Tag Archives: Glass Hammer

approaching our first birthday

Well, birthdays all around!

XTC as Dukes. Does it get much better? Yes, Steven Wilson as Porcupine Tree remixes.

Tomorrow, our wonderful poet-in-residence, Kevin McCormick, is turning 52. Just a good deck of cards.

On November 22, the website turns one. How great is this? Too great, to be sure.

Very recently, some excellent music has shown up in the Spirit of Cecilia mailbox. New Flower Kings, new Cure (well, new live Cure), new Elbow, new old Peter Gabriel, and new old Dukes of Stratosphear. Some new Bruce Soord, too. A blessing of riches. If all goes well, Glass Hammer’s remixed and renewed LEX REX should show up tomorrow.

Reviews forthcoming. . .

And, of course, expect great pieces from Tad, Erik, Mahesh, Richard, and Alex and others! All to the good.

Music Podcast Roundup

If you aren’t subscribed to Anthony Rowsick’s ProgWatch podcast, you should do it right now! He consistently has informative interviews with all kinds of artists in the progrock arena, as well as featuring the best songs from new and classic prog albums.

Tony’s latest episode is Part One of a two-part interview featuring Glass Hammer’s co-founder and bassist Steve Babb. There are lots of great Glass Hammer songs as well as interesting anecdotes from the early days of this seminal group. You can listen to it the entire show by clicking here.

Meanwhile, over at Roie Avin’s excellent Prog Report, the second part of his Neal Morse Band profile is up. It is an in-depth history of Neal Morse’s career, and definitely worth hearing if you are a fan of Spock’s Beard, Neal Morse, Transatlantic, and Flying Colors (Phew, Neal really gets around!). Click here to listen.

Finally, in case you missed it, the boys at Political Beats, Scott Bertram and Jeff Blehar, discuss the entire Electric Light Orchestra discography with guest Jack Butler in exhaustive detail. And when I say exhaustive detail, I mean 2 hours and 46 minutes’ worth. You can download the episode by clicking here.

I’m interested in hearing from our Spirit Of Cecilia readers if any of you listen to any other music-related podcasts, and how you access them. I still use an iPod nano with iTunes for a lot of my podcast listening, but I also use Castbox on my phone. Are there any podcasting apps that you are especially fond of, like Stitcher or Podbean? Let us know in comments. Happy listening!

 

Spreading the Good Word of Prog

Tony Rowsick, the host of my favorite music podcast, Prog-Watch, invited me to be a “Guest DJ” on the latest episode (#603). I had a really hard time narrowing my choices down to four songs, but I eventually settled on ones by U.K., Big Big Train (of course!), Sanguine Hum, and Glass Hammer.

You can stream the episode here, or catch it via iTunes, Stitcher, Spotify, etc. ( Just search for Prog-Watch)

If you are a lover of prog rock, then you need to subscribe to Prog-Watch. I have discovered more great artists through Tony’s show than any other source. He is also an excellent interviewer of prog’s biggest stars as well as up and coming ones. It comes out weekly, and it is well worth the time spent listening. As Tony would say, “Until next time, be good to each other, and Prog On, my brothers and sisters!”

Birzer Guide to Art Rock and Pop

Spirit of Cecilia Books has begun a series of ebooks–Cecilia’s Notations–on the history of modern music (mostly rock, pop, and jazz).

Other volumes in the series, forthcoming: on Talk Talk, Big Big Train, Rush, Glass Hammer, Tears for Fears, and Kate Bush.

To purchase the first volume of Cecilia’s Notations, Birzer Guide to Art Rock and Pop, please click here. It’s only $2.99.



Best prog rock of 2018

Top albums of 2018

Well, stunningly, it’s that time of year—the time we begin to assess the best of that which came throughout the year.  At age 51, these years fly by, faster and faster.  Time devours, but individuals innovate.  2018 has been a rather spectacular year, at least on a personal level.  In very large part, the creative soundtrack behind the year’s events proved equally spectacular.

Here are my favorite albums of 2018.

10. Galahad, Seas of Change. Stu and company nail it with this album. At once deeply progressive musically and timely politically, Galahad strike the perfect balance of art and message on this wondrous 43-minute long album (and song!). The message never becomes oppressively preachy, itself being fully integrated with the music. 

9. Bjorn Riis, Coming Home. This is the only EP to make it to my top 10 of 2018. Only 27 minutes long, Riis’s Coming Home offers more depth in music and thought than most albums can at 50 to 70 minutes. A perfectionist and a minimalist, Riis offers just enough to keep us eager for me.  As with his work on Airbag, Riis provides a lush soundscape of tundra, doted here and there with evergreens.

8. Shineback, Dial. I don’t think it’s constitutionally possible for any of the Godfrey musicians to be uninteresting. Despite having moved from the U.K. to the Philadelphia, Simon Godfrey retains all of the romantic best of the motherland. Electronic flourishes, Thomas Dolby rhythms, pop melodies, progressive and extended passages, and Godfrey’s always anxious and surreal lyrics pull the listener in, from the opening minute to the closing minute—92 minutes later!  A feast of creepiness and introspection.  Every time I listen, I realize I’m only getting about 70% of what’s going on.  This is music for headphones, to be sure.

[Please go to page 2]