Tag Archives: Glass Hammer

Spreading the Good Word of Prog

Tony Rowsick, the host of my favorite music podcast, Prog-Watch, invited me to be a “Guest DJ” on the latest episode (#603). I had a really hard time narrowing my choices down to four songs, but I eventually settled on ones by U.K., Big Big Train (of course!), Sanguine Hum, and Glass Hammer.

You can stream the episode here, or catch it via iTunes, Stitcher, Spotify, etc. ( Just search for Prog-Watch)

If you are a lover of prog rock, then you need to subscribe to Prog-Watch. I have discovered more great artists through Tony’s show than any other source. He is also an excellent interviewer of prog’s biggest stars as well as up and coming ones. It comes out weekly, and it is well worth the time spent listening. As Tony would say, “Until next time, be good to each other, and Prog On, my brothers and sisters!”

Birzer Guide to Art Rock and Pop

Spirit of Cecilia Books has begun a series of ebooks–Cecilia’s Notations–on the history of modern music (mostly rock, pop, and jazz).

Other volumes in the series, forthcoming: on Talk Talk, Big Big Train, Rush, Glass Hammer, Tears for Fears, and Kate Bush.

To purchase the first volume of Cecilia’s Notations, Birzer Guide to Art Rock and Pop, please click here. It’s only $2.99.



Best prog rock of 2018

Top albums of 2018

Well, stunningly, it’s that time of year—the time we begin to assess the best of that which came throughout the year.  At age 51, these years fly by, faster and faster.  Time devours, but individuals innovate.  2018 has been a rather spectacular year, at least on a personal level.  In very large part, the creative soundtrack behind the year’s events proved equally spectacular.

Here are my favorite albums of 2018.

10. Galahad, Seas of Change. Stu and company nail it with this album. At once deeply progressive musically and timely politically, Galahad strike the perfect balance of art and message on this wondrous 43-minute long album (and song!). The message never becomes oppressively preachy, itself being fully integrated with the music. 

9. Bjorn Riis, Coming Home. This is the only EP to make it to my top 10 of 2018. Only 27 minutes long, Riis’s Coming Home offers more depth in music and thought than most albums can at 50 to 70 minutes. A perfectionist and a minimalist, Riis offers just enough to keep us eager for me.  As with his work on Airbag, Riis provides a lush soundscape of tundra, doted here and there with evergreens.

8. Shineback, Dial. I don’t think it’s constitutionally possible for any of the Godfrey musicians to be uninteresting. Despite having moved from the U.K. to the Philadelphia, Simon Godfrey retains all of the romantic best of the motherland. Electronic flourishes, Thomas Dolby rhythms, pop melodies, progressive and extended passages, and Godfrey’s always anxious and surreal lyrics pull the listener in, from the opening minute to the closing minute—92 minutes later!  A feast of creepiness and introspection.  Every time I listen, I realize I’m only getting about 70% of what’s going on.  This is music for headphones, to be sure.

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