Category Archives: Republic of Letters
A Long and Winding Road to Freedom – The Girl with Seven Names: A North Korean Defector’s Story, by Hyeonseo Lee
Every now and then you read a book that really impacts you. A book that simply sticks with you, one that, for days after you finish, you can’t get it out of your head – and don’t
want to. It can be a novel, or maybe a non-fiction book, maybe something about history that makes you look at the world in a different way, or stretches you mind into a previously unknown shape. It may also become something about which you feel absolutely compelled to tell others. For me, the book that currently occupies that space is the incredible story of a defector from the prison-state of North Korea.
Originally published in 2015, Hyeonseo Lee’s The Girl with Seven Names is not merely a harrowing tale, it is a collection of them. These are stories that are all too real for the millions born in North Korea and for the intrepid few who dare to seek freedom by attempting escape from its bondage.
Ms. Lee’s book is subdivided into three parts. The first part chronicles her life from birth until her eventual escape. It includes multiple moves until her family finally settles in the town of Hyesan, on the North Korean border with China and within sight of the city of Changbai – the brighter lights of which eventually became a lure to the author. Some of what is revealed is unsurprising – the forced indoctrination, the public executions, the atomization of society, the forced reverence for the pathetically insecure “Dear Leader”. Other aspects were more surprising – such as a border with China that was frequently crossed in both directions, the amount of smuggling that occurs, and so on. In retrospect, one should not be surprised that a system as oppressive as that in North Korea produces so much bribery, black market commerce, and general corruption that filters all the way down to the lowest levels of society.
And speaking of the levels of society, the author educates the reader on the North Korean system of songbun, in which people are ranked within society in one of fifty-one gradations spanning over three broad categories – loyal, wavering or hostile. Ms. Lee rightfully notes that the system of songbun had created a society more stratified than that of a feudal society, and one in which upward movement is nearly impossible. Like all communist animal farms, that of North Korea is one in which all animals are equal, but some are most definitely more equal than others.
As Part One nears its conclusion, the author’s disillusionment with her home country grows, particularly during the famine of the mid-90’s which left about a million dead. Nearing the end of her high school years, facing college and adulthood, and the aforementioned allure of the lights of Changbai, the Ms. Lee decides to take a short trip across the river to get just a small taste of freedom before returning home to begin the next phase of life. As this first part ends with a walk across the frozen Yalu River, in what eventually became a one way journey.
Part Two chronicles Ms. Lee’s life as an illegal in China. In short order, the author finds out that while she is technically free from the bonds of North Korea, she is still not truly free. In addition to a myriad of other human rights abuses, the Chinese government’s miserable record on human rights includes the repatriation of North Korean defectors, sending most of them to a back to their prison-state and leaving them to a fate of hard labor, execution, or both. Thus, the author’s existence during her decade in China was a precarious one, forcing her to adopt new identities with the frequency of a spy in a John LeCarre novel (hence the seven names to which the title refers). In numerous instances she is nearly caught, escaping arrest with a combination of guile and luck. To complicate matters further, she managed to stay in communication with her mother and brother back in North Korea, bearing the weight of guilt regarding loved ones left behind. More than once her mother implored her to come home, assuring her the right people could be bribed to make her return a safe one.
I’ve mentioned elsewhere that my own mother is a defector from East Germany, crossing into West Berlin with her family when she was age 10. While the train ride she and her family took in 1953 was not without risks, their freedom was assured once they had crossed into West Berlin. Such was not the case for Ms. Lee, as crossing the border into China was only the beginning of a very long journey, one that was fraught with danger every step of the way. The fact that she did not go home despite the continuous hazard of being an illegal in China is a testament to her courage – and the incredible difficulty of escaping North Korea.
The third part of the book finds the author finally making it to Seoul, South Korea, and her eventual convincing of her mother and brother to defect. She returns to China and the border near her hometown and escorts them over 2000 miles into Laos. Along the way, the hazards of being caught are as ever present as they were in her previous decade as a Chinese illegal, only with higher stakes by having her mother and brother in tow. In Laos, her mother and brother are arrested and held in jail for months, although thankfully, not repatriated (apparently even the government of Laos is more humane than that of China – a low bar to hurdle). After exhausting all her options and running out of money to bribe the Laotion authorities, serendipity intervenes in the form of an Australian man who decides to help for no other reason than it was the right thing to do. Even a hardened misanthrope would have to reconsider his outlook after reading about this incident. With Ms. Lee receiving the funds she needs, she is able to spring her family from jail and finally get them into Seoul. Free at last.
Today, Ms. Lee spends a lot of her time as an activist for North Korean defectors and human rights in general. She wants the world to know the true fate of North Koreans, both those that remain and those that defect – both successfully and unsuccessfully. She has done multiple TED talks, one of which is embedded below. While North Korea still suffers under the boot of a third generation “leader” in Kim Jong-Un (or, as I refer to him, Pudgy Bucket of Baby Fat with the Worst Haircut Ever), Lee and others like her seek to shine the light of the international community on the horrible conditions imposed on North Koreans, the savage human rights abuses, and above all, a form of government for which no decent, civilized human being should give any quarter. Her goal is to see the Korean peninsula re-united, with the people of the North living under the banner of freedom. We should all say a prayer for the North Korean people, and root for Ms. Lee to one day to witness the realization of her dream.
A “Hallelujah” from West Michigan
— Rick Krueger
A Passion Like No Other
On Good Friday 2020, the Leipzig Bachfest presented a unique version of Bach’s St. John Passion in Bach’s home church, the Thomaskirche. It was a performance uncannily suited to these extraordinary times.
To quote the announcement of the performance (quickly re-scheduled for Good Friday following the cancellation of the 2020 Bachfest):
The actual Passion story will be performed by just three musicians. In this production, the Icelandic tenor Benedikt Kristjánsson tells the story of Jesus’ Passion on the basis of Bach’s Passion, taking on the role of the Evangelist and all the other characters – and also conducting the virtual choir. Harpsichordist Elina Albach and percussionist Philipp Lamprecht take the role of the orchestra. (Photo: Nino Halm).
All the viewers at home are invited to sing the chorales besides five singers in St. Thomas’ Church led by Thomaskantor Gotthold Schwarz, and the artists. Bach choirs who were invited to the 2020 Bachfest will be participating by video link.
At first, I found the idea of a chamber St. John Passion a bit disconcerting — like an unrealized idea of Emerson, Lake and Palmer, perhaps? But the Thomaskirche (with video inserts from the absent choirs) proved the perfect setting for the sparse instrumentation. And as the 90-minute work unwound, it became more and more moving; the musicianship, focus and dedication Kristjánsson, Albach and Lamprecht conjured up was inescapable — especially during a riveting version of the Passion’s finale. It brings me to tears every time I hear it, and this time was no exception:
Lord, let at last Thine angels come,
To Abram’s bosom bear me home,
That I may die unfearing;
And in its narrow chamber keep
My body safe in peaceful sleep
Until Thy reappearing.
And then from death awaken me,
That these mine eyes with joy may see,
O Son of God, Thy glorious face,
My Savior and my fount of grace.
Lord Jesus Christ, my prayer attend, my prayer attend,
And I will praise Thee without end.
My suggestion: set aside an hour and a half today or tomorrow, hook up your computer or miscellaneous online device to a big screen and a good sound system, and let this powerful version of one of Bach’s greatest masterpieces rip. The stream is here; program (with the chorales printed out for singing) is here.
— Rick Krueger
Moving Toward Dread Conformity ~ The Imaginative Conservative
1953 was a banner year for the conservative soul and intellect. Russell Kirk’s seminal The Conservative Mind came out that year. As did Leo Strauss’s pathbreaking Natural Right and History. Daniel Boorstin published his close study of Americana, The Genius of American Politics. Eliot penned his critical play, The Confidential Clerk, and Ray Bradbury offered the world Fahrenheit 451.
The zeitgeist had yet to exhaust her resources, however, and Robert Nisbet produced his magisterial The Quest for Community, a work that mightily complemented the other works of that year, almost, but not quite, forming a whole with Kirk’s The Conservative Mind. Oxford University Press released Quest on February 12, 1953, exactly a month before Regnery published Kirk’s book.
— Read on theimaginativeconservative.org/2020/04/moving-toward-dread-conformity-bradley-birzer.html
A deed of mercy:The quality of mercy is not strained. It droppeth as the gentle rain from heaven

The quality of mercy is not strained.
It droppeth as the gentle rain from heaven
Upon the place beneath. It is twice blest:
It blesseth him that gives and him that takes.
‘Tis mightiest in the mightiest; it becomes
The thronèd monarch better than his crown.
His scepter shows the force of temporal power,
The attribute to awe and majesty
Wherein doth sit the dread and fear of kings;
But mercy is above this sceptered sway.
It is enthronèd in the hearts of kings;
It is an attribute to God Himself;
And earthly power doth then show likest God’s
When mercy seasons justice. Therefore, Jew,
Though justice be thy plea, consider this:
That in the course of justice…
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happy international talk talk day

As some of you might very well know, today is International Talk Talk Day. Sometime in 1987 or 1988—the memory fades—Kevin McCormick and I vowed that every April 5th, we would listen to the entirety of Talk Talk’s mid-period masterpiece, The Colour of Spring, as a reminder of three things.
First, that no matter how dark the world might become, beauty endures and promises—through the seasons—eternal renewal.
Second, that no matter where we are in the world, our friendship endures.
Third, that Mark Hollis (RIP) was a genius.
Since the late 1980s, Tad Wert has joined in the pledge. Please join us in celebrating that miracle that was Talk Talk.
Here she comes
Silent in her sound
Here she comes
Fresh upon the ground
Come gentle spring
Come at winter’s end
Gone is the pallor from a promise that’s nature’s gift
Waiting for the color of spring
Let me breathe
Let me breathe the color of spring
Here she comes
Laughter in her kiss
Here she comes
Shame upon her lips
Come wanton spring
Come for birth you live
Youth takes it’s bow before the summer the seasons bring
Waiting for the color of spring–Mark David Hollis, 1986
To get a copy of The Colour of Spring, go here: https://burningshed.com/talk-talk_the-colour-of-spring_cd?filter_name=talk%20talk&filter_sub_category=true

Keep the Faith: Marillion’s “Afraid of Sunlight” at 25 ~ The Imaginative Conservative
Each of these four tracks builds in soulful intensity and bardic purpose until Mr. Hogarth is begging us to answer, “how do we now come to be afraid of sunlight”? It is a plea for a recognition of the human condition, in all of its majesty and tragedy.
— Read on theimaginativeconservative.org/2020/04/keep-faith-marillion-bradley-birzer.html
The Founders’ Moral Mind Was Revolutionary, and Free | The American Conservative
Thompson sees his own work as a fulfillment and filling out of the work of his beloved mentors, Bailyn and Wood. As such, Thompson’s book is, properly and justly, filled with attempts to understand free will. Where Bailyn and Wood gave too much credence to the power of ideas (again, as somewhat determinisms and deterministic), Thompson wrestles with the much more difficult problem of individual free will. After all, imagine a world in which every single person—past, present, and future—is a moral agent. The world gets very, very complicated, very, very quickly
— Read on www.theamericanconservative.com/articles/bradley-thompson-birzer-america-revolutionary-mind-founders/
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