Category Archives: Art

The O Antiphons: O King of the Nations

The O Antiphon for Magnificat at Vespers on December 22:

O King of the nations, the ruler they long for, the cornerstone uniting all people: come and save us all, whom you formed out of clay.

For their 2016 debut recording Drop Down, Ye Heavens, the London-based student-formed choir Siglo de Oro commissioned a new set of O Antiphons from various British composers, sung in English and set for choir and saxophone.  Here is Gareth Wilson’s yearning setting of “O King of the Nations”:

O come, Desire of nations, bind
In one the hearts of all mankind;
Bid Thou our sad divisions cease,
And be Thyself our King of Peace.

Rejoice! Rejoice! Emmanuel
Shall come to thee, O Israel!

— Rick Krueger

(Image: O Rex Gentium by Linda Henke, Te Deum Designs.)

The O Antiphons: O Key of David

The O Antiphon for Magnificat at Vespers on December 20:

O Key of David and scepter of the house of Israel, you open and no one can close, you close and no one can open: come and rescue the prisoners who are in darkness and the shadow of death.

For their 2016 debut recording Drop Down, Ye Heavens, the London-based student-formed choir Siglo de Oro commissioned a new set of O Antiphons from various British composers, sung in English and set for choir and saxophone.  Here is Francis Pott’s rich setting of “O Key of David”:

O come, Thou Key of David, come,
And open wide our heav’nly home;
Make safe the way that leads on high,
And close the path to misery.

Rejoice! Rejoice! Emmanuel
Shall come to thee, O Israel!

— Rick Krueger

(Image: O Clavis David by Linda Henke, Te Deum Designs.)

The O Antiphons: O Root of Jesse

The O Antiphon for the Magnificat at Vespers on December 19:

O Root of Jesse, standing as an ensign before the peoples, before whom all kings are mute, to whom the nations will do homage: come quickly to deliver us.

Healey Willan (1880-1968), professor at the Royal Conservatory of Music in Toronto and organist at St. Mary Magdalene Church in the same city, composed a setting of The Great O Antiphons of Advent for the Lutheran Church-Missouri Synod’s Concordia Publishing House in 1957.  Here’s Willan’s setting of “O Root of Jesse,” as sung by the choir of Christ Church Cathedral in Vancouver, British Columbia:

O come, Thou Branch of Jesse’s tree,
Free them from Satan’s tyranny
That trust Thy mighty pow’r to save,
And give them vict’ry o’er the grave.

Rejoice! Rejoice! Emmanuel
Shall come to thee, O Israel!

— Rick Krueger

(Image: O Radix Jesse by Linda Witte Henke, Te Deum Designs.)

The O Antiphons: O Adonai

The O Antiphon for the Magnificat at Vespers on December 18:

O Adonai and ruler of the house of Israel, who appeared to Moses in the burning bush and gave him the Law on Sinai: come with an outstretched arm and redeem us.

Healey Willan (1880-1968), professor at the Royal Conservatory of Music in Toronto and organist at St. Mary Magdalene Church in the same city, composed a setting of The Great O Antiphons of Advent for the Lutheran Church-Missouri Synod’s Concordia Publishing House in 1957.  Here’s Willan’s setting of “O Adonai,” as sung by the choir of Christ Church Cathedral in Vancouver, British Columbia:

O come, O come, Thou Lord of might,
Who to Thy tribes on Sinai’s height
In ancient times didst give the Law
In cloud and majesty and awe.

Rejoice! Rejoice! Emmanuel
Shall come to thee, O Israel!

-Rick Krueger

(Image: O Adonai by Linda Witte Henke, Te Deum Designs.)

 

The O Antiphons: O Wisdom

From Kevin Hildebrand, kantor at Concordia Theological Seminary in Fort Wayne, Indiana:

An antiphon is a term we see in worship regularly. An antiphon is a refrain that is sung before (and sometimes after and during) a Psalm or other song, and it’s typically is a Bible verse or a historic liturgical text.

The origin of the O Antiphons is around the eighth century. In larger cities and monasteries, it was customary to have services daily (or several times a day), and in the seven days before Christmas Eve, it became a regular practice to sing the assigned O Antiphon before and after the Magnificat ( “My soul magnifies the Lord.”) at the evening Vespers service.

In the twelfth or thirteenth century, these antiphons were paraphrased into metrical, poetic verses which became the hymn, “O Come, O Come, Emmanuel.”

The initial O Antiphon, for Vespers on December 17:

O Wisdom, proceeding from the mouth of the Most High, pervading and permeating all creation, mightily ordering all things: come and teach us the way of prudence.

For their 2016 debut recording Drop Down, Ye Heavens, the London-based student-formed choir Siglo de Oro commissioned a new set of O Antiphons from various British composers, sung in English and set for choir and saxophone.  Here is Will Todd’s thrilling setting of “O Wisdom”:

O come, Thou Wisdom from on high,
Who ord’rest all things mightily;
To us the path of knowledge show,
And teach us in her ways to go.

Rejoice! Rejoice! Emmanuel
Shall come to thee, O Israel!

— Rick Krueger

(Image: O Sapentia by Linda Witte Henke, Te Deum Designs)

 

 

 

Full Bleed Vol. 3: Heavy Rotation by IDW Publishing — Kickstarter

FULL BLEED is like Rolling Stone, the old Comics Journals, and an art book had a baby. A PRINT-ONLY 200-page hardcover “magazine,” curated and edited by IDW Publishing’s Dirk Wood and Ted Adams. By merging the best in comics, fiction, non-fiction, deep dive interviews, opinion, history, think-pieces and more, FULL BLEED is a reading experience like no other, and a beautiful addition to any bookshelf. Looking through an international lens, but filtered through the unique perspective of the IDW:PDX satellite office in Portland Oregon, FULL BLEED tackles all aspects of the creative culture, and beyond — comics, music, film, tv, fine art, photography, design, politics and more. FULL BLEED seeks total diversity: diversity in content, diversity in creator and contributor, diversity in genre. Every page turned reveals a surprise.
— Read on www.kickstarter.com/projects/41834867/full-bleed-vol-3-heavy-rotation

Given that ROLLING STONE was a horrible rag from its beginning, I’m not fond of the description of FULL BLEED as its love child, but such is life. Regardless, I love this magazine. The first two issues were fantastic–each works of art, in and of themselves, covering the full gamut of comic culture. Treat yourself to vols. 3 and 4–you won’t be disappointed. I was Kickstarter No. 3 and rather proud of it.

Best prog rock of 2018

Top albums of 2018

Well, stunningly, it’s that time of year—the time we begin to assess the best of that which came throughout the year.  At age 51, these years fly by, faster and faster.  Time devours, but individuals innovate.  2018 has been a rather spectacular year, at least on a personal level.  In very large part, the creative soundtrack behind the year’s events proved equally spectacular.

Here are my favorite albums of 2018.

10. Galahad, Seas of Change. Stu and company nail it with this album. At once deeply progressive musically and timely politically, Galahad strike the perfect balance of art and message on this wondrous 43-minute long album (and song!). The message never becomes oppressively preachy, itself being fully integrated with the music. 

9. Bjorn Riis, Coming Home. This is the only EP to make it to my top 10 of 2018. Only 27 minutes long, Riis’s Coming Home offers more depth in music and thought than most albums can at 50 to 70 minutes. A perfectionist and a minimalist, Riis offers just enough to keep us eager for me.  As with his work on Airbag, Riis provides a lush soundscape of tundra, doted here and there with evergreens.

8. Shineback, Dial. I don’t think it’s constitutionally possible for any of the Godfrey musicians to be uninteresting. Despite having moved from the U.K. to the Philadelphia, Simon Godfrey retains all of the romantic best of the motherland. Electronic flourishes, Thomas Dolby rhythms, pop melodies, progressive and extended passages, and Godfrey’s always anxious and surreal lyrics pull the listener in, from the opening minute to the closing minute—92 minutes later!  A feast of creepiness and introspection.  Every time I listen, I realize I’m only getting about 70% of what’s going on.  This is music for headphones, to be sure.

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Submit Your Proposals: Fifth Annual Midwestern History Conference

The Midwestern History Association and the Hauenstein Center at Grand Valley State University invite proposals for papers to be delivered at the Fifth Annual Midwestern History Conference, to be held May 30-31, 2019 in Grand Rapids, Michigan.

This conference continues a discussion which has grown significantly over the last four years, at collaborative conferences designed to spark – and sustain – a revival of Midwestern studies in American historiography. Infused with varieties of original research pursued by scholars from many different career paths and stages, this annual gathering strives to cultivate rigorous historical understanding of a complex, dynamic, changing, and often misunderstood region.
— Read on mailchi.mp/c52375433445/call-for-proposals-fifth-annual-midwestern-history-conference-1262039

Sponsored and created by two great men: Gleaves Whitney and Jon Lauck.

Pink Floyd, The Preacher

Dark Side of Moon

Greg West, at The Poached Egg, has a fascinating account of how a song from Pink Floyd’s classic Dark Side of the Moon album started him on a search for meaning that ultimately led to faith. Read the whole thing – it’s a nice example of how you can find evidence of God at work in the unlikeliest of places.

StoryBundle

The Weird Thrillers Bundle, curated by Kevin J. Anderson: Just when you thought it was safe to go back to your e-reader! I’ve curated an innovative new StoryBundle, imaginative thrillers, each with a fantasy twist, some funny, some nail-biting, all enjoyable.

As always with storybundle.com, you get a lot of books and you name your own price—in this case (of strange cases!) you’ll receive 14 novels for as little as $15. A portion of the income goes directly to a wonderful charity, and the rest is split among indie authors.
— Read on storybundle.com/thriller

I’m always up for supporting Kevin J. Anderson, our greatest living sci-fi author.