one.  With the failure and end of post-Civil War Reconstruction in 1877, numerous ex-slaves voted with their feet, leaving the South for the American West.  The 1870s and 1880s witnessed the beginning of the plains settlement boom, and blacks migrated in significant numbers to western Kansas, western Nebraska, and Oklahoma.  Known as Exodusters, these blacks shook the dust of southern prejudice off their feet.  The Homestead Act of 1862, one of the most liberal and republican of all American laws, did not discriminate on basis of race, and any black males or single black females were welcome to take up a government-provided homestead.  Though records were poorly kept, almost 40,000 blacks migrated to the new communities.  Like many or the original European-derived Great Plains communities, few of these black Gilded Age settlements remain at the beginning of the twenty-first century.  The most prominent of those still extant is Nicodemus in Graham County, Kansas.  It had been the earliest of the Exoduster communities, founded in 1877.

                  The two most prominent individuals in the great exodus from the South were Louisianan Henry Adams, a former slave, and Benjamin “Pap” Singleton.  Both men mixed self-help philosophy and God-given drive with entrepreneurial boosterism to promote the black settlements.  “What’s going to be a hundred years from now ain’t much account to us,” Singleton said, and the “whites has the lands and the sense, an’ the blacks has nothin’ but their freedom, an’ it’s jest like a dream to them.” The promoters sent advertising circulars to black churches, mostly located in the border states and upper South.  Most of the Exodusters came from Tennessee.

                  The enterprise faced many obstacles.  First, many southern whites feared the loss of exploitable, cheap labor.  Armed throughout river ports in the South, whites physically prevented innumerable blacks from migrating.  Second, unlike the many European immigrants to the high plains who had first lived in the steppes of Russia, the blacks from the South had no experience with dry farming.  Continental weather patterns and very little rain hindered black agricultural efforts at first.

                  Still, the new settlers overcame these difficulties and created thriving communities.  “When I landed on the soil I looked on the ground and I says this is free ground,” one black settler said. “Then I looked on the heavens and I says them is free and beautiful heavens. Then I looked within my heart and I says to myself, I wonder why I was never free before?”  A Great Bend, Kansas, newspaper editorialized: “We have been so long aiding white people coming here that certainly no one would think of refusing the freedom of the state to a few hundred colored people seeking liberty and a home.  Treat the colored people exactly the same as if they were white people in like circumstances.”  By 1890, blacks owned roughly 20,000 acres in Kansas.  Inspired by the philosophy of Booker T. Washington, another 50,000 blacks settled in Indian Territory in the 1890s.  The leader of the Oklahoma migrations, Edward McCabe, desired the creation of an independent black state.

                  Blacks participated in more western activities than just farming.  A goodly percentage worked as cowboys or on railroads.  Most famous among western blacks were the so-called “Buffalo Soldiers,” who fought in several important Indian battles between the Civil War and 1890.  Stripped down to peacetime size after the Civil War, the frontier army relied heavily–sometimes exclusively–on black soldiers.  Buffalo soldiers served in campaigns against the Sioux, the Cheyenne, the Comanche, the Kiowa, the Ute, and the Apache.  Black troops also protected the United States border against Mexican bandits.  Congress awarded fourteen medals of honor to black soldiers between 1870 and 1890.

–Brad Birzer


Gaining a Nation, Losing the Republic: 

Reconstruction, 1863-1877

Bradley J. Birzer, Hillsdale College

For Sheldon Richman/The FREEMAN, January 2011

A dead president, carpetbaggers, scalawags, burning crosses, white hoods, an occupied South, Boss Tweed, Thomas Nast cartoons, the New York Democratic machine, and an imprisoned Jefferson Davis give us vivid images of the dozen years following the surrender of Robert E. Lee’s forces at Appomattox in April, 1865.  As every historian knows, often to his chagrin, these twelve years were tumultuous, confusing, and chaotic, especially in hindsight.  The time period, is also, of course, a let down after the tragedies and nobilities of the Civil War years.  Whereas men had clear purpose—no matter what side the person chose—during the war, political compromises and plunder defined Reconstruction.

A period of governmental corruption, monetary instability, gross expansion of political power, the solidification of public schooling, Anglo-Saxon racialist beliefs, manifest destiny, Indian Wars, and extreme violence, Reconstruction witnessed a giant leap toward a cohesive nation-state and far away from the founding vision of a decentralized federal republic.  

Plunder, Not Peace

A mere two months before John Wilkes Booth assassinated him, President Abraham Lincoln met with his two top generals, Ulysses S. Grant and William Tecumseh Sherman, on the steamship, The River Queen, just outside of Hampton Roads, Virginia.  Though Lincoln would call for “malice toward none” and “charity for all” in his second inaugural, delivered early March of the same year, he offered his fullest plan and desires for what a reconstructed union might look like in a private conversation with Grant and Sherman.  Lincoln, he assured them, wanted nothing more than 

to get the deluded men of the rebel armies disarmed and back to their homes. . . Let them once surrender and reach their homes, [and] they won’t take up arms again. . . . Let them all go, officers and all, I want submission and no more bloodshed. . . I want no one punished; treat them liberally all around.  We want those people to return to their allegiance to the Union and submit to the laws.[1]

While Lincoln had waged a terribly hard and total war, he also desired the softest peace possible.  Indeed, if one takes Lincoln’s words on The River Queen at face value, the United States of 1865 would look very much like the United States of 1860, with one exception: returning states would need to accept the emancipation of all slaves through the Thirteenth Amendment to the U.S. Constitution.  His architects of total war, Grant and Sherman, agreed completely with the president.  Neither of Lincoln’s generals knew how much longer the war would last, they explained to him, but they believed the war was rapidly approaching its an end with possibly only one or two major battles left.  They had reached endgame.

            When Booth cut down Lincoln at Ford’s Theater on Good Friday, two months later, he changed the entire course of American history.  Had Lincoln presided over the peace following the war, one has no reason to doubt, he would have reconciled constitutional relations with, among, and between the former Confederate states, officers, and citizens as quickly as politically possible.  The war, after all, had been viewed by almost all sides as a noble tragedy for the common good of the republic and the vision (no matter how varied) of the American founding fathers.  Men, for the most part, had chosen to fight, and they had chosen to fight, again and again.  Though a draft existed in the North, for example, after the summer of 1863, ninety-four percent of all Union soldiers had volunteered.  As General Joshua Chamberlain, the classicist from Maine’s Bowdoin College, had astutely observed of the surrender ceremonies in April, 1865:

Honor answering honor. . . . [as men] of near blood born, made nearer by blood shed. . . . On our part not a sound or a trumpet more, nor roll of drum; nor a cheer, nor word nor whisper of vain-glory, nor motion of man standing again at the order, but an awed stillness rather, and breath-holding.[2]

Just outside of Appomattox Courthouse, Robert E. Lee’s former Confederate forces, what remained of the Army of Northern Virginia, walked through two lines of Union soldiers.  The Union soldiers saluted the defeated for hours on end that day. “Reluctantly, with agony of expression,” Chamberlain recorded, the Confederate soldiers

tenderly fold their flags, battle-worn and torn, blood-stained, heart holding colors, and lay them down; some frenziedly rushing from the ranks, kneeling over them, clinging to them, pressing them to their lips with burning tears.[3]

Such a scene, of course, is a far cry from the militarization and politicization, the martial law and the intrusion of Leviathan that one normally associates with Reconstruction as it actually happened.  Though President Jefferson Davis’s final executive order called for all CSA troops to divide into terrorist cells and launch attacks against civilians and urban areas, Robert E. Lee countermanded the order through deed and word, telling the men to “be good citizens as they had been soldiers.”[4]

            With Lincoln’s death, though, the war became personal in a way that it had not been during the mass bloodshed of the previous four years.  To many in the country, especially in the North, Lincoln’s death transformed him into a full-fledged American martyr, and his reputation exploded.  Those who took most advantage of this loss and manipulated it to their advantage were the Radicals within the Republican party—Senator Benjamin Wade of Ohio, Senator Charles Sumner of Massachusetts, Representative Thaddeus Stevens of Pennsylvania, and Representative George Julian of Indiana, to name a few–men who had despised and resented Lincoln as a spineless moderate, lacking a proper nationalist and vindictive streak.  

The Radicals had attempted nothing less than a Congressional coup against Lincoln in December, 1862, had openly desired a military dictatorship throughout much of the war, and had proposed their own version of Reconstruction as early as 1863.  Their vision of post-war America involved remaking the entirety of the South in their own image, with extensive punishment for all involved.  Just as they had wanted Lincoln to wage an ever increasingly hard war, they wanted a peace imposed by the sword.  Lincoln’s death provided them with a symbol around which to rally Northerners against their southern brethren.  “Within eight hours of his murder Republican Congressmen in secret caucus agreed,” as Lincoln biographer, David Donald explained, “that ‘his death is a godsend to our cause.’”  As the leader of the Radicals, the Ohio Senator Ben Wade, stated, “there will be no more trouble running the government.”[5]  

Wade and his fellow Radicals would have no small part in nationalizing the United States over the next dozen years. “The New England reformers thought they had struck down evil incarnate when they crushed the Sable Genius of the South; and their horror at the corruption and chaos of the Gilded Age was intensified proportionately as they discovered the extent of their own previous naiveté,” the cultural critic and historian, Russell Kirk wrote.  “They had dreaded an era of Jefferson Davis; but now they were in an era” of the radicals and “of worse.”  The true reformers “awoke to find their fellow-Republicans, the oligarchs of their party, intent upon concrete plunder.”[6]

And, Leviathan Expands Again

            Not surprisingly, the size of government grew dramatically during the four years of the Civil War.  The Union printed greenbacks, founded the U.S. Secret Service (the second federal police force, the first having been set up after the passage of the Fugitive Slave Law of 1850) to protect the green fiat money, taxed incomes, promoted university education, built war factories and railroads, raised tariffs, declared—in some places—martial law and suspended freedoms of speech and habeas corpus, used troops to break labor strikes, and encouraged mobs to do what it believed it could not do openly.  In the South, President Jefferson Davis nullified the Confederate constitution almost from day one.  Davis often ignored Congress and his own Vice President, and he used the full power of his office to harass any political opposition.  Most notably, through fraud, Davis shut down the one opposition to develop, the classical liberal “Conservative Party” of North Carolina.  The CSA taxed incomes, excess profits, and licenses, and raised tariffs on imports as well as exports.  Because currency flowed only intermittently throughout the South, the CSA printed an outrageous amount of paper currency and established—to the horror of average southerners—the Tax-In-Kind men, empowered by the government to take whatever livestock, produce, and materiel they deemed necessary for the war effort.  Unlike the North, the South conscripted throughout much of the war, set prices, and enforced loyalty oaths.  The CSA, contrary to popular memory, also rigorously enforced its own laws against the several states making up the Confederacy.

            In terms of institutional history, very few of these laws continued into the period of Reconstruction.  With the collapse of the Confederate government, no confederate laws continued, of course.  With the end of the war, the Union repealed many, if not most, of its war measures.  The legacy and symbolism of such martial laws, however, remained into the Progressive period and beyond.  If Lincoln could centralize the Union and defeat the Confederacy and Slavery, could we not also use the federal government to wage war against poor standards, poverty, immigrants, or whatever thing the individual Progressive might resent?  In this, the memory and influence of Civil War legacy is a powerful one.  Perhaps no figure better represents this than John Wesley Powell, a Union officer who lost his arm in the 1862 Battle of Shiloh, and is often regarded as the father of American progressives.  Tellingly, through the Department of the Interior, the U.S. Geological Survey, and the Bureau of Ethnography, Powell crafted and promoted plans to remake the West (sometimes, physically) through the powers of the federal government.

            Believing the federal government under Lincoln had never gone far enough, the Radicals of Reconstruction expanded the scope and reach of the federal government as quickly as possible.   Not only did the Fourteenth Amendment to the U.S. Constitution nationalize the Bill of Rights, but it also repositioned virtually all federal law as superior to all state and local laws, thus attenuating even further the already difficult balance of federalism.  Most Reconstruction laws began in the Radical-controlled congressional Joint Committee on Reconstruction, dominated by Ben Wade.  Most importantly, through the impetus of the Joint Committee, Congress passed a series of haphazard laws establishing martial law over various districts of the South.  The rule of law, such that it was, was enforced through military rather than civilian courts.  Through a series of laws, Congress provided extensive funding for public schooling, welfare (direct aid) for freed slaves, and, sometimes, enforced the property rights of blacks.  None of this should suggest that somehow the Radicals were, as a whole, pro-black.  As the Pulitzer-prize winning historian T.H. Williams once noted, the Radicals “loved the Negro less for himself than as an instrument with which they might fasten Republican political and economic control upon the South.”[7]  In reality, the Radicals were little better in their promotion of rights, dignity, and liberties blacks than had been the plantation owners of the previous generations.  Each—white men of the North and South—desired to manipulate the black population for their own aggrandizement and profit.  As Robert Higgs has definitively shown in his path-breaking work, Competition and Coercion, American freedmen did exceedingly well in terms of culture, economics, and literacy in the fifty years after emancipation.  But, as Higgs persuasively argues, they did so through their own efforts and despite significant government and societal obstacles. 

Free from competitive counterpressures and strongly equipped to enforce compliance, public officials could discriminate pretty much as their pleasure or caprice might dictate.  Under these circumstances it was a definite blessing for the blacks that the governments of the post-bellum South were still quite limited in the range of functions to which they attended.  Such salvation as the black man found, he found in the private sector.[8]

By 1910, Higgs shows, one in four blacks owned his own land, two-parent stable families accounted for all black families, and 70% of all blacks were literate.  By any measure, these are impressive gains considering the overwhelming majority of American blacks had never had a choice over any one of these things before the passage of the Fourteenth Amendment.

Not surprisingly, given the abusive attitudes white Radicals held toward American blacks, corruption proved endemic to the entire Reconstruction effort. So much money flowed from Congress into the reconstructed South that manipulators and opportunists profited wherever and whenever possible, which was more often than not.  The Reconstruction governments simply had no manpower or will to prevent the corruption.  More often than not, they participated directly in the corruption, using it for political gain.  The famous nineteenth-century Scottish observer of America, James Bryce, recorded his own thoughts on the time period.  “Such a Saturnalia of robbery and jobbery has seldom been seen in any civilized country, and certainly never before under the forms of a free self-government,” he wrote in his The American Commonwealth, comparing the American officials of Reconstruction to Roman provincial governors in the last days of the Republic.  

Greed was unchecked and roguery unabashed. The methods of plunder were numerous. Every branch of administration became wasteful. Public contracts were jobbed, and the profits shared. Extravagant salaries were paid to legislators; extravagant charges allowed for all sorts of work done at the public cost. But perhaps the commonest form of robbery, and that conducted on the largest scale, was for the legislature to direct the issue of bonds in aid of a railroad or other public work, these bonds being then delivered to contractors who sold them, shared the proceeds with the governing ring, and omitted to execute the work. Much money was however taken in an even more direct fashion from the state treasury or from that of the local authority; and as not only the guardians of the public funds, but even, in many cases, the courts of law, were under the control of the thieves, discovery was difficult and redress unattainable. In this way the industrious and property-holding classes saw the burdens of the state increase, with no power of arresting the process.[9]

While almost all white leftist historians have downplayed or ignored this corruption since the 1960s, they do so at great peril to the dictates of honesty and truth.[10]

As they had failed to do with Abraham Lincoln in the attempted Congressional coup of December 1862, the Radicals tried to gain control of President Andrew Johnson’s cabinet.  When Johnson violated this law in February of 1868, the House of Representatives impeached the president on a vote of 126-47, following strict party lines.  The failure of the Senate to support the House’s impeachment somewhat attenuated the strength and confidence of the Radicals.  Indeed, though Radical regimes remained in power until 1876, the Radicals never again wielded the same kind of power as they had in the second half of the 1860s.[11]

The Lingering Agony of Nationalism

            In part, the Radicals also failed because the eighteenth president of the United States, Ulysses S. Grant, never accepted the fanatical premises upon which Radicalism had developed.[12]  A moderate Republican at best, Grant resented the post-war bloodthirstiness of the Radicals, few of whom had ever seen battle.  Despite this, Grant was a determined nationalist and, when he was not dealing with the corruption in his own administration, he was promoting “Americanness” wherever possible.  This became most clear in his policy toward the American Indians.  

U.S. Government relations the Indians had never been consistent.  It had gravitated between vicious brutality toward the Indians (as had been the case under Andrew Jackson) to respect and protection of Indian property (such as had been the case under Franklin Pierce).  After the Civil War, under the Johnson and Grant administrations, the U.S. Government waged a fierce war against the American Indians, confiscating their best property, relegating what remained of the tribe to the worst land.  The greatest atrocity committed by the federal government against American Indians came just at the very end of the Reconstruction period.  After a tragic misunderstanding, the military decided to round up, forcibly remove, and detain a sizeable minority of the Nez Perce Indians, a tribe faithfully allied to America since 1805.  When the Nez Perce understandably resisted, the government spared neither time nor expense to defeat them.  As the periodical, The Nation, reported:

How far the Indian insurrection on the Pacific Slope is for the present suppressed is not decided, but it were well, while its lesson is fresh, to realize that the Nez-Perces are not to blame for the expensive and sanguinary campaign, unless being goaded into a brief madness by the direct and endless oppression of our Federal authorities be blameworthy. . . . the neglect and bad faith of the general Government, continued for a quarter of a century, are apparent in the records of Congress.  There was swindling, not in petty matters and by individuals, requiring detection and proof, but on a grand scale by the United States itself.[13]

 It would be difficult to find a more telling example of government corruption and abuse of power during this period than its directing of the military against a peaceful, allied people, farmers and ranchers who had been occupying the same land—the Palouse and Camas Prairies of the Pacific Northwest—for nearly five hundred years.

Nation-building always and everywhere demands conformity and destruction of local and individual differences.  To overcome such divisions, the nation must create a religious type of myth and fundamental symbols to rally the population, and defend itself with unrelenting force.  The Reconstruction government did all of this without apology, and immigrants (especially Roman Catholics), blacks, and Indians suffered intensely.  “Nationalism in the sense of national greed has supplanted Liberalism,” one of the great classical liberals of the day, E.L. Godkin, noted in hindsight in 1900. “We hear no more of natural rights, but of inferior races, whose part it is to submit to the government of those whom God has made their superiors.”  Americans, Godkin argued, had forsaken the Declaration of Independence as well as the Constitution.  Further, he wrote, “The great party which boasted that it had secured for the negro the rights of humanity and of citizenship now listens in silence to proclamations of White Supremacy.”[14]

Men who had fought valiantly on the battlefields of the Civil War must have asked themselves what it all had meant, if anything?

Bradley J. Birzer is the Russell Amos Kirk Chair in American Studies and Professor of History, Hillsdale College, Michigan.  He is the author of several books, including his most recent about the American founding, American Cicero: The Life of Charles Carroll (ISI Books, 2010).  He dedicates this article—for his friendship and inspiration for over twenty years—to Larry Reed.

[1] Lincoln’s conversation quoted in Jay Winik, April 1865: The Month That Saved America (New York: HarperCollins, 2001), 68.

[2] Chamberlain quoted in Nesbitt, ed., Through Blood and Fire: Selected Civil War Papers of Major Joshua Chamberlain (Stackpole Books, 1996), 175.

[3] Chamberlain quoted in Mark Nesbitt, ed., Through Blood and Fire, 176.

[4] Jeffrey Hummel, Emancipating Slaves: Enslaving Free Men: A History of the American Civil War (Chicago, IL: Open Court, 1996), 282; and Robert E. Lee quoted in Bruce Catton, The American Heritage New History of the Civil War, 570.

[5] David Donald, Lincoln Reconsidered: Essays on the Civil War Era, 2nd ed., enlarged (New York: Vintage, 1956), 4.

[6] Russell Kirk, The Conservative Mind, 1st ed., (Chicago, IL: Regnery, 1953), pg. 295.

[7] T.H. Williams quoted in Donald, Lincoln Reconsidered, 105.  The obvious exception to this is Thaddeus Stevens.

[8] Robert Higgs, Competition and Coercion: Blacks in the American Economy, 1865-1914 (Chicago, IL: University of Chicago Press, 1980), 133.

[9] James Bryce, The American Commonwealth, with an Introduction by Gary L. McDowell (Indianapolis: Liberty Fund, 1995). Vol. 2: 335-336.

[10] Whether one should emphasize the corruption of the Reconstruction period is an issue hotly debated by historians over the previous century.  While few historians outright dismiss the extent of the corruption, most historians since the 1960s have chosen to see Reconstruction as a failed noble attempt, branding those who focus on the corruption as somehow lacking in idealism.  See especially Kenneth Stampp, “The Tragic Legend of Reconstruction,” the first chapter of his The Era of Reconstruction, 1865-1877 (New York: Alfred A. Knopf, 1965), 3-23.  Unfortunately, Stampp’s view has become orthodoxy among professional historians.

[11] James McPherson, Ordeal by Fire: The Civil War and Reconstruction 3d ed. (New York: McGraw Hill, 2001), 572-581.

[12] The best biography of Grant is Josiah Bunting III, Ulysses S. Grant: The 18th President, 1869-1877 (Times Books, 2004).

[13] The Nation (August 2, 1877).

[14] E.L. Godkin, “The Eclipse of Liberalism,” The Nation (August 9, 1900), 105.