All posts by bradbirzer

By day, I'm a father of seven and husband of one. By night, I'm an author, a biographer, and a prog rocker. Interests: Rush, progressive rock, cultural criticisms, the Rocky Mountains, individual liberty, history, hiking, and science fiction.

Louisa May Alcott on the 54th Massachusetts

“Every one knows the story of the attack on Fort Wagner; but we should not tire yet of recalling how our Fifty-Fourth, spent with three sleepless nights, a day’s fast, and a march under the July sun, stormed the fort as night fell, facing death in many shapes, following their brave leaders through a fiery rain of shot and shell, fighting valiantly for “God and Governor Andrew,”–how the regiment that went into action seven hundred strong came out having had nearly half its number captured, killed, or wounded, leaving their young commander to be buried, like a chief of earlier times, with his body-guard around him, faithful to the death. Surely, the insult turns to honor, and the wide grave needs no monument but the heroism that consecrates it in our sight; surely, the hearts that held him nearest see through their tears a noble victory in the seeming sad defeat; and surely, God’s benediction was bestowed, when this loyal soul answered, as Death called the roll, “Lord, here am I, with the brothers Thou has given me!”

The future must show how well that fight was fought; for though Fort Wagner still defies us, public prejudice is down; and through the cannon-smoke of that black night the manhood of the colored race shines before many eyes that would not see, rings in many ears that would not hear, wins many hearts that would not hitherto believe.

When the news came that we were needed, there was none so glad as I to leave teaching contrabands, the new work I had taken up, and go to nurse “our boys,” as my dusky flock so proudly called the wounded of the Fifty-Fourth. Feeling more satisfaction, as I assumed my big apron and turned up my cuffs, than if dressing for the President’s levee, I fell to work on board the hospital-ship in Hilton-Head harbor. The scene was most familiar, and yet strange; for only dark faces looked up at me from the pallets so thickly laid along the floor, and I missed the sharp accent of my Yankee boys in the slower, softer voices calling cheerily to one another, or answering my questions with a stout, “We’ll never give it up, Ma’am, till the last Reb’s dead,” or, “If our people’s free, we can afford to die.””–“The Brothers,” ATLANTIC MONTHLY (November 1863).

The Tangent’s PO90’s “The Single”


The Tangent (For One) launch “The Single,” next track taken from ‘To Follow Polaris’ The Tangent  recently announced the release of the new studio album ‘To Follow Polaris’ on May 10th, 2024. That’s not necessarily a surprise, that’s what the band are known for. But at the same time, it’s something else too. As Andy jokes, playing on the Jaws strapline, he says “well this time it’s actually no personnel”.Today, a brand new track aptly titled ‘The Single’ has been released, and you can watch the video here: https://youtu.be/mwdbLOerLH4Andy comments of the track: “’The Single’ was originally recorded by my previous band Po90 some 25 years ago now, on an album called ‘The Time Capsule’. In the spirit of that time capsule, I opened it a quarter of a century later and recorded this updated version of it with new lyrics added to the older version. The old Po90 version was the track that in a way defined what the Tangent would be and giving it the Tangent treatment was a great pleasure. It’s a song about the documenting of history and the new ways this is going to happen, both good and bad…”

Watch the previously released video for ‘The North Sky’ here: https://youtu.be/x5CAzcKZXvA

Watch Andy discuss the making of the new album here: https://youtu.be/Lbqa5QP77L4?si=b-Xji6zq8UheDJvF

In a year when members of The Tangent could be seen onstage all over the world with Steve Hackett, Soft Machine, Karnataka, David Cross, It Bites, Cyan and others, plus on recordings by those artists and The Anchoret, The Michael Dunn Project, Argos and Retreat From Moscow, it became clear that there was not going to be time to get together for anything more than one gig in April 2023.

So the band agreed that the band’s leader/main writer Andy Tillison would keep the material coming and would make an album by The Tangent entirely alone. It would still be The Tangent. Just for one.
“Besides Which” Andy says, “I’ve always wanted to do this, use what I have learned from Luke, Jonas, Steve, Theo and many other alumni and take it to final production. Now was the time!”

What transpired over the following year is in one sense an “absolutist” solo album and is entirely the work of one person in all aspects including artwork, layout, design, lyrics, composition, performance, recording, production, mixing, mastering and authoring. But in another sense it’s totally Tangent. “I could not have begun to make this record without having had the experiences of working with the band. So although the different instruments are not attempted to be played in the actual style of the normal lineup, they are inspired by the kind of things these guys do”

‘To Follow Polaris’ will be available as a Limited Deluxe Collector’s Edition CD Mediabook (including bonus track and extensive 24-page booklet, Gatefold 180g 2LP vinyl (also including bonus track), & as Digital Album. Pre-order now here: https://thetangent.lnk.to/ToFollowPolaris1.The North Sky 11:36
2.A ‘Like’ In The Darkness 08:19
3.The Fine Line 08:04
4.The Anachronism 21:01
5.The Single (From A Re-Opened Time Capsule) 05:51
6.The North Sky (Radio Edit) 03:42
7.Tea At Bettys (Bonus Track) 17:32Produced between January and November 2023, the album features Andy using his multiple keyboards system as normal, but adds to the mix his first ever released performance on Bass Guitar and his second on stick driven (electronic) drums. Add electric and acoustic guitars and electronic wind controller and this is a full band recording in every sense of the word. A recording which shows Andy’s lifelong influence by artists such as Yes, Van Der Graaf Generator, Porcupine Tree, Groove Armada, Earth Wind & Fire, Roger Waters and his bands, Return To Forever, Deep Purple, Gentle Giant, Steely Dan and any band featuring the keyboard player Dave Stewart.Conceptually Andy claims the album is, ahem, “highly optimistic” but regular listeners to his work will anticipate correctly that this optimism will not be ill founded or over-easy and will be highly critical of obstacles to that optimism and the album will look as much into the dark as it does into the light.The album is intended to be thought of as a regular Tangent album – but not as the future of the band. It’s everyone’s intention to make the FOURTEENTH album as The Tangent. For Five.The Tangent online:
www.thetangent.org
https://www.facebook.com/groups/alltangentmembers/INSIDEOUT MUSIC online:
www.insideoutmusic.com
www.youtube.com/InsideOutMusicTV
www.facebook.com/InsideOutMusic
www.twitter.com/InsideOutUSA
www.insideoutmusicshop.comINSIDEOUTMUSIC Spotify Playlist: 
http://spotify.com/progrockessentials

Karl Wallinger, RIP

I wish I had profound things to write after the untimely death (he was only 66) of World Party’s Karl Wallinger. Though I’ve listened to Goodbye Jumbo too many times to count, I’ve never written about Wallinger or World Party. This seems bizarre to me, especially as I regard Goodbye Jumbo as one of the finest pop statements ever conceived.

My great friend, Kevin McCormick, first discovered World Party and turned them on to me back in 1989 or 1990. While I don’t think that Wallinger ever quite topped Goodbye Jumbo, I do very much like everything he recorded

From the opening notes of the album, Goodbye Jumbo, Wallinger invites us into his basement for a private concert. At least that’s how the album feels to me.

.

Wallinger somehow mixed anxiety with hope, turning us onto the larger world and finding our humanity within it.

Though it came on a later album, Bang, my favorite Wallinger song is his ode to western civilization, “Is it Like Today?” I always encourage my western heritage students to listen to it.

Again, I have nothing profound to say, except thank you, Karl. You’ve definitely made my world brighter over the past thirty-four years. May you rest in peace.