Category Archives: Philosophy

Galahad News

Hi Everyone,


We know that it’s not been long since the last news update, thus we could be likened to buses (Galabus anyone!?) i.e. nothing for a long while and then a couple in quick succession!


Firstly, we would just like to thank everyone who has supported and shown so much faith in us by purchasing, downloading or streaming our new album. It means so much as it helps to keep us motivated to keep writing, recording and hopefully performing again at some point, once Spencer, our wonderful drummer, has fully recovered from the return of his brain cancer, for which he has had to endure two long rounds of chemo therapy in the last couple of years. Hence why the lack of live activity as a full band on our part.


On a very positive note though, our new album ‘The Last Great Adventurer’ does which seem to be going down very well in ‘prog’ circles and beyond and has garnered some very positive reviews and responses for which we are very thankful. 


Obviously, we’d like to keep up the momentum for as long as we can by trying to increase and maintain a higher profile which isn’t that easy for a smaller band like us with limited financial and marketing resources and no back up from a large record company as such. In fact, after 37 years on the ‘scene’ as it were there a still many prog/music fans who don’t appear to have heard of us at all!!


However, although as a rule we are not really bothered about band polls as such….BUT…because of the timing and the fact that we do have a new album out there we would be incredibly grateful if you were to support us just a little bit more by voting in this year’s annual PROG Magazine readers poll, which means even more as it is voted for by actual fans. This would no doubt help to increase awareness of the band as PROG Magazine is easily the highest profile publication covering our type of music in the UK and maybe even Europe. 


It would be good to give some of the ‘big guns’ of prog a run for their money for a change.


Obviously, it’s up to everyone to decide whether to vote or not and who to vote for if they do but it would be appreciated very, very, very much by the band if you were to vote for us. 


Choices/votes can be sent by email using the subject header ‘Readers’ Poll 2022′ to: Last day for voting is 28 November.


Thank you so much in advance to those who will support us in this way and please spread the word if you can and feel so inclined.   



Vote In The Prog Magazine Readers’ Poll 2022

It’s time for Prog readers to tell us what progged their word in 2022!




We also have just a couple of other news items:



Karl Groom will shortly commence mixing our next studio album which is provisionally titled  ‘The Long Goodbye’. This was recorded during the same sessions as ’The Last Great Adventurer’ and should be released later in 2023. 



Work is on-going to finalise the LP versions of the new album. We understand from Oskar/Music Mart in Poland that there will be three vinyl versions of this album available, one standard black version plus two limited edition colour versions.


More details will follow on the above as soon as we know, so please keep your eyes peeled on our official band website as well our Facebook page.


I thank that is all for now…..apart from mentioning that we’ve included an MP3 above of a little something that Dean and Stu have put together. J





Is the new iPad lineup confusing? Let’s talk about it.

Last Tuesday, Apple released two new significant updates to its lineup of iPads. First, it brought the M2 chip to the 11-inch and 12.9-inch iPad Pro models. Those units also get a new hover mode feature for Apple Pencil. Here’s how Apple describes that feature:

Apple Pencil is now detected up to 12 mm above the display, allowing users to see a preview of their mark before they make it. This also allows users to sketch and illustrate with even greater precision, and makes everything users do with Apple Pencil even more effortless. For example, with Scribble, text fields automatically expand when the pencil gets near the screen, and handwriting converts to text even faster.

In addition, Apple also introduced a new 10th generation iPad (no suffix). This model brings the newer iPad design language to the iPad: uniform bezels and flat edges. As with the iPad Air, the Touch ID sensor has been moved to the Sleep/Wake button. As with all of its no-suffix forebears, the 10th generation iPad is limited to first generation Apple Pencil compatibility. With the 10th generation iPad, Apple also introduced the new Magic Keyboard Folio. Compatible only with the 10th generation iPad, the Magic Keyboard Folio is a two-piece design. It has a back cover with an adjustable stand and a detachable front cover that, on the inside, sports a trackpad and keyboard. In a first for an Apple-branded iPad keyboard case, there’s even a row of function keys. People have accused Apple of copying the Microsoft Surface keyboard case for years, and the Magic Keyboard Folio is certainly the most Surface-y iPad keyboard accessory yet. The 10th generation iPad also moves the front-facing camera to the landscape edge of the iPad, something no other iPad has ever had.
— Read on

50 Years of Kansas

KANSAS celebrate their 50th anniversary with release of ‘Another Fork In The Road – 50 Years Of Kansas’KANSAS, America’s legendary progressive rock band, will celebrate their 50thanniversary in 2023. To commemorate this landmark occasion, current label InsideOutMusic are pleased to announce Another Fork In  The Road – 50 Years Of Kansas for release on the 9th December 2022. A career-spanning collection, it features carefully-selected tracks from across the bands sizable discography, as well as a new version of ‘Can I Tell You’. Originally recorded and released on their 1974 debut, the song is updated by the current line-up, providing a full-circle perspective on the band’s long and continuing history that has seen them release 16 studio albums and sell in excess of 30 million albums worldwide.Phil Ehart comments: “We are really honored by the commitment that InsideOut Music has put into ‘Another Fork in the Road.’ This is far more than just another greatest hits album. ‘Another Fork in the Road’ is an in-depth representation of the evolving and winding musical journey of the band KANSAS that’s been 50 years in the making.”Another Fork In The Road – 50 Years Of Kansas will arrive as a 3CD Digipak collection, including extensive liner notes by journalist Jeff Wagner, as well as pictures of rarely-seen memorabilia and archive material, all overseen by founding member Phil Ehart. Pre-order now here: full track-listing is below. Please note, due to licensing restrictions there are minor differences between the European & North American release.

Disc 1:1.Can I Tell You (new 2022 version)2.The Absence of Presence (The Absence of Presence, 2020)3.Throwing Mountains (The Absence of Presence, 2020)4.Crowded Isolation (The Prelude Implicit, 2016)5.Summer (The Prelude Implicit, 2016)6.The Voyage of Eight Eighteen (The Prelude Implicit, 2016)7.Icarus II (Somewhere to Elsewhere, 2000)8.The Coming Dawn (Thanatopsis) (Somewhere to Elsewhere, 2000)9.Distant Vision (Somewhere to Elsewhere, 2000)10.The Wall (Always Never the Same, 1998)11.Dust in the Wind (Always Never the Same, 1998)12.Desperate Times (Freaks of Nature, 1995)13.Under The Knife (Freaks of Nature, 1995) North America Version – Disc 2:1.Fight Fire With Fire (Drastic Measures, 1983)2.End of the Age (Drastic Measures, 1983)3.Incident on a Bridge (Drastic Measures, 1983)4.Play the Game Tonight (Vinyl Confessions, 1982)5.Crossfire (Vinyl Confessions, 1982)6.Windows (Vinyl Confessions, 1982)7.Hold On (Audio-Visions, 1980)8.Loner (Audio-Visions, 1980)9.Curtain of Iron (Audio-Visions, 1980)10.No One Together (Audio-Visions, 1980)11.On The Other Side (Monolith, 1979)12.Angels Have Fallen (Monolith, 1979)13.How My Soul Cries Out For You (Monolith, 1979)
EU Version – Disc 2:1.House on Fire (In the Spirit of Things, 1988)2.Rainmaker (In the Spirit of Things, 1988)3.Silhouettes in Disguise (Power, 1986)4.Secret Service (Power, 1986)5.Three Pretenders (Power, 1986)6.End of the Age (Drastic Measures, 1983)7.Incident on a Bridge (Drastic Measures, 1983)8.Play the Game Tonight (Vinyl Confessions, 1982)9.Crossfire (Vinyl Confessions, 1982)10.Windows (Vinyl Confessions, 1982)11.Hold On (Audio-Visions, 1980)12.Loner (Audio-Visions, 1980)13.No One Together (Audio-Visions, 1980)14.On The Other Side (Monolith, 1979)15.How My Soul Cries Out For You (Monolith, 1979)Disc 3:1.Carry On Wayward Son (Two for the Show, 1978)2.Portrait (He Knew) (Point of Know Return, 1977)3.Sparks of the Tempest (Point of Know Return, 1977)4.Miracles Out of Nowhere (Leftoverture, 1976)5.Magnum Opus (Leftoverture, 1976)6.Icarus – Borne On Wings of Steel (Masque, 1975)7.Child of Innocence (Masque, 1975)8.Down The Road (Song for America, 1975)9.Song For America (Song for America, 1975)10.The Devil Game (Song for America, 1975)11.Death of Mother Nature Suite (Kansas, 1974)12.Belexes (Kansas, 1974)13.Journey From Mariabronn (Kansas, 1974)Kansas will celebrate their 50th anniversary with extensive touring in North America in 2023. The band is currently comprised of original drummer Phil Ehart, bassist/vocalist Billy Greer, vocalist/keyboardist Ronnie Platt, violinist/guitarist David Ragsdale, keyboardist/vocalist Tom Brislin, and original guitarist Richard Williams.

 For a full list of upcoming dates, head to:

With a legendary career spanning five decades, KANSAS has firmly established itself as one of America’s iconic classic rock bands. This “garage band” from Topeka released their debut album in 1974 after being discovered by Wally Gold, who worked for Don Kirshner, and have gone on to sell more than 30 million albums worldwide.

Composing a catalogue that includes sixteen studio albums and five live albums, KANSAS has produced eight gold albums, three sextuple-Platinum albums (Leftoverture, Point of Know Return, Best of KANSAS), one platinum live album (Two for the Show), one quadruple-Platinum single ‘Carry On Wayward Son,’ and another triple-Platinum single ‘Dust in the Wind.’ KANSAS appeared on the Billboard charts for over 200 weeks throughout the ‘70’s and ‘80’s and played to sold-out arenas and stadiums throughout North America, Europe and Japan. ‘Carry On Wayward Son’ continues to be one of the top five most played songs on classic rock radio, and ‘Dust In the Wind’ has been played on the radio more than three million times!

The summer of 2020 marked the release of The Absence of Presence,KANSAS’s sixteenth studio album, which debuted at #10 on Billboard’s Top Current Albums chart.  The wide-ranging progressive rock album, released by InsideOut Music, follows-up 2016’s The Prelude Implicit, which debuted at #14 on Billboard’s Top 200 Albums chart. KANSAS online:


What good is poetry? What good are prayers?

by Richard K. Munro

About fifty years ago I heard a concert given by the Scottish tenor Kenneth McKellar.    He sang of course, mostly Scottish songs -some were fabulous poems by Burns, Scott, and Byron -others were fun ditties.    But one song he sang I will never forget as it made such an impression on me.  McKellar made some comments on Scots going to sea and ship building and that everyone in the hall probably had an ancestor or relative who was in the Merchant Marine or Navy.   I remembered that my Scottish grandfather had gone to sea himself on a tall ship circa 1895 when he was eight years old.   The song McKellar sang was Sea-Fever by John Masefield (music by Ireland)

I must go down to the seas again, to the lonely sea and the sky,

And all I ask is a tall ship and a star to steer her by;

And the wheel’s kick and the wind’s song and the white sail’s shaking,

And a grey mist on the sea’s face, and a grey dawn breaking.

I must go down to the seas again, for the call of the running tide

Is a wild call and a clear call that may not be denied;

And all I ask is a windy day with the white clouds flying,

And the flung spray and the blown spume, and the sea-gulls crying.

I must go down to the seas again, to the vagrant gypsy life,

To the gull’s way and the whale’s way where the wind’s like a whetted knife;

And all I ask is a merry yarn from a laughing fellow-rover,

And quiet sleep and a sweet dream when the long trick’s over.

The first time I heard this song I did not understand it completely. 

 But I did not know that “a trick” was a sailor’s turn at the helm for a few hours.   

Later I realized the “long trick” was life itself and that the “quiet sleep and sweet dream” was death.    

 I have read the poem dozens of times in the last fifty years and heard the song in recordings by McKellar and many other times.   Today I appreciate the lovely imagery of the poem and the lure of adventure and excitement that is the sailor’s life but also how lovely it is to experience nature in person.   I know the word WHETTED means sharpened.   I know the whale’s way is the deep blue ocean. 

Reading the poem, I have some idea of what my grandfather experienced before the mast in the late 19th century. The song is forever linked to memories of my grandfather and to Kenneth McKellar and my parents who took me to see him perform at Kearny High School in Kearney New Jersey so long ago.

Poetry like prayer is important for our inner lives.   We will all have challenges and disappointments in life.  We will all know sickness (how dreary!) and the death of loved ones (how heart breaking!).  We will feel an intense emotion, but we won’t know what to say.  We will be at a loss for words or an explanation.  But the bard and songster can put our feelings into words and provide some consolation. In this poetry comes close to religion.    

Many times, people have come close to Sergeant Death in bombings of cities (I knew people who survived the London Blitz and one who was buried alive for three days).   Many times, in battle under a bombardment men huddled closely and put their hands over the bible in their front pocket or grabbed hold of their rosaries.   It is almost unbelievable to read that regiments like my grandfather’s (The Argyll and Sutherland Highlanders) were under continuous attack for thirty-six days during 2nd Ypres (1915).   The soldiers repeated the Hail Mary and the Our Father over and over and Psalm 23.  The freethinkers among them did not argue, in fact one said “GIE ME THEM BEADS!”.    They repeated together an ancient poem that some had not said since boyhood:

1)The Lord is my shepherd; I shall not want.

2 He maketh me to lie down in green pastures: he leadeth me beside the still waters.

3 He restoreth my soul: he leadeth me in the paths of righteousness for his name’s sake.

4 Yea, though I walk through the valley of the shadow of death, I will fear no evil: for thou art with me; thy rod and thy staff they comfort me.

5 Thou preparest a table before me in the presence of mine enemies: thou anointest my head with oil; my cup runneth over.

6 Surely goodness and mercy shall follow me all the days of my life: and I will dwell in the house of the Lord for ever.

And they found great comfort in these words.  I am sure many thought back to their mothers and loved ones and quiet and safe times back home.    Many found comfort in those words as no words of their own could have brought them.  

 I remember the day my mother died at age 86.  On New Year’s Day she unexpectedly had a heart attack.   She lingered a few days in the hospital but before we knew it she was gone.    It was one of the saddest days of my life.

I will never forget when my mother said to us, “This time I don’t think I am going to make it.” 

My immediate reaction was to take her by her hand now cold and weak and say with her the OUR FATHER, the Hail Mary and repeat the 23rd Psalm that she had taught me as a child.   She smiled an angelic smile and was not worried about her death and her parting from this world.   She instead was WORRIED FOR US!    She said she would be waiting on the other side in paradise, but we would suffer many years of separation.   That was my mother all over always concerned for others more than herself!

My mother had a Good Death.  There is such thing as a Good Death.  She did not suffer.  She was not alone when she died, and he lived a long life mostly in good health. 

Before my mother’s death I found it very difficult to deal with the deaths of loved ones but after her death I found a new wisdom and a maturity to endure without losing control.

My mother was very glad to have met and known and loved her three grandchildren and only wished she had more time with them.  But she was happy to know they were safe and in happy homes and had a good start at life.    She was happy they knew their own father. 

My mother never knew her father.  He was killed when she was three years old so she had no memory of him. But she heard stories about him from her mother and aunt.  She had some of his books -one was a book with illustrations of Theodore Roosevelt’s adventures in Africa and South America.   The book had his signature in it ERIC ANDERSON.   She also had his Bible that had some favorite parts starred or underlined in pencil.    She also had some of his record collection -he loved music.   Songs by John McCormack music by Rachmaninoff.   

My mother later saw McCormack and Rachmaninoff perform in person in New York.     She enjoyed the concerts very much and it gave her special pleasure to know her father had appreciated and loved those artists and now she was sharing that appreciation!

We all at some time in the mysterious future may have to endure some experience absolutely outside our present scope.   Many a man has lived happily until something made him for the first time think about committing suicide.  

Such a man or woman might be able to understand himself or herself and rise above such dark thoughts if for example he knows music Rachmaninoff wrote when he too had such self-destructive thoughts and conquered them.   Rachmaninoff had a happy, successful, and prosperous early life but when the Russian Revolution came, he lost all his savings and property and many of his friend were killed in the war or murdered by the Communists.  He came to America as a penniless immigrant without friends or connections.  Then he fell sick with the Spanish Flu and more of his friends and neighbors died including his son-in-law.  He recovered in 1919 and began to earn money as a concert pianist.  And just by dint of hard work and his musical talent he rebuilt his life and gained some financial security.  Before he died, he became a US.  citizen.

Even if we are not called to endure such extremes there are those about us, perhaps very close ,who will face situations: drug abuse, alcoholism, a car crash, mugging, sudden wealth, divorce, sudden unemployment, poverty, old age and humiliations.

  Poetry, I think, teaches wisdom and creates a deeper sympathy in our hearts.  

Poetry, like prayer, has a special power and is something we will need in our lives.   

Poetry, prayers, and songs have always been immensely valuable to me.    It is my antidote to depression, loneliness, and fatigue.  

I have often said the only time I forget that my mother is dead is when I play and sing the songs, she taught me.

We will all suffer personal loses in this life because no man and no woman are mastets of the line of his or her life. 

We are all mortal.  Genesis 3:19

 By the sweat of thy face shalt thou eat bread,

till thou return unto the ground;

for out of it wast thou taken:

for dust thou art,

and unto dust shalt thou return.

So here’s an idea.  Find a poetry anthology.  Find a poem. Find a quotation.  Perhaps a fragment of a poem or anonymous ballad.   

Any poem.  Any song.  Write it down. Say it.  Memorize it. Then when you feel down in a funk you can say it to yourself or look it up and find it and read it again.  You can say it in your head or on your tongue.   

And you will find that poetry is magic.  It restores love.  It restores joy.  It Connects to memory.  It gives us laughter and tears.   

It reminds us that life and love are just brief moments in time and that one day “the long trick” will be over. But we are not to be afraid for in our final sleep there is no pain or torment only deep peace.


By Richard K. Munro

I was surprised to see a piece on Robert Burns who is one of my favorite poets. He was also, as H.W. Brands probably knows, a favorite poet of Abraham Lincoln. Some people, if they think of him at all remember Burns as an author of romantic lyrical poems which he was.

But as you have pointed out Burns was much more. Burns was a great and original thinker who lived on the cusp of the modern age (he once took a trip on a steam powered boat) but who lived with a close tie to the Iron Age of Scotland which ended abruptly on April 16, 1746 as Toynbee pointed out some years ago. The history of Scotland that Burns knew was a series of disasters and defeats punctuated by some extraordinary victories. He was aware that some secured much less of the world’s material goods and security and others secured more than, perhaps their respective merit deserved. Burns may not have known of so-called White Privilege but he did know the privilege of rank.

“The rank is but the guinea’s stamp, the man’s the gowd (gold) for a’ that. “

Burns lived on the edge of poverty and saw sickness and early death all around him. Mary Morison, “the toast of the town” was known to be among the most beautiful women in Mauchline, Scotland from age 16 to 20.

Yestreen when to the trembling string

The dance gaed thro’ the lighted ha’

To thee my fancy took its wing,

I sat, but neither heard nor saw:

Tho’ this was fair, and that was braw,

And yon the toast of a’ the town,

I sigh’d, and said amang them a’,

“Ye are na Mary Morison.”

O Mary, canst thou wreck his peace,

Wha for thy sake wad gladly die?

Or canst thou break that heart of his,

Whase only faut is loving thee?

If love for love thou wilt na gie

At least be pity to me shown:

A thought ungentle canna be

The thought o’ Mary Morison.

Mary Morison died at age 20 she had the gift of beauty but not health or longevity.

Burns was wise but the power of his poetry is in its absolute truthfulness. Wordsworth recognized that Burn’s leading characteristic was his utter sincerity and almost absolute truthfulness. Wordsworth acknowledged few masters but of Burns he said:

Whose light I hailed when it first shone

and showed my youth

How verse may build a princely throne

On humble truth.

Burns was the son of workers from the lower levels of society and through education and talent made a name for himself. He commented on Society -both high and low-on Nature homely or beautiful with the clearest eye and the warmest Scottish heart. Burns touched life at myriad points seeing the pretence of hollowness of the men and women he met and also the sterling core of their virtues

Yes once upon a time, there was a lad born in Ayr: Robert Burns.

To go to that rude cottage of Ayr the birthplace of Burns so near the Brig o’ Doon, is to experience a secular epiphany as to the essential equality of all humanity. It is to experience awe at the true mystery of talent and genius. It is an affirmation at what secret treasures can be found hidden anywhere among any class, gender or race IF individuals are given a a proper upbringing and decent education and chance to develop, discover and explore their God-given gifts.

As Burns’ father knew it is hard to be poor . At the age of 19 Burns’ father was a homeless migrant farm laborer but he was proud he could read, write and cipher and always carried the Old Book with him. But Agnes Brown (Mrs. Burns) and her husband kept their entire family of seven under one roof and surrounded the children’s lives with care and tender love. Both mother and father displayed a piety that was neither excessive nor harsh unlike the extreme Calvinism that was the mode of the established clergy of his time. In Burn’s house physical labor was incessant, food and fuel were scarce. But education and religion were not neglected; they were held rather by the Burns family as an essential, sacred duty. And Mrs. Burns “sang so sweet” Rab oft “couldna” sleep as she crooned “the Auld Scots sangs” to him. Burns had no shame of his very humble origin:

From scenes like these old Scotia’s grandeur springs

That makes her loved at home, revered abroad

Princes and lords are but the breath of kings

An honest man’s the noblest work of God.

As John Masefield has written

I have seen flowers in stony places

and kindness done by men with ugly faces

and the gold cup won by the worst horse at the races;

So I trust too.

Sir Walter Scott, who met Burns as a boy at Adam Fergusson’s home in Edinburgh said meeting Burns was like meeting Vergil in person. He described Burns as a man of “dignified plainness and simplicity…his person was strong and robust…there was a strong expression of sense and shrewdness ..his eye was large and of a dark cast, which glowed (I say literally glowed)…when he spoke with feeling or interest. I never saw such another eye in a human head, though I have seen the most distinguished men of my time.”

Burns had no Gaelic but he read McPherson’s translations and adaptations . In addition to writing his own lyrics, Burns was a preserver, without pay, of ancient airs and songs of Scotland. Burns heard Gaelic song in the Highlands and no doubt at Ferguson’s Edinburgh home These ancient rhapsodies were interpreted for him and brought him into contact with centuries of verses praising the country, the mist-covered mountains, the flowers the birds…

Beneath the milk-white thorn that scents the evening gale…

…..flow gently sweet Afton, among they green braes, flow gently, I’ll sing a song in thy praise…

{Och} But pleasures are like poppies spread, you seize the flower, its bloom is shed

or like the snow-fall in the river a moment white then melts forever..”

In a sense Burns is a Scottish Hemingway literary but appealing to men.

Unlike Hemingway however, Burns is equally appealing to women whom Burns did not recognize as inferior to men or merely sex objects but something complementary. If not as physically strong they were if anything, worthier in some ways than men and worthy of love, protection and sacrifice:

For you sae douce ye sneer at this

ye’re nought but senseless asses, O

the wisest man the warl’ e’er saw

he dearly lov’d the lasses, O

Auld Nature swear, the lovely dears

Her noblest works she classes, O

Her prentice han’ she try’d on man

and THEN she made the lasses, O.!

Green grow the rashes, O

Green grow the rashes O

The sweetest hours that e’er I spend

Are spent among the lasses, O!

The Regiment and male bonding was great but family life, led by a good woman was the center of all that was good and clean:

To make a happy fireside clime

To weans and wife

That is the true pathos sublime

Of human life.

Burns looks firmly towards the future and democracy but he never forgot his own and his people’s past. Had he lived he might well have emigrated to America as did his direct descendants. (Filmmakers Ric and Ken Burns are direct descendants of Robert Burns. ) Burns speaks to the world, if they would hear, about the true meaning of liberty and the nobility of man -an woman too- who dwell in every land and every walk of life.

Burns suffered with the poor and oppressed be they colonials , blacks slaves from Senegal , Scots, Chinese or English or French or American factory workers.

“Man’s inhumanity to man”, he wrote , “makes countless thousands mourn”.

Wrote Burns: “Whatever mitigates the woes or increases the happiness of others, this is my criterion of goodness; and whatever injures society at large, or an individual in it, this is my measure of iniquity.”

Burns preaches not irreligion but tolerance for skeptics as well as for all faiths and denominations. Burns sings not just of woman’s beauty but of her rights and of her mind and the equality of these tender souls created in the image of God.

All that Scotland had done and suffered, the memory of her heroic but disastrous history, the heads bloodied but unbowed, the strong valiant, manhood of her Highland men, the deep sonsie lyric womanhood and pragmatism of her lassies, the memory of dualchas araid, the splendid ancient Gaelic heritage, the songs of the Hebrides, the beauty of Scotland’s nature and her scenery -of Highlands, lowlands and Islands, may have vanished without trace without the unconquerable spirit of Robert Burns.

And the British people and people ‘round the world would have been for the poorer.

Yes, all this could have been utterly destroyed by mindless uniformity, the depressing deracination of the urban poor, the manufactured ugliness of slum upon slum and a numb proletarian anomie, had Scotland been left without the Scottish and Celtic renaissance led by Burns.

Truly the pen and the heart and the lips are mightier than the sword! NE OBLIVISCARIS do not forget the poet.

Do not forget ROBERT BURNS.




There can be no question that commerce and political union tend to favor the Big Languages and marginalize other “little” languages such as Scottish Gaelic, Irish Gaelic, Navajo , Quechua, etc. I think mankind has a tendency towards monolingualism. Certainly nationalists, almost invariably, favor one official national language. So I do not believe a little Babel is built into the human soul.

Quite the contrary. One has to invest in and work at maintaining a bilingual household or to encourage polyglotism. I know this from personal experience. There are varying levels of bilingualism or multilingualism in our family. I think it highly likely that all our grandchildren will be bilingual at the very least.

However, a healthy bilingualism is possible over a long term: Switzerland is a good example. Canada (English and French) is another. The United States seems to be permanently bilingual Spanish/English in some regions. Another example would be Israel (Hebrew and English).

But I would say that Israel did not have to reach into the past to revive Hebrew. Hebrew has always been a language that has been studied and spoken aloud. In modern times it merely replaced Yiddish or Ladino. But we recall Yiddish and Ladino were often written with Hebrew characters.

Some say “Official bilingualism”, as it is called in Anglophone Canada, detracts from multiculturalism because it unfairly prioritizes French over other minority languages. Scottish Gaelic is still spoken in Nova Scotia but has diminished greatly since 1900 and has had little government support. The same is true for Canada’s indigenous languages.

But French like English is a Big Language or culture language not unlike Latin or Greek in their time.

St. Patrick could (probably )speak at least two Celtic dialects -Old Irish and British) but he wrote almost exclusively in Latin.


Because Latin was a “Big Language” or culture language in a way Irish Gaelic was not. Latin, Greek and Hebrew were Big Languages because they were languages of the Bible, a vast literature, laws etc.

So historically Big Languages (languages that are commercially or culturally important) are more likely to be a Koine or lingua franca) and so therefore much more likely to survive over a long period of time.

Italian is a lesser Big Language and so is German BUT both these languages are such powerful cultural languages (with a vast literature and musical culture) that their songs will be sung for centuries all over the world. Arabic, Chinese, Portuguese all seem to have a guaranteed future for religious, political and demographic reasons.

I have been a student of languages all of my life and now in retirement I am studying Modern Greek and Ancient Greek as well as reading Latin every day.

Most of the languages I study have strong associations with literature, poetry, and song. I have read most international literature in translation, of course, but when I have read poetry or songs in their original, I know that translations are not sufficient, so I try whenever possible to study bilingual texts and the original versions.

Each language is indeed God’s work of art. Official bilingualism may not be possible everywhere, but language studies are very important for everyone and that we should respect the cultures and languages of others. Personally, my own life and education have been greatly enriched by the study of languages. My understanding of English grammar and vocabulary has been heightened by my studies of Latin, Spanish and Portuguese grammar.

DonQuixote & Our Splendid Ancient Heritage

by RIchard K Munro

“And one morning before dawn on a hot day in July, without informing a single person of his intentions, and without anyone seeing him, he armored himself with all his armor and mounted Rocinante, wearing his poorly constructed helmet, and he grasped his shield and took up his lance and through the side door of a corral he rode out into the countryside with great joy and delight at seeing how easily he had given a beginning to his virtuous desire.”  CERVANTES

I think it was C.S. Lewis who said that one should read at least one old book for every one or two new books. Now, I love old books and the classics and when it comes to literature (drama, novels, poetry) i favor the classics. I enjoy the Beatles but if one reads their songs as poems and literature, they are quite minor when compared to the greatest songwriter ever produced by the British Isles, namely, Robert Burns. The Beatles are like nice picture postcards or cotton candy, but they are not deeply wise and as moving as, for example, as Shakerspeare, Cervantes or Tirso de Molina or Calderon de la Barca or even El Duque de Rivas.

But I always come back to Don Quixote. Instead of going back to watch “video thrillers” like The Sopranos or Stranger Things (both enteraining in their own ways) consider doing something else like reading or re-reading a classic poem or book (something over 100 years old). We have Netflix series today and movies but during the Renaissance people were engaged by the Arthurian Romance like Amadis de Gaula circa 1535 and numerous sequels. These stories all followed a similar pattern: the beautiful and virtuous damsel, incredibly handsome and brave and noble chivalrous knights, evil and treacherous villains, impossible quests. As literacy developed with the printing press the romance was what the reading public adored.

It is not insignificant that some of the Spanish Conquistadors of the 16th century named places they discovered from names that directly came from chivalric romances, for example: California. Cervantes turned this world on its head. Instead of fantasy he seemed to say I will show you the real world the real Spain, real places and real people the Spanish people and their culture. And he did. Don Quixote is a serious and tragic book but it is also one of the funniest books every written! Cervantes gave us unforgettable stories and characters and much more to laugh about and to think about.

Another thing Cervantes did was move away from stories merely focused on the court and aristocratic life to daily life of the ordinary people of Spain. We remember Don Quixote as the first novel but it was one of the first and still the greatest on the road narratives. Whomever Don Quixote finds on his travels, a nobleman, a common innkeeper, a barber, a bandit, a soldier, prisoner, a moor, or a prostitute Cervantes showed dignity and humanity in everyone.

Don Quixote proclaimed: “It is not the responsibility of knights errant to discover whether the afflicted, the enchained and the oppressed whom they encounter on the road are reduced to these circumstances and suffer this distress for their vices, or for their virtues: the knight’s sole responsibility is to succour them as people in need, having eyes only for their sufferings, not for their misdeeds.” 

And of course, Don Quixote has the delightful travelling companion the everyman of the people, Sancho Panza. It is interesting to note that Shakespeare, who was a contemporary of Cervantes, mostly wrote of the higher echelons of society, the captains and the kings, the queens, the nobility, MacBeth, Brutus, Caesar Cleopatra or Mark Anthony. The commoners are to be found in Shakespeare, of course, I recall the Gravedigger in Hamlet, Bottom, Feste the Jester, Malvolio but the nobles and elites predominate.

Here, Cervantes is more modern than Shakespeare who was so grounded in the aristocratic classics like Plutarch’s Lives. Shakespeare seemed to know, instinctively, that the “groundlings” loved to vicariously enjoy the life of lords and ladies. “

In English-speaking America the delightful Lazarillo de Tormes is not as well-known as Don Quixote but I have always considered it an important precursor and I believe inspiration to Don Quixote. In one episode the Hidalgo of Toledo, reminds us of a younger Don Quixote. And like Don Quixote, Lazarillo de Tormes is a road story. The primary difference is that it is rather more episodic than Don Quixote and the remarkably interesting sympathetic and tragic character of the Hidalgo only appears in one episode. So this picaresque novel is really more a series of interrelated stories than a complete novel. But like Don Quixote Lazarillo is ironic and intensely funny.

But in addition, like Don Quixote, Lazarillo de Tormes is very realistic and continually makes reference to the dress, food, customs of 16th century Spain. In many ways, Lazarillo de Tormes is one of the first psychological works. In its humor and satire on Spanish society. I recommend to anyone who reads Don Quixote to spend a few evenings to read Lazarillo de Tormes. “ni oro ni plata te puedo dar, pero sí muchas enseñanzas para vivir.”  “No hay tal cosa en el mundo para vivir mucho que comer poco.”  These are quotations of the penniless Hidalgo. “Neither gold nor silver can I give you but many lessons for life” and “There is nothing is the world to live well as to eat little.” This is what the Hidalgo says when his poverty causes Lazarillo and him to fast.

Cervante’s characters are full of wise commentaries on life:

“All I know is that while I’m asleep, I’m never afraid, and I have no hopes, no struggles, no glories — and bless the man who invented sleep, a cloak over all human thought, food that drives away hunger, water that banishes thirst, fire that heats up cold, chill that moderates passion, and, finally, universal currency with which all things can be bought, weight and balance that brings the shepherd and the king, the fool and the wise, to the same level. There’s only one bad thing about sleep, as far as I’ve ever heard, and that is that it resembles death, since there’s very little difference between a sleeping man and a corpse.” 

Don “Quixote says: “Destiny guides our fortunes more favorably than we could have expected. Look there, Sancho Panza, my friend, and see those thirty or so wild giants, with whom I intend to do battle and kill each and all of them, so with their stolen booty we can begin to enrich ourselves. This is noble, righteous warfare, for it is wonderfully useful to God to have such an evil race wiped from the face of the earth.”
“What giants?” Asked Sancho Panza.
“The ones you can see over there,” answered his master, “with the huge arms, some of which are very nearly two leagues long.”
“Now look, your grace,” said Sancho, “what you see over there aren’t giants, but windmills, and what seems to be arms are just their sails, that go around in the wind and turn the millstone.”
“Obviously,” replied Don Quijote, “you don’t know much about adventures.” 

Sancho doesn’t know the fictional world of chivalric knights like someone today who does not know the world of Star Wars or The Lord of the Rings.

There is a wonderful old Highland saying “is i ‘n ailleantachd maise nam ban” (the truest beauty of womankind is in their modesty). Immodesty is like drunkenness is unattractive. Character is perhaps the most important element of beauty. Cervantes wrote:

“Remember that there are two kinds of beauty: one of the soul and the other of the body. That of the soul displays its radiance in intelligence, in chastity, in good conduct, in generosity, and in good breeding, and all these qualities may exist in an ugly man. And when we focus our attention upon that beauty, not upon the physical, love generally arises with great violence and intensity. I am well aware that I am not handsome, but I also know that I am not deformed, and it is enough for a man of worth not to be a monster for him to be dearly loved, provided he has those spiritual endowments I have spoken of.” 

“It is a science,” said Don Quixote, “that comprehends in itself all or most of the sciences in the world, for he who professes it must be a jurist, and must know the rules of justice, distributive and equitable, so as to give to each one what belongs to him and is due to him. He must be a theologian, so as to be able to give a clear and distinctive reason for the Christian faith he professes, wherever it may be asked of him. He must be a physician, and above all a herbalist, so as in wastes and solitudes to know the herbs that have the property of healing wounds, for a knight-errant must not go looking for someone to cure him at every step. He must be an astronomer, so as to know by the stars how many hours of the night have passed, and what clime and quarter of the world he is in. He must know mathematics, for at every turn some occasion for them will present itself to him; and, putting it aside that he must be adorned with all the virtues, cardinal and theological, to come down to minor particulars, he must, I say, be able to swim as well as Nicholas or Nicolao the Fish could, as the story goes; he must know how to shoe a horse, and repair his saddle and bridle; and, to return to higher matters, he must be faithful to God and to his lady; he must be pure in thought, decorous in words, generous in works, valiant in deeds, patient in suffering, compassionate towards the needy, and, lastly, an upholder of the truth though its defence should cost him his life. Of all these qualities, great and small, is a true knight-errant made up;” 

The greatest and noblest of the virtues Cervantes teaches us comes from love and friendship:

“I will buy a flock of sheep, and everything that is fit for the pastoral life; and so calling myself the shepherd Quixotis, and then the shepherd Pansino, we will range the woods, the hills and the meadows, singing and versifying….Love will inspire us with a theme and wit, and Apollo with harmonious lays. So shall we become famous, not only while we live, but to make our loves as eternal as our songs. ”

The idea of romantic love has an attractive and rich history in classical literature.

Robert Burns and Walter Scott come to mind immediately

 Highland lad my love was born (Burns)

A Highland lad my love was born,
The Lalland laws he held in scorn,
But he still was faithfu' to his clan,
My gallant, braw John Highlandman.
  Sing hey my braw John Highlandman!
  Sing ho my braw John Highlandman!
  There's not a lad in a' the lan'
  Was match for my John Highlandman.

With his philibeg an' tartan plaid,
An' guid claymore down by his side,
The ladies' hearts he did trepan,
My gallant, braw John Highlandman.

We ranged a' from Tweed to Spey,
An' liv'd like lords an' ladies gay,
For a Lalland face he feared none,
My gallant, braw John Highlandman.

They banish'd him beyond the sea
But ere the bud was on the tree,
Adown my cheeks the pearls ran,
Embracing my John Highlandman.

But, och! they catch'd him at the last,
And bound him in a dungeon fast.
My curse upon them every one,
They've hang'd my braw John Highlandman!

And now a widow, I must mourn
[The pleasures that will] ne'er return ;
No comfort but a hearty can,
When I think on John Highlandman.

Here it is performed by the famous and talented Highland composer and bardess Mairi MacInnes.  Her modern Gaelic songs and compositions are very admired.

BURNS. “My Love is Like a Red Red Rose” . This is a famous song. My father and grandfather knew this poem by heart and both recited it the day of their wedding. I sang it at my wedding in Spain and translated it to Spanish.

Walter Scott: JOCK O’ Hazeldean is an old favorite I sang with my mother at our Hamiliton upright piano countless times or in long rides back from Shea Stadium after a baseball game in the 1960s.

Why weep ye by the tide, ladie,
  Why weep ye by the tide?
I'll wed ye tae my youngest son,
  And ye'll shall be his bride;
And ye'll shall be his bride, ladie,
  Sae comely tae be seen;"
But aye she loot the tears down fa'
  For Jock o' Hazeldean.

Then we have also Victor Hugo’s The Toilers of the Sea, Shakespeare’s Romeo and Juliet, Wagner’s Tristan and Isolde, Verdi’s magnificent La forza del destino The Force of Destiny)

The libretto was based on a Spanish romantic drama, Don Álvaro o la fuerza del sino (1835), by Ángel de Saavedra, El Duke of Rivas. It is very interesting to note that La Fuerza del Sino deals with the theme on racism and class prejudice as well as interracial love.

Unforgettable in the story of romantic love we have Heine’s love poems and the Schubert and Hugo Wolf music settings for them. My mother used to sing Heine’s famous song. She said it almost made on forget German beastliness entirely and remember a better world and the best part of German culture.

Buch Der Lieder: Die Heimkehr:

‘Ich Weiss nicht, was soll es bedeuten’ (Heine)

I don’t know what it could mean,

Or why I’m so sad: I find,

A fairy-tale, from times unseen,

Won’t vanish from my mind.

The air is cool and it darkens,

And quiet flows the Rhine:

The tops of the mountains sparkle,

In evening’s after-shine.

The loveliest of maidens,

She’s wonderful, sits there,

Her golden jewels glisten,

She combs her golden hair.

She combs it with a comb of gold,

And sings a song as well:

Its strangeness too is old

And casts a powerful spell.

It grips the boatman in his boat

With a wild pang of woe:

He only looks up to the heights,

Can’t see the rocks below.

The waves end by swallowing

The boat and its boatman,

That’s what, by her singing,

The Lorelei has done.

And there are an infinite number of parodies and burlesques of romantic stories including Tom Jones as well as Don Quixote. A Funny Thing Happened on the Way to the Forum comes to mind (Stephen Sondheim) as well as Learner and Loewe’s Brigadoon, My Fair Lady, Gigi and Camelot.

“If the spark doesn’t come, that’s a pity; but we do not read the classics out of duty or respect, but only out of love.” said Italo Calvino. “All that can be done is for each of us to invent our own ideal library of our classics; and I would say that one half of it would consist of books we have read and that have meant something for us and the other half of books which we intend to read and which we suppose might mean something to us. We should also leave a section of empty spaces for surprises and chance discoveries.”

Italo Calvino also wrote:

“The classics are those books which constitute a treasured experience for those who have read and loved them; but they remain just as rich an experience for those who reserve the chance to read them for when they are in the best condition to enjoy them. For the fact is that the reading we do when young can often be of little value because we are impatient, cannot concentrate, lack expertise in how to read, or because we lack experience of life. This youthful reading can be (perhaps at the same time) literally formative in that it gives a form or shape to our future experiences, providing them with models, ways of dealing with them, terms of comparison, schemes for categorizing them, scales of value, paradigms of beauty: all things which continue to operate in us even when we remember little or nothing about the book we read when young. When we reread the book in our maturity, we then rediscover these constants which by now form part of our inner mechanisms though we have forgotten where they came from. There is a particular potency in the work which can be forgotten in itself but which leaves its seed behind in us. “

So let us return to the classics and often.

A classic to me is something of surpassing literary beauty that touches upon themes of universal human importance such as timeless truths. There are many books on family relationships; one of the greatest of course is the Old Testament another is the Odyssey. Both books illustrate that the traditional family is the essential foundation of any civilization and culture. My father and I often talked about marriage and choosing a mate and the importance of chilldren. My father often said “marriage did not mean sex or money or advancement but openness to children and deep frienship.” He was married for 59 1/2 years separated only by war and, finally, death. When spoke of marriage he referred to the classics such as Pride and Prejudice, A Tale of Two Cities Little Dorrit and the Four Loves by C.S. Lewis. My father emphasized that one should not marry or have a relationship based on sexual attraction alone. One should marry someone at the right time for the right reasons. I loved a girl once but did not ask her to marry me because I had no job and very little to offer her. I did offer her my friendship and worked hard to be worthy of her love. In the end, we married and lived happily ever after. But I only asked her to marry me at the right time and in the right place.

“The classics are a treasury of the world’s accumulated wisdom that counteract trendy ideas and modern ideologies Just as there is great art, great music, and great architecture that evokes wonder and enlarges the mind,” wrote Mitchell Kalpaka. He said also that. “the classics too possess the power to reach the depths of the mind, heart, and soul in a way that films and media can never penetrate.”

Movies ARE wonderful because they are an easy shared experience. I love classic movies and grew up watching them with my parents and grandparents at places like the Little Carnegie in New York City, on Saturday Night on the Movies or the CBS LATE Show and later on VHS tapes. I will never forget seeing the 1935 David Copperfield one dark and rainy evening almost 60 years ago with my entire family including my mother’s mother. At one poignant point when David finally reaches his aunt after much suffering and travail the entire family broke down in tears including all the children. I can never re-read Dickens without remembering movie and TV versions of his works. But the books are greater and deeper than the films. The films are like canned soup and toast compared to a homemade Thanksgiving or Christmas dinner.

Ford’s The Grapes of Wrath is a powerful unforgettable film about how poverty almost destroyed family bonds beneath the wheel but Steinbeck’s book is far deeper. Richard Brook’s Elmer Gantry is a wonderful introduction to the 1927 novel by Sinclair Lewis but it is less than half the story (read the entire book!). All Quiet on the Western Front is a 1930 American film based on the 1929 by German novelist Erich Maria Remarque and was Directed by Lewis Milestone. It was the first Oscar Winner for Best Picture winner based on a novel and to its credit it comes very close to the spirt of the novel. My grandfather, who was a World War I combat veteran said the book and the movie came closest to the experience of the combat soldier as any he knew. For Whom the Bell Tolls (see the uncut version) is a 1943 American film produced and directed by Sam Wood and starring Gary CooperIngrid Bergman, unforgettably  Akim Tamiroff as Pabloi and , Katina Paxinou  as Pilar. The film is a noble attempt but the main character Robert Jordan (an American teacher of Spanish) is only partially characterized in the film, but the film does summarize the main action. El Sordo’s Last Stand is powerfully recreated for example. However, the education of Robert Jordan during the Spanish Civil War his experience with fanatical Communists as well as Spanish Nationalists and his love for Spain and the Spanish people are only partially illustrated. Once again, the film is a good introduction to the book but the book is far deeper. The late Hugh Thomas, an expert on the Spanish Civil war felt the two best books and essential books on the Spanish Civil War were For Whom the Bell Tolls by Hemingway and Homage to Catalonia by Orwell. Anna Karenina by Leo Tolstoy has been filmed several times (I remember the Garbo/March version and the 2012 Keira Knightley, version.) I read Anna Karenina as a young man and was moved by its modernity with its honest themes of adultery, passionate erotic love, humanity, and life in Russia plus I think elements of mental illness.

But nothing beats a great book—not even great movies or operas based on books.

Sed in primis ad fontes ipsos properandum, id est graecos et antiquos. (“Above all, one must go to the sources themselves, that is, to the Greeks and the Ancient authors” ERASMUS)

So we must return to CERVANTES, DANTE, HOMER, VERGIL and SHAKERSPEARE and other greats and near greats. I would never say Rumer Godden’s 1945 A Fugue in Time, made into the film Enchantment in 1948 starring David Niven and Teresa Wright is the greatest book every written but I will say this for the book. It is very accessible and I am fond of it. There is a lot of room for lesser classics and sentimental favorites. And it had a very important influence on me personally. I saw the film first and read the book. Because of the book I realized as Conan Doyle did there were decisive moments in our life. “Now is the dramatic moment of fate, Watson, when you hear a step upon the stair which is walking into your life, and you know not whether for good or ill.” Sometimes you have to take a chance. Sometimes you have only a narrow opportunity to get to know someone and to express your true feelings to that person. Loves and friendships can wash away and be lost forever. We all have regrets and have all made mistakes but if one can say one is happy at the end of one’s life and if one has had much love and contentment in one’s personal life one can count oneself blessed. This lesson the Bible and the great classics teach us.