A Deluge Of Music From Transatlantic

Prog supergroup Transatlantic (Mike Portnoy, Neal Morse, Pete Trewavas, and Roine Stolt) are releasing their fifth album next month, and it is an unprecedented project. Fans have a choice of not one, but TWO versions of the new album, entitled The Absolute Universe – a two-disc edition and a single-disc one, or a huge 5-LP, 3-CD, Blu-Ray boxset that includes both. In case you’re assuming the single-disc album is merely an edited, shorter version of the two-disc one, let me set you straight: these are two different albums that share some of the same musical themes and a few songs.

Let’s start with the single-disc version, The Breath of Life. The most obvious comparison is to Transatlantic’s third album, The Whirlwind, because TBOL is also one long song divided into sections. I think it is superior to The Whirlwind due to a greater variety of melodies and musical styles. The band has never sounded tighter, either. Portnoy’s drum work is phenomenal, particularly on the King Crimsonesque Owl Howl. All the members take lead vocals for various sections, and they all contribute music compositions. Trewavas’ Solitude is an especially nice passage, while Morse adds his unerring musical magic throughout the album.

Something I find fascinating is Morse’s statement in the liner notes that “everyone writes their own lyrics to their sections and we don’t usually discuss what it’s all about. Sometimes we’re writing about different things in different sections, but somehow it all works together in the end.” That four different personalities can combine to create as cohesive a work as The Absolute Universe is nothing short of miraculous.

Portnoy has stated that The Absolute Universe is a concept album, and that it touches on the events of 2020. For example, Morse’s lyrics

Where were you when everyone/Crashed and burned and fell/Into the silence of the sun/With nothing to be done

refers to his sense of God abandoning the world at the height of the pandemic.

Likewise, the lines

Where were all the seats preferred/And all the wise men winding up/The wisest of all words/And God’s love like dinner served/But now we wonder at the warning

is about lockdowns prohibiting gatherings and other social interaction.

TBOL ends on a high note with the exhilarating The Greatest Story Never Ends which segues into the spectacular finale of Love Made A Way, which is an acknowledgment that God actually has been present throughout all the tribulations of 2020. Musically, this song is one of the finest Transatlantic has ever recorded.

After listening several times to The Breath Of Life, I turned my attention to the double-disc Forevermore expecting to hear longer versions of the songs. Nope! This is a separate album from TBOL that happens to share a few musical sections. As good as TBOL is, Forevermore is even better. I can’t put my finger on exactly why I prefer it, except that it strikes me as more energetic and the songs that are unique to it are simply wonderful.

For example, if I only had TBOL, I would miss hearing Heart Like A Whirlwind, The Darkness In The Light, the delightfully poppy Rainbow Sky, and Stolt’s magnificent The World We Used To Know. Those are all essential Transatlantic songs now, and I would be much poorer for not having heard them.

So what’s my recommendation? Fans of Transatlantic will want to get both albums. True fanatics will splurge for the box set, which includes both versions on CD and vinyl, as well as a BluRay documentary of the making of The Absolute Universe. If I had to choose just one, I would pick Forevermore without hesitation. The good news is, you can’t really go wrong – it’s ALL great music, no matter what you go for. 

You can pre-order The Absolute Universe at nealmorse.com.

Update: I neglected to mention that the BluRay also has a 5.1 mix of the album, and you can purchase it separately. For those fans with surround sound systems, that is probably the best deal!

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