Tag Archives: Western Civilization

Karl Wallinger, RIP

I wish I had profound things to write after the untimely death (he was only 66) of World Party’s Karl Wallinger. Though I’ve listened to Goodbye Jumbo too many times to count, I’ve never written about Wallinger or World Party. This seems bizarre to me, especially as I regard Goodbye Jumbo as one of the finest pop statements ever conceived.

My great friend, Kevin McCormick, first discovered World Party and turned them on to me back in 1989 or 1990. While I don’t think that Wallinger ever quite topped Goodbye Jumbo, I do very much like everything he recorded

From the opening notes of the album, Goodbye Jumbo, Wallinger invites us into his basement for a private concert. At least that’s how the album feels to me.

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Wallinger somehow mixed anxiety with hope, turning us onto the larger world and finding our humanity within it.

Though it came on a later album, Bang, my favorite Wallinger song is his ode to western civilization, “Is it Like Today?” I always encourage my western heritage students to listen to it.

Again, I have nothing profound to say, except thank you, Karl. You’ve definitely made my world brighter over the past thirty-four years. May you rest in peace.

My 200 Favorite Rock and Pop Albums

Over at my substack (just a few months old now), I posted my top 100 albums. I got some great responses there and on Facebook as to what I was missing (and some kind words about my choices as well). As such, I decided it would be best to expand my list to my favorite albums of all time–so I went for 200! I know a few things are missing, such as the Beatles. I was a huge fan of the Beatles back in college, but my enthusiasm for them died after reading a few biographies of the band. I realize that Sgt. Pepper’s and Magical Mystery Tour are both extraordinary, but I won’t go back to those album unless I’m preparing for something academic.

So, this list, is obviously deeply personal. But, these are the 200 albums I go back to, over and over again. I’ve tried to be faithful to my life as a 55-year old, recognizing what I’ve loved continuously. So, for example, I was a huge ELO fan as a kid, but that’s not stuck with me, even though I recognize the brilliance of Jeff Lynne.

So, I’m not trying to dismiss anything by their absences, only praise what I love. Another caveat–I’m leaving off surf bands (The Madeira and Lords of Atlantis) and jazz acts (Dave Brubeck and Miles Davis). I’m also leaving out The Shadows–of whom I’ve only recently become a fan.

One last note, I typed these out in Microsoft Word, and, for some reason, Word failed to alphabetize them or align them perfectly. I’m not sure how to fix the latter problem. The former problem just sort of cracks me up–so I’m leaving as is.

The List:

ABC, Lexicon of Love

Airbag, All Rights Removed

Airbag, Disconnected

Anathema, We’re Here Because We’re Here

Anathema, Weather Systems

Astra, The Black Chord

Ayreon, The Human Equation

Ayreon, Universal Migrator

Beach Boys, Pet Sounds

Big Big Train, English Electric

Big Big Train, Grimspound

Big Big Train, Second Brightest Star

Big Big Train, The Difference Machine

Big Big Train, The Grand Tour

Big Big Train, The Underfall Yard

Blackfield

Blackfield II

Bryan Ferry, Boys and Girls

Catherine Wheel, Happy Days

Chicago, Chicago Transit Authority

Chris Squire, Fish Out of Water

Cosmograf, Capacitor

Cosmograf, Man Left in Space

Dave Kerzner, New World

Dave Kerzner, Static

Dave Matthews Band, Before These Crowded Streets

Dave Matthews Band, Crush

Days Between Stations, In Extremis

Echo and the Bunnymen, Heaven Up Here

Echo and the Bunnymen, Ocean Rain

Enochian Theory, Life and All it Entails

Flower Kings, Flower Power

Flower Kings, Paradox Hotel

Flower Kings, Space Revolver

Frost*, Day and Age

Frost*, Experiments in Mass Appeal

Frost*, Milliontown

Galahad, Beyond the Realms of Euphoria

Galahad, Empires Never Last

Gazpacho, Fireworker

Gazpacho, Night

Gazpacho, Tick Tock

Genesis, A Trick of the Tail

Genesis, Duke

Genesis, Foxtrot

Genesis, Lamb Lies Down on Broadway

Genesis, Selling England by the Pound

Glass Hammer, At the Gate

Glass Hammer, Dreaming City

Glass Hammer, Inconsolable Secret

Glass Hammer, Valkyrie

Haken, The Mountain

Iamthemorning, Lighthouse

Icehouse, Measure for Measure

INXS, The Swing

IZZ, Crush of Night

IZZ, Everlasting Instant

IZZ, I Move
Laura Meade, Most Dangerous Woman in America

IZZ, The Darkened Room

Jethro Tull, Benefit

Jethro Tull, Minstrel in the Gallery

Jethro Tull, Thick as a Brick

John Galgano, Real Life is Meeting

Kansas, Leftoverature

Kansas, Point of No Return

Kansas, Song for America

Kate Bush, Aerial 

Kate Bush, Hounds of Love

Kevin McCormick, Squall

Kevin McCormick, With the Coming of Evening

King Bathmat, Overcoming the Monster

Led Zeppelin I

Led Zeppelin II

Led Zeppelin IV

Led Zeppelin, Houses of the Holy

Love Spit Love

Lush, Spooky

Marillion, Afraid of Sunlight

Marillion, Brave

Marillion, FEAR

Marillion, Marbles

Mew, And the Glass Handed Kites

Moody Blues, Days of Future Passed

Muse, Origin of Symmetry

My Bloody Valentine, Loveless

NAO, Fog Electric

NAO, Grappling Hooks

NAO, Grind Show

NAO, The Third Day
NAO, United Wire

Natalie Merchant, Leave Your Sleep

Neal Morse, Testimony

Neal Morse, Testimony II
No-Man, Love You to Bits

New Order, Low-life

No-man, Schoolyard Ghosts

Nosound, Lightdark

OAK, False Memory Archive

Oceansize, Effloresce

Oceansize, Everyone Into Position

Oceansize, Frames

Ordinary Psycho, The New Gothick
Ordinary Psycho, Volume II

Pearl Jam, Vs.

Peter Gabriel III

Peter Gabriel, Security

Peter Gabriel, SO

Phish, Billy Breathes

Pink Floyd, Animals

Pink Floyd, Dark Side of the Moon

Pink Floyd, Meddle

Pink Floyd, Wish You Were Here

Porcupine Tree, Fear of a Blank Planet

Porcupine Tree, Lightbulb Sun

Porcupine Tree, Sky Moves Sideways

Pure Reason Revolution, The Dark Third

Queen II

Queen, A Night at the Opera

Radiohead, Kid A

Rhys Marsh, October After All

Riverside, Love, Fear, and the Time Machine

Riverside, Out of Myself

Riverside, Second Life Syndrome

Riverside, Wasteland

Roxy Music, Avalon

Rush, 2112

Rush, A Farewell to Kings

Rush, Clockwork Angels

Rush, Grace Under Pressure

Rush, Hemispheres

Rush, Moving Pictures

Rush, Permanent Waves

Rush, Power Windows

Rush, Snakes and Arrows

Sanguine Hum, Diving Bell

Sarah McLachlin, Fumbling Towards Ecstasy

Simon and Garfunkel, Bookends

Simple Minds, New Gold Dream

Simple Minds, Sons and Fascination

Simple Minds, Sparkle in the Rain

Sixpence None the Richer

Smashing Pumpkins, Siamese Dream

Sound of Contact, Dimensionaut

Steven Wilson, Grace for Drowning

Steven Wilson, Hand Cannot Erase

Steven Wilson, Insurgentes

Steven Wilson, Raven That Refused to Sing

Stone Temple Pilots, Tiny Music

Talk Talk, Laughing Stock

Talk Talk, Spirit of Eden

Talk Talk, The Colour of Spring

Tears for Fears, Elemental

Tears for Fears, Everybody Loves a Happy Ending

Tears for Fears, Songs from the Big Chair

Tears for Fears, The Hurting

The Connells, Boylan Heights

The Cure, Blood Flowers

The Cure, Disintegration

The Cure, Head on the Door

The Cure, P-ography

The Cure, Wish

The Fierce and the Dead, Spooky Action

The Fierce and the Dead, If It Carries On Like This

The Sundays, Reading, Writing, and Arithmetic

The Tangent, A Place in the Queue

The Tangent, Auto Reconnaissance

The Tangent, Le Sacre du Travail

The Tangent, Proxy

The Tangent, The Music that Died Alone

Thomas Dolby, Golden Age of Wireless

Thomas Dolby, The Flat Earth

Tim Bowness, Butterfly Mind

Tim Bowness, Flowers at the Scene

Tim Bowness, Late Night Laments

Tim Bowness, Lost in the Ghostlight

Tin Spirits, Scorch

Tin Spirits, Wired to Earth

Tori Amos, Little Earthquakes

Tori Amos, Under the Pink

Traffic, John Barleycorn Must Die

Traffic, Low Spark of High Heeled Boys

Traffic, Mr. Fantasy

Traffic, Traffic

Transatlantic, SMPT:e

Transatlantic, The Whirlwind

U2, October

U2, The Joshua Tree

U2, Unforgettable Fire

Ultravox, Rage in Eden

Ultravox, Vienna

Vertica, The Haunted South

XTC, Black Sea

XTC, Skylarking

Yes, 90125

Yes, Close to the Edge

Yes, Drama

Yes, Fragile

Yes, Relayer

Yes, The Yes Album

Americana, the Reich and Motorcycle parts

Recently I had to replace motorcycle tire, it was simply well past its tread wear. These off road Duro tires are made in Taiwan, in fact they are commonly seen in that lesser known Russian Ural motorcycles. These tires are known to be puncture resistant, and more importantly they look pretty good on a Triumph. My side-mirrors are from CRG, handle bars from British Customs, and engine/crash guard from SW-MOTECH. This is not an advertisement, but just an illustration of my ability to make choices.

Making choices for customizing motorcycles is not so different from general life choices. We pick vendors, and parts which are most suitable to our purposes and palette. Just like how we pick our grocery stores, or movie place or restaurants or investment plans. We build life and systems around us based on our choices, those who make better choices build better systems. That freedom to make choices deserves a bit of an appreciation.

Last week I was watching this TV series called “The Man in the High Castle”. It details an alternate reality where Axis powers won the war. And the US is split in half between the Reich and Imperial Japan. The series also brings in the concept of multiverse, where there are parallel realities with different outcomes. In a certain universes Axis powers rule, in others it’s the Allied forces. So, in the story Nazis realized this and decided to build this machine to travel to alternate realities, obviously to conquer them! More than scary it sounded foolish.

Even if by some random stroke of luck Hitler wins the war, they can’t hold a candle to the Allied forces in the parallel universe. So, most likely outcome would be they lose their current reality to Americans from those alternate universes. Interestingly, even here successful outcome comes down to that simple ability to make productive choices.

German Reich is forced to make choices based on meaningless criteria, while Americans make choices to build efficient systems. While Reich has to pander, Americans make choices which can deliver results. Nazis artificially limit their resource pool, while Americans allow winners to emerge from anywhere. Americans simply produce exceptional results because of their ability to make rational choices while learning from their mistakes. Over a period of time it allows best of the ideas to emerge and artificial discriminatory practices to be discarded, this eventually benefits everyone. So, one criterion to measure a legislation would be its impact on broadening choices, seems like that’ll tell whether it’s taking us closer to the Reich or to Americana.

Cicero’s Decaying republic

Before our own time, the customs of our ancestors produced excellent men, and eminent men preserved our ancient customs and the institutions of their forefathers.  But though the republic, when it came to us, was like a beautiful painting, whose colours, however, were already fading with age, our own time not only has neglected to freshen it by renewing the original colours, but has not even taken the trouble to preserve its configuration and, so to speak, its general outlines.  For what is now left of the ‘ancient customs’ one which he said ‘the commonwealth of Rome’ was ‘founded firm’?  They have been, as we see, so completely buried in oblivion that they are not only no longer practiced, but are already unknown.  And what shall I say of the men? For the loss of our customs is due to our lack of men, and for this great evil we must not only give an account, but must even defend ourselves in every way possible, as if we were accused of capital crime.  For it is through our own faults, not by any accident, that we retain only the form of the commonwealth, but have long since lost its substance.

–Cicero, The Republic, Book 5, Section 1.

Pieper on the 7 Virtues

How the virtues all tie together:

“First, the Christian is one who, in faith, becomes aware of the reality of the triune God.  Second: the Christian strives, in hope, for the total fulfillment of his being in eternal life.  Third: the Christian directs himself, in the divine virtue of love, to an affirmation of God and neighbor that surpasses the power of any natural love.  Fourth: the Christian is prudent; namely, he does not allow his view on reality to be controlled by the Yes or No of his will, but rather he makes this Yes or No of the will dependent upon the truth of things.  Fifth: the Christian is just; that is, he is able to live “with the other” in truth; he sees himself as a member among members of the Church, of the people, and of any community.  Sixth: the Christian is brave, that is, he is prepared to suffer injury and, if need be, death for the truth and for the realization of justice.  Seventh: the Christian is temperate; namely, he does not permit his desire to possess and his desire for pleasure to become destructive and inimical to his being.”

–Josef Pieper, A Brief Reader on the Virtues of the Human Heart (San Francisco, Calif.: Ignatius, 1991), 10-11.

Real Community: Hutchinson and Longmont

A years ago, while on a panel with that extraordinary radio personality, Mike Church, and a few folks from another website, I think I caused a bit of a stir by arguing that a real man’s existence was about protecting one’s family from the world, conserving what little order could be found in the family against the shattering disorders of the modern and post-modern abyss.  

While I’ve always favored a republic and have been a republican as far back as I can remember, my republic would be a Harringtonian one of extremely well-armed small families and associations of friends and like-minded persons.  In my Harringtonian vision, admittedly somewhat idyllic and medieval, communities would come together for cultural celebrations, book festivals, commerce, and a celebration of the sacraments.  

It would also, to my mind, uphold the essence of the American founding as understood through the Northwest Ordinance.  

And, in the just preservation of rights and property, it is understood and declared, that no law ought ever to be made, or have force in the said territory, that shall, in any manner whatever, interfere with or affect private contracts or engagements, bona fide, and without fraud, previously formed. 

While I very much agree with our own John Willson that no “founding” ever existed, only foundings, I would not look askance at any one who claimed the above, taken from Article III of the profound 1787 law, serves as the “mission statement” of the founding of this republic.  For those of us who love ordered liberty, we might speak in terms of commerce and business, but the right to associate applies as much to families, churches, and schools as it does businesses.  If we do not have the right to form a family as we chose, the right to open a business means nothing.  The right of association is all-encompassing.  We have the right to form families, businesses, universities, and, even, websites dedicated to Russell Kirk’s vision of the good, the true, and the beautiful.

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Batman at 75

[From 2014]

“Happy Birthday, Batman”

Just a little over a year ago, I came out of the closet.  I admitted it to the world and without reservations.  

I was and remain a Batman devotee.  Much to my surprise, a lot of The Imaginative Conservative readers are also rather fond of Batman.  So, in my weirdness (at least in this particular one), I’m not alone.

[http://www.theimaginativeconservative.org/2013/08/batman.html]  

Even more, I’m a Batman snob.  No “pows”or “ka-pows,” no silly side kicks in Disney-lite costumes, no Bat dances, and no Bat “shark repellants.”  I don’t want Adam West, Michael Keaton, or George Clooney as Batman.  I don’t want the Batmobile driving up to the Burger King drive thru window to order something.

I want my Batman dark, serious, dedicated, persevering, swift, and, when necessary, brutal.  

Happy 75th Birthday, Batman!

As you might very well know, today is Batman’s 75th birthday.  On this day, three quarters of a century ago, Batman first appeared in Detective Comics 27 (cover date: May 1939).  Here’s the official write up from the company, DC (Time-Warner) that owns the Batman name:

In celebration of Batman’s 75th anniversary, DC Entertainment is partnering with thousands of comic book retailers and bookstores across the nation to celebrate “Batman Day” on Wednesday, July 23. As part of the festivities, fans who visit participating retailers receive a free, special edition of DETECTIVE COMICS #27, featuring a reimagining of Batman’s 1939 comic book debut, designed by Chip Kidd with a script by The New York Times #1 bestselling author Brad Meltzer.

In addition to the comic book, DC Entertainment is providing retailers access to an assortment of other collectibles to help in the celebration of “Batman Day” including a Batman 75th anniversary cape, bookmarks featuring essential Batman graphic novels and four Batman masks designed by comic book artist Ryan Sook spotlighting a variety of the character’s iconic looks from his 75-year history.

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Why I Went to CU: An Interview

An interview with Clint Talbott, Summer 2014.

Why did you choose a life in academe?

Two of the finest persons I knew as a child were my maternal grandfather and mother, both teachers. One Saturday, my grandfather decided to take me to the Sternberg Museum of Natural History in his hometown of Hays, Kansas.  He was always incredibly dignified.  As we drove onto the campus of Fort Hays State, he saw a parking spot reserved for “Professor” somebody.  He looked at me with his typical mischievous eye, and said, “Bradley, today, I think I’ll be a professor.”  Whatever reason, I knew that a professor was somebody of importance (who, after all, could be wiser than my grandfather?), and the idea stuck with me throughout all of my schooling.  I also had the great fortune of having a number of amazing teachers and professors, from grade-school Dominican nuns to some of the best lecturers and thinkers imaginable at the University of Notre Dame and Indiana University.

How would you characterize the state of political discourse in the United States today?

Terrible.  Absolutely terrible.  But I must admit, I write this as a 46-year old jaded romantic who once would have given much of his life to one of the two major political parties.  

Political discourse as of 2014 comes down to two things 1) loudness and 2) meaningless nothings.  Oration is a dead art, and the news from CNN, Fox, and other outlets is just superficial talking points with some anger and show.  Radio is just as bad, if not worse.  As one noted journalist, Virginia Postrel, has argued, we probably shouldn’t take anything that someone such as Ann Coulter says with any real concern, as she “a performance artist/comedian, not a serious commentator.”  

Two examples, I think, help illustrate this.  Look at any speech delivered by almost any prominent American from 1774 to 1870 or so.  The speeches are rhetorically complicated, the vocabulary immense, and the expectations of a well-informed audience high.  To compare the speech of a 1830s member of Congress with one—perhaps even the best—in 2014 is simply gut-wrenchingly embarrassing.

Another example.  The authors of the Constitution expected us to discuss the most serious matters with the utmost gravity.  Nothing should possess more gravitas in a republic than the issue of war.  Yet, as Americans, we have not engaged in a properly constitutional debate on the meaning of war since the close of World War II.  We’ve seen massive protests, some fine songs, and a lot of bumper stickers, but no meaningful dialogue.

As a humanist, I crave answers for this, and I desire a return to true—not ideological—debate and conversation.  Academia has much to offer the larger political world in this.

If you were asked to summarize what you hope to accomplish during your year as visiting scholar, what would you say?

I have dedicated my own academic career to the study of two things: 1) the human person as a unique manifestation of universal truths in a culturally- and temporally-specific setting; and 2) the humanities as best understood through the classics of western (and, at times, world) civilization.

CU is already rich in all of this, but I hope to add to that richness and to benefit from the same.  No community can survive without a conversation with those of the present, those of the past, and those who are to come. 

The Visiting Scholar in Conservative Thought and Policy at CU-Boulder was created because of a perceived imbalance of perspectives among faculty; do you see this as an issue that should be addressed, and, if so, how should it best be addressed?

Though I grew up (in Kansas) vacationing in Boulder and the Boulder area, I have only been a part of the campus community on the day I came for the interviews.  Of course, I had a brilliant time.  Regardless, I don’t really know what the state of discourse is on CU’s campus.  I plan on being involved in as many discussions as possible, and I also plan on sharing those discussions with non-Coloradans through the website, The Imaginative Conservative (imaginativeconservative.org).  

And, of course, it’s an absolute privilege to be invited to be an additional voice in such a vibrant intellectual community of scholars as that in Boulder.  My voice, I hope, though will be that of Brad Birzer who happens to have strong conservative and libertarian leanings rather than as a libertarian or conservative who happens to be named Brad Birzer.

And, as much as I appreciate a relatively recent historical figure such as Barry Goldwater, I still much prefer Cicero and Virgil.

How do you view the value of higher education today, particularly given its rising cost and rising student-loan burden?

This is a terribly difficult problem, and, from what little I know of economics, so much has changed over the past fifty years due to strange incentives in funding, etc.  But, we also continue to specialize and specialize in our professions and disciplines to the point we can no longer talk across the self-imposed barriers.  A person might gain from this, but a society and the persons that make up that society do not.

I’m rather a devoted patriot of and for liberal education.  From Socrates forward, the goal of a liberal education has been to “liberate” the human person from the everyday details of this world and the tyranny of the moment.  Our citizenship, as liberally-educated persons, belongs to the eternal Cosmopolis, not to D.C. or London or. . . .

College-level education must return to the fundamentals of the liberal tradition.  Interestingly, this is the least expensive way to teach and to be educated.  The best education involves a professor, a group of students, a primary text, and three hours a week in discussion.

Given how readily available the texts of the greats have become through the liberation and decentralization of publishing through the internet, the complete writings of Plato are within reach of anyone with access to the web.

Real education does not have to be expensive.

This is in no way meant to discount professional education.  Training for engineering, law, the sciences, etc. is vital for a functioning and healthy world and happy citizenry.  

But, in our own titillation with what we can create, we often forget what came before and what will need to be passed on in terms of ethics and wisdom.  The best lawyer, the best engineer, the best chemist, will be a better person for knowing the great ideas of the past: the ethics of Socrates; the sacrifice of Perpetua; and the genius of Augustine.

A Story of Friendship: Star Trek

As young children, my older brother and I watched the original Star Trek series on Saturday mornings.  We weren’t big TV watchers as a family, but Star Trek was special.  To make it even better, it was the local PBS that aired Star Trek, presenting it free of all commercials.  

Every Saturday, Todd and I awoke very early and watched the rerun for that week.  This would have been around 1975, almost a decade after the show first aired.  After each episode, Todd and I would talk, always mesmerized by the possibilities of space, life, and a billion other things.  How much of the galaxy had this crew explored?  Were they the modern Lewis & Clark?  What happened when someone transported from one place to another?  How smart were the computers?  Were the Klingons the Soviets and the Romulans the Chinese?  Or, maybe the other way around?  Why did we only see the military aspects of Starfleet?  What about the colonists, the pioneers?  How did time travel work?  If the Enterprise found itself sent back to Earth, why did it happen to arrive the same year the show was being filmed.

Pretty serious stuff for an eight year old sitting with his much admired thirteen year old brother.  

I had no idea at the time, but the show’s founder and creator, Gene Roddenberry had actually described Star Trek as a “wagon train to the stars” when he first shopped it to studios.  It would be set, though, on the space equivalent of an aircraft carrier, a mobile community as diverse as Gunsmoke’s Dodge City, he continued in his show treatment.  The crew, roughly 203 of them, would be as diverse as possible, asserting that racial prejudice and ethnic strife would be things of the past in the non-specified time of Star Trek.  Only later did the show writers decide it took place in the 2260s.  From its beginning, however, Roddenberry’s Star Trek represented a brash Kennedy-esque liberalism, a confidence that America could teach the world the principles of civilization, tolerance, and dignity.  [Sources: Whitfield and Roddenberry, THE MAKING OF STAR TREK (1968); and Paul Cantor, Gilligan Unbound (2003) and The Invisible Hand of Popular Culture (2012)]

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