2022: A Proggy Reflection

I loved Tad’s list of great albums of the year.  I’m in agreement with most of them, and I’m proud to be Tad’s friend and ally in this crazy world.  He’s a man of great insight.  

I will admit, I didn’t give as much time to music in 2022 as I normally do.  I was, for better or worse, spending almost all my free time on my own book manuscript, Tolkien and the Inklings: Men of the West (yes, this is a shameless plug!  Please look for it sometime between Thanksgiving and Christmas of 2023).  Whether such a use of my time was worth it or not, time will tell.  In that book, though, I thank not only Tad, Kevin McCormick, Carl Olson, and Erik Heter of Spirit of Cecilia fame, but I also thank Greg Spawton of Big Big Train, Steve Babb of Glass Hammer, John Galgano and Laura Meade of IZZ, and Andy Tillison of The Tangent (and a few others) for inspiration.  I couldn’t have written what I wrote during 2022 without such inspiration.

I would also note, importantly, that the website Progarchy reached its 10th anniversary.  Carl, Kevin, Erik, and a few others helped form it in 2012.  I’m very glad it’s thriving, especially under the loving care of Chris, Bryan, and Rick.  I’m no longer a part of Progarchy, but I wish them the best.

When it comes to 2022, let me start with a few non-music releases.  I absolutely loved Kevin J. Anderson’s (and Neil Peart’s) Clockwork Destiny.  Because of my friendship with Kevin, I was blessed and read the book in manuscript form.  I loved every moment of it, and I thought it was the perfect conclusion to the Clockwork trilogy.  Kevin is an amazing writer, and his imagination really knows no bounds.

I also read, with great enjoyment, Steven Wilson’s Limited Edition of One.  I still don’t quite get why he’s not totally satisfied with his community of fans, but the man’s “interestingness”, like Kevin’s imagination, knows no bounds.  Wilson could write an album about the Hillsdale phone book, and I’d be interested.  Remember phone books?  Of course not.  Regardless, Wilson’s Limited Edition of One (deluxe edition) was one of the greatest releases of the year.  I even gave it away as a gift to two of my closest friends.

I also read Rocket 88’s biography of Mark Hollis, A Perfect Silence.  It was detailed and interesting, but not great.  Hollis’s lyrics evoke imagination, but Ben Wardle’s book really just gave the nuts and bolts of the man’s life.  What about his mind?  His soul?  His heart?  He came from the lower class, but what did that mean about his faith and his view of the world?  All of this was missing from this good but flawed work.  It feels more like a reference work than a biography—with all due respect to Wardle, who clearly did his research.  I just wish he’d stretched his biographical imagination.

Though I didn’t spend as much time on music, as I normally do, I did, however, think the world of the following, released this past year:

Tim Bowness, Butterfly Mind.  Holy Moses, folks.  What more do anyone want?  Plaintive lyrics and progressive pop!  Incredible material from a true master.  Thank you, Tim.  What beauty, you’ve provided.

Cosmograf, Heroic Materials.  Admittedly, one of my all-time favorite artists is Robin Armstrong.  The man is one of the greatest audiophiles (next to Steven Wilson) of our era, and everything he produces matters.  This is an excellent release, a fine contribution to the Cosmograf discography.

Oak, The Quiet Rebellion of Compromise.  Ok, exactly does one say?  This is gorgeous music, whatever its genre (and, to be sure, I’m not sure what genre this is).  I loved the band’s second album, and this one seems like an extension of that one.  Glorious lyrics, glorious music.

Galahad, The Last Adventurer.  Stu Nicholson is a master of lyric writing.  Love this man, and his music.  Nothing he writes is unimportant, and in collaboration with Galahad, freaking brilliant.

The Cure, Wish (30th anniversary edition).  Supposedly, The Cure is about to release an album or two. What does it have to lose?  Everything Robert Smith does is genius, and I’m sure that whatever new the band releases will be genius as well.  Wish, though schizophrenic, is genius as well.  So much prog, and so much pop—all mixed together in one brilliant release.

IZZ, I Move (anniversary edition).  Along with Glass Hammer, IZZ is a favorite American prog band.  Here, we have a re-release of a masterpiece—again, masterful in music as well as lyrics.  Galgano and Meade sing their hearts out. IZZ also released a number of singles this year–all of which grabbed my heart and soul. Because they came as singles and not as a single album, though, they gone generally unremarked upon in the prog community. Please go to Bandcamp and give these beauties a listen.

Tears for Fears, Tipping Point. I’ve never hidden my love of Tears for Fears, probably my favorite pop band. I’ve been a rather diehard fan since first hearing them in 1985. This album is really good, but it’s not great. Had the band employed some proggy elements–especially in terms of song segues, such as they did on Songs from the Big Chair–this might very well have become their best album ever. As it is, Tipping Point feels like another collection of really good songs, but it doesn’t feel like a proper album.

Ultravox, Rage in Eden (40th edition).  I didn’t come to this album until it was five years old.  Yes, I heard it for the first time, sometime in the fall of 1986.  My great friend (and fellow Spirit of Cecilia writer), Kevin McCormick introduced it to me.  Wilson’s remix must be of the English version rather than the American version, for there’s at least one song missing.  Still, Wilson’s remix is wonderful, and I’m very glad to own this anniversary edition.

Glass Hammer, At the Gate.  What can I write about GH that I’ve not written before?  Everything this band does is important.  And, yet, each release—rather than fading away—becomes better and better.  I love to see such evolution in a band.  If critics identified early Glass Hammer, later ones might confuse the band with Rush.  Yet, what can be said definitively is 1) Glass Hammer honors those it loves; and 2) by doing so, always creates its own unique thing.  This is a superb ending to a recent trilogy.  See, also, Steve Babb’s first novel, the irrepressible Skallagrim – In the Vales Of Pagarna.

Ayreon, Universal Migrator, Parts 1 and 2.  I bought the deluxe (something, I’ve been doing more and more, as I get older) edition, and I’ve thoroughly enjoyed it.  There’s nothing substantially new from the original release, but it’s great to hear what modern technology can do with the spacing of instruments and the flow of the music itself.

Gazpacho, Fireworking at St. Croix. I fell in love with this album on my first listen, and then I went a bit crazy. I bought the blu-ray, fell in love with it, and then I bought the deluxe earbook. It certainly vies as one of my two favorite releases of 2022.

Porcupine Tree, Closure/Continuation. I’m guessing that if I could calculate all the albums I listened to in 2022, this would rank as number one (or, two, given how many times I also listened to Gazpacho (just mentioned). I think it’s a great album, but I would rank it in the middle of Porcupine Tree releases. It’s neat, and it’s wonderful that PT reformed. But, this album, as good as it is, doesn’t come close to the wonders of Fear of a Blank Planet or Sky Moves Sideways.

I also want to note, that I’ve very much enjoyed all of Roine Stolt’s remixing and systematic reissuing of albums of The Flower Kings throughout 2022.  The latest—which just arrived and which has made me very happy) is the remix of Unfold the Future.  I hope that Stolt has a chance to reissue the whole catalogue.

I would also like to note, I’ve really not had time to check out Dave Kerzner’s The Traveler, Shearwater’s The Great Awakening, or The Tangent’s Songs from the Hard Shoulder. I very much look forward to doing so.

Finally, I must also note that in 2022, I had a front-row seat to the making of Promises of Hope by the Bardic Depths. I never cease to be amazed by the creativity and imagination of Dave Bandana. So wonderful to see that man make brilliant things.

Here’s to a great and glorious and proggy 2023!

P.S. I want to thank, especially, Burning Shed and Bandwagon USA for feeding my prog habit!

The Best Music of 2022

2022 was an excellent year for prog music fans, with several old favorites releasing surprisingly strong new albums. Here are my favorites, in alphabetical order:

The Bardic Depths: Promises of Hope


No sophomore slump for these guys! Promises of Hope is even better than their excellent debut. Dave Bandana’s composing and singing is terrific, and Brad Birzer’s lyrics plumb new depths. Let’s hope their partnership is a long and fruitful one.

Big Big Train: Welcome to the Planet

BBT Welcome

This release came quickly after Common Ground, and is the last to feature the late David Longden, but it is by no means an “Odds and Sods” collection. It is a heartwarming album with some of BBT’s best-ever songs – Proper Jack Foster is an instant classic.

The Dear Hunter: Antimai

Dear Hunter Antimai

Casey Crescenzo’s Dear Hunter has one of the most unique sounds in music today, combining alt-pop, hot jazz, and prog jams. And it’s all good! Antimai is a concept album about a society where different classes of people live in concentric rings of a city. The poorest live in the outermost, and the most powerful live in the inner tower. I have listened to Antimai many times this year, and I always hear new and entrancing details.

Evership: The Uncrowned King, Act 2

Evership King 2

Evership’s Uncrowned King Act 2 concludes their musical interpretation of Harold Bell Wright’s allegory. If you are a fan of classic ’70s prog, then you will love this album.

Galahad: The Last Great Adventurer

Galahad Adventurer

These long-time prog vets released a very satisfying set of songs in  2022. Blood, Skin, and Bone is one of the best songs of the year – melodic, heavy, with an excellent message: how external factors influence how we react to each other. One of my most-listened-to albums of the past few months.

Glass Hammer: At The Gate


The concluding chapter in Glass Hammer’s Skallagrim saga is the best. You can read my review here. Glass Hammer is the finest American prog rock group, period. It is astounding how they have maintained such high quality over such a long career. As The Years Go By is another top song of 2022.

King’s X: Three Sides of One

Kings X 3 Sides

Fourteen(!) years after their last studio album, this hard rock/prog trio surprised everyone with one of their best albums ever. From the blistering funk of Let It Rain to the beautiful ballad Nothing But The Truth, King’s X have never sounded better. What a joy to hear them play again!

Jonas Lindberg and The Other Side: Miles From Nowhere

Digital 4

If I had to pick the single best album of 2022, Jonas Lindberg and the Other Side’s Miles From Nowhere would be it. It was released early in 2022, and I still listen to it regularly. It is full of delightful pop/rock hooks performed with excellent musicianship. I have listened to this album dozens of times, and I’m still not tired of it.

David Longden: Door One

Longden Door 1

This posthumous release of David Longden’s solo album only emphasizes what a loss the world suffered with his passing. It is not an unfinished set of sketches, but a complete and masterfully produced album. Love Is All is one of his finest songs, and a fitting conclusion to an amazing musical career.

The Porcupine Tree: Closure/Continuation

PT Closure

Another big surprise from a progrock veteran! I never thought Steven Wilson would work with Richard Barbieri and Gavin Harrison again, but here we are, and the music is pretty darn magnificent. Dignity is another PT classic, and here’s hoping there’s more music coming from them in the future.

Shearwater: The Great Awakening


This was a new discovery for me. I love late-era Talk Talk, and The Great Awakening sounds like something Mark Hollis would put together if he were still alive. No Reason is one of the most haunting songs I’ve ever heard. 

Tears for Fears: The Tipping Point

TFF Tipping Pt

Yet another surprise release from longtime musical veterans! Usually, when I hear a beloved artist from the ’80s is getting to put out new music, I get very apprehensive. Let’s face it, the ’80s were forty years ago, and the chances of rekindling the magic are very small. However, Tears for Fears’ The Tipping Point is one of the best albums of 2022, and one of the best of their career. Not a throwaway song in the bunch, and they sound as good as ever. Rivers of Mercy is my favorite, but every single song is a winner.

Devin Townsend: Lightwork

Devin Townsend Lightwork

Devin Townsend is one of the most fascinating artists working today. You never know what style his latest album will be: brutally hard rock, country, ambient, pop? Lightwork is a relatively quiet entry in his vast catalog, but it rewards repeated listens. The crunchy guitars crunch, the soaring vocals soar, and the endlessly satisfying melodies pour out of the speakers (or earbuds). So far, I think Lightwork is in Townsend’s top five best.

And there you have it: a baker’s dozen of great albums from the year 2022. The most satisfying trend is the number of great albums produced by artists after a long absence: King’s X, Porcupine Tree, and Tears for Fear. I hope they don’t wait as long to release their next albums!


Why I love history and think it is so important”

By Richard K. Munro

I love history because history is fascinating and so full of so many dramatic stories. History well told is beautiful and exciting.

And often “truth is stranger than fiction.”

The Roman poet Martial, who traveled to many lands and saw many wonders said, “He who loves history lives twice”. History, I believe, makes us wiser as history offers a multitude of examples about how leaders and societies react in the crises of domestic struggles, economic challenges, and war.

Winston Churchill said “Study history, study history. In history lies all the secrets of statecraft.” History provides essential knowledge about the emergence of our national instructions, our culture, our sports, our constitution, and our democratic values.

History is important because it helps us understand the present so we can analyze events more clearly and make better decisions now and in the future. History also provides all of us an identity as individuals and as a people so as to unify us as Americans.

Lincoln, the president who saved our union, said, “Fellow citizens, we cannot escape history.” We ignore it at our peril. Without history, we could lose our freedom, our national independence and our personal identity leaving us only with disunity, ignorance, and despair.


by Richard K. Munro

College is not for everyone. And College is not for everyone right away. I did not go to college right after high school (unless you count a 10-week summer program with the U. of Northern Iowa) in Spain (I did earn 3 college credits). But then I stayed in Spain for a period of time. I got my BA from NYU. I should have gotten at MA (perhaps) at that time I took many graduate level classes in Spanish, political science and history for undergraduate credit. I commuted so NYU (much cheaper then) was economical (then). But graduate school in the liberal arts seemed then overpriced. I was tired of school (but not reading and learning). So, I served in the Marines and later traveled in Europe and Latin America. I worked in private industry for a period of time but after ten years returned to school to get a Teacher’s Certificate and get into an MA program with the University of Northern Iowa (in Spain). I had only a few marketable skills. One of the best things I did in high school was studying typing (at night school). I became competent and so typed all my own papers in college in English and Spanish. Working at the bank as I did for five years and in the military, it was useful to be able to type. Unfortunately, I came to the computer late but when I did word processing it was a strong skill for me.

Another expertise I had was being bilingual in Spanish and English. Living and studying in Spain greatly strengthened my Spanish (I also studied Portuguese) I worked in Spain as a tutor, translator, and tour guide. I transacted all my business in Spanish.

I do not regret traveling and visiting Portugal, Spain, France, Greece, Italy, Germany, Ireland and Britain. I mostly lived in Spain which was relatively inexpensive then. I could not afford to live in NYC in the 1970s but I could live in Madrid and my rent was $100 a month! I had no car but had a EURAIL PASS so I could travel inexpensively all-over Western Europe. In Madrid, Lisbon, Paris, and Barcelona I used the metro and public buses. i had no phone. I had no TV. I did have a radio cassette player. I had a PO box at American Express. I could also cash personal checks at AMEX. Most of my mail was sent to Madrid but I could also pick up mail in Funchal, Lisbon, Barcelona, Rome, Paris if I so desired. I loved living in Europe. I read a lot of books in English, Spanish esp. I went to plays, concerts and opera. I went to soccer games. I visited museums and historical sites all over Western Europe including battlefields. The only reason I came back from Europe, really, was because I wanted to get married and have a family.

I am grateful that America gave me (and my father and grandfather who were immigrants) economic and professional opportunity. I returned to college 2004-2005 on an ISI scholarship at UVA. I earned thirty post graduate credits (and maxed out my pay scale in preparation for my retirement) but cut my losses. I could have academically earned a PhD but to do so I would have had to sell my house cash in my retirement and struggle for years to finish the program and support my family. It just wasn’t in the cards. I had three children to help get through college. I paid my own way for graduate school.

We helped our kids (they worked too) for undergraduate. They paid their own way for graduate degrees which were career specific (engineering, or teaching certificates). If you have a clear career goal college could be a very good choice. If you have no clear goals, then I would suggest

1) working

2) doing 1 tour of service in the military

3) going to a Community College -you can transfer to a four year college later.

My son in law took TEN YEARS to get his BS in Engineering. He started at JC and got his AA degree and then finally went to college full time in Mechanical Engineering. He works for a major Aerospace manufacturer. He is highly skilled and only getting more so as his career progresses. After HS he worked at Sprouts but never gave up his goal. One of the advantages of doing a program over ten years is you can pay as you go. He borrowed no money for living expenses or tuition. My daughter worked on average 35 hours a week at IHOP when she was in college. With her AP credits she graduated in 4 years and gained a K-6 teaching credential with a bilingual certificate. Having her expertise helped her get a job right away. Most of us have to work for living. It is important for young people HS or beyond to GET WORK EXPERIENCE. For too many College is a debilitating hedonistic experience. If you have to work and study you will be more serious. If you are paying your own way and have bills to pay you will be more serioius.

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Haken Announces New Studio Album

HAKEN announce release of seventh studio album ‘Fauna’; new single ‘The Alphabet of Me’Following weeks of teasing, progressive rockers HAKEN are pleased to announce their seventh studio album ‘Fauna’, their most genre-busting and conceptually fascinating album to date. The album will be released on March 3rd, 2023, and following the release of ‘Nightingale’ earlier this year, they are pleased to present “The Alphabet of Me”, the second track taken from the record.
Watch the video for ‘The Alphabet of Me’, directed by Crystal Spotlight, here: https://youtu.be/LQJ-e75ZSj8Vocalist Ross Jennings comments: “When composing and presenting initial song sketches, we very much had an “anything goes” mentality, and whilst sounding atypically Haken, it was a piece that was all exciting us to explore and integrate into our song canon.
Where the lyrics are concerned, I leant heavily on one of my favourite writers Philip K Dick, for inspiration. Keeping our loose concept of spirit animals in mind, I re-read ‘Do androids dream of electric sheep?’ (Which would later be adapted into the 1982 film ’Blade Runner’) knowing symbolically that animals played a key role in the story. This, along with revisiting both movies from the Blade Runner franchise, opened up some deeper philosophical topics about the nature of identity which have served as a backbone for the lyrical content”
‘Fauna’ sees the band exploring new ideas conceptually as Ross continues. “The premise of the album when we started writing it was that every song would have an animal assigned to it. They all have something related to the animal kingdom that we could write about, but they also connect to the human world. Each track has layers, and some of them are more obvious than others.”
“It reminds me of ‘The Mountain’,” adds guitarist and fellow founder Richard Henshall. “There, we had the idea of not really a narrative-based album, but more the concept of climbing a mountain and overcoming the obstacles along the way. Then we took that and thought about how it could relate to our everyday lives. All of Fauna’s animals relate to us, personally.”
‘Fauna’ also marks the return of keyboard player Peter Jones, whose sounds can be heard permeating the entire album. “What Pete’s brought sonically to the band has played a massive role in why we do have a lot of new sounds on this record,” says Ross. “It’s always a new dynamic when there’s a change in personnel, and this is a fresh and reviving one. It’s certainly helped proximity-wise, with Pete being in the country: Pete and Ray [Hearne, Haken’s drummer] would be at Rich’s place and they’d just start jamming. That’s really key to how the songs start.”
‘Fauna’ will be available on several formats, including Ltd 2CD (incl. instrumentals), Standard CD, Gatefold 2LP & as Digital Album. The albums stunningly detailed artwork was created by Dan Goldsworthy (Charlie Griffiths, Sylosis).
Pre-order now here: https://haken.lnk.to/FaunaThe tracklisting is as follows:1.     Taurus 04:49
2.     Nightingale 07:24
3.     The Alphabet of Me 05:33
4.     Sempiternal Beings 08:23
5.     Beneath The White Rainbow 06:45
6.     Island In The Clouds 05:45
7.     Lovebite 03:49
8.     Elephants Never Forget 11:07
9.     Eyes Of Ebony 08:32Haken recently announced a co-headline tour with Between The Buried & Me in Europe for early 2023, with support from Cryptodira. These will be the first dates in support of ‘Fauna’, find the full list of dates here: https://hakenmusic.com/tour/ HAKEN are:Ross Jennings
Richard Henshall
Charlie Griffiths
Pete Jones
Conner Green
Ray HearneHAKEN online:
https://www.instagram.com/haken_official/INSIDEOUT MUSIC online:
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Meritocracy Vs. Affirmative Action (“Equity”)



“To the extent their grades and scores reflect hard work, maybe. But grades and test scores are at least equally reflective of innate abilities and early opportunities, for which the students themselves deserve no credit. They simply won the genetic and socio-economic lottery.”

TRUE to a certain extent.  If one’s parents are well-educated, economically successful, and cosmopolitan the children MAY have an advantage IF they are not slackers.   But sometimes they are and so crash and burn.

There is no question if you have money and connections, you have an advantage in an acting career for example but in classical music I think talent, training and natural ability make the classical music world more of a meritocracy.   More Asians per capita are successful in the classical music field because they come from a culture that has emulated the high musical culture of the West more than other groups. Similarly the Italians seem to produce the best tenors and sopranos because singing is so deeply part of their musical tradition.  The idea of having quotas for minorities is silly and harmful for classical music, medical school, engineering school the sciences etc.

And when it comes to piping it is just a cognate fact the very best pipers are Scottish or Irish then British then English speaking (Canadian/Australian/USA etc) of Celtic origin. 

There may be a few great Israeli or African American pipers but I haven’t heard or seen any.    

On the other hand I HAVE heard and seen great Indian and Gurkha pipers because those groups have many generations of close contact with Highland Regiments and so it is an integral part of its military culture.  Piping and Pipe bands have public competitions and so are highly meritocratic.

I think the biggest difference is students from poor families or modest families have less of margin of error for failure.   Students from upper class or upper middle-class families can start over at age 30 or 35 and still hope to have decent job or career.   IF the are not hopelessly alcoholic or drug addicted.  

You speak of STUDENTS but when I think of meritocracy I also think of ATHLETES, FIRST RESPONDERS and the MILITARY.   Both these fields favor , generally speaking, true meritocracy.  

No team wants to lower standards and so be a losing team.   They may have female batting coaches or even female managers but unless a female can find a way to compete on the field successfully (always a possibility) teams will not have quotas for their starting lineups.    

If one does not have a mediocratic approach (fitness, strength, health, sight, hearing etc)  for FIRST RESPONDERS or the MILITARY one threatens public safety and national security. 

When I was a young Marine everyone and I mean everyone knew the Marines were tougher, fitter and more highly motivated than the Army because they had higher standards and a strong ethos of training, pride of unit and identity.    We were all volunteers and tended to be healthier, more motivated, and more physically fit than your average American. It meant something to be a MARINE and it still does to have been a US Marine just like it means something to be a Ranger or Navy SEAL.  

If one lowers the standards (and I think the Marines have lowered standards to   certain extent then man for man (or Marine for Marine) preparedness is someone lessened.   One of the reasons the Marines held on at the Chosin Reservoir and at Guadalcanal is because the Marines were deep in soldiers trained as infantrymen.  When down to the last platoon every Marine was a trained infantryman and familiar with small arms and unit defense.

  Even Marine mechanics, cooks and pilots are trained as infantrymen.  More recently we have the example of the Battle of Bastion in Afghanistan.    Marine pilots, navigators and mechanics quickly and efficiently sallied out as INFANTRY to fight of terrorist infiltrators. 

Enemy Inside the Wire: The Untold Story of the Battle of Bastion | GQ

“Perhaps this is all a waste of breath. Elites have historically devised schemes for reproducing themselves. Sometimes the reproduction is literal, as when the children of elites are introduced to each other and pair off and have children. College selection serves this purpose very effectively, given that college is a time and place when many young people find their mates or at least figure out what they are looking for in a mate.

Whatever system is established for handing out scarce goods—prestigious diplomas, for instance—the smart and the rich will find ways to game the system. That’s what brains and money do. And they’ll end up with the prize.  

But, please, don’t make us pretend they deserve it. “


NO IT IS NOT A WASTE OF BREATH.  It is a very important topic.  Society has to decide how much it is going to invest in EDUCATION,   ATHLETICS and the MILITARY and who is going to get the “glittering prizes”.    Scarcity is a universal law. We have scarce slots and scarce resources.  We have to invest wisely so as to have the best engineers, best scientists,  foreign language teachers, doctors,  soldiers, Airmen, Marines, sailors, firefighters etc.   For the sake of social harmony and societal peace when may have to address diversity issues but having AUTHENTIC HIGH STANDARDS IS GOOD FOR INSTITUTIONS AND SOCIETY.   HAVING LOW STANDARDS OR OPEN ADMISSION IS BAD FOR INSTITUTIONS AND FOR SOCEITY IN THE LONG RUN.

I am glad you pointed out LEGACY entrances into universities.  That is the OLD AFFIRMATIVE ACTION.   Everybody knows it.      But one wonders how small the number of White Males at university would be WITHOUT LEGACY Admissions.   The number of males and White Males particularly had precipitously declined in the USA (and other places) And of course under the strictures of Affirmative Action schools and individuals were tempted to fiddle with the system by finding alternative paths of entry to select schools via athletics sometimes via obscure sports.    In some cases we know these athletic CV’s were falsified or exaggerated.  Sometimes the students athletes never even played a single game. The whole charade was to get INTO the college.   And there is no question that CHILDREN of ELITES may intermarry and so maintain family wealth.   

Some individuals will always have the edge over other individuals due differences in WEALTH,  SOCIETAL CLASS,   BEAUTY and YOUTH.   It is of course, better to be YOUNG, BEAUTIFUL, HEALTHY and RICH than to be OLD, UGLY and SICK.   It is better to KNOW PEOPLE and have connections than to be an isolated newcomer without a reputation or connections.     I will say this, however, there is ALWAYS CHALLENGE and RESPONSE.    Men and women who come up the hard way gain  wisdom, strength and confidence that cannot be gained any other way.   In other words there is no Royal Road to Geometry or Marine Corps OCS at Quantico.

A Generation of American Men Give Up on College: ‘I Just Feel Lost’ – WSJ


White men are now almost extinct on university campuses – and that’s exactly what feminists want — RT Op-ed

50% Off All Dave Kerzner

Hello! I posted this on my Facebook and I realized it doesn’t always reach everyone. I wanted to make sure everyone knew about this sale I’m doing this weekend. It was for Black Friday but I extended it through Cyber Monday so that no one misses it! This is Squids Saturday (a lesser known holiday) so here’s the info for you. It’s really simple. HALF PRICE ON EVERYTHING! Best deal I’ve ever done on Bandcamp. Enter this code on check out on my Bandcamp page: bf2022

You save 50% off ANYTHING from CDs to downloads to Blu-Rays to box sets to T-shirts to posters to coasters (ok I don’t have coasters… but I should! Traveler coasters would look nice along with a Traveler mug!). Cheap shipping world-wide (often less than the actual cost we pay). Click HERE to have a look at what’s on my Sonic Elements Bandcamp Page!

I know some of you live in different parts of the world and this half off deal might be a good time to buy anything you were thinking about from my solo albums to In Continuum to SOC, Mantra Vega, tribute albums and more!

Special downloadable album only available this weekend!

Speaking of SOC, also just for this weekend only I’ve made disc 10 of the Corners of the Mind 10-disc box set a downloadable album. It’s listed at $20 but with the “bf2022” discount coupon applied it’s only $10! It has brand new previously unreleased recordings of songs I wrote with Sound of Contact like “Closer To You”, “Not Coming Down” and “Realm Of In-Organic Beings” plus songs from Dimensionaut I’ve done live and in the studio on various albums. In addition to those, I included some bonus tracks of alternate versions of songs from The Traveler that were originally worked on around the time of Dimensionaut!

Have a great safe weekend of music and fun! Thanks as always for your support for not only my music but the many progrock music makers, bands and artists that you love so we can keep this ship sailing! – Squids

Galahad News

Hi Everyone,


We know that it’s not been long since the last news update, thus we could be likened to buses (Galabus anyone!?) i.e. nothing for a long while and then a couple in quick succession!


Firstly, we would just like to thank everyone who has supported and shown so much faith in us by purchasing, downloading or streaming our new album. It means so much as it helps to keep us motivated to keep writing, recording and hopefully performing again at some point, once Spencer, our wonderful drummer, has fully recovered from the return of his brain cancer, for which he has had to endure two long rounds of chemo therapy in the last couple of years. Hence why the lack of live activity as a full band on our part.


On a very positive note though, our new album ‘The Last Great Adventurer’ does which seem to be going down very well in ‘prog’ circles and beyond and has garnered some very positive reviews and responses for which we are very thankful. 


Obviously, we’d like to keep up the momentum for as long as we can by trying to increase and maintain a higher profile which isn’t that easy for a smaller band like us with limited financial and marketing resources and no back up from a large record company as such. In fact, after 37 years on the ‘scene’ as it were there a still many prog/music fans who don’t appear to have heard of us at all!!


However, although as a rule we are not really bothered about band polls as such….BUT…because of the timing and the fact that we do have a new album out there we would be incredibly grateful if you were to support us just a little bit more by voting in this year’s annual PROG Magazine readers poll, which means even more as it is voted for by actual fans. This would no doubt help to increase awareness of the band as PROG Magazine is easily the highest profile publication covering our type of music in the UK and maybe even Europe. 


It would be good to give some of the ‘big guns’ of prog a run for their money for a change.


Obviously, it’s up to everyone to decide whether to vote or not and who to vote for if they do but it would be appreciated very, very, very much by the band if you were to vote for us. 


Choices/votes can be sent by email using the subject header ‘Readers’ Poll 2022′ to: prog@futurenet.com. Last day for voting is 28 November.


Thank you so much in advance to those who will support us in this way and please spread the word if you can and feel so inclined.   



Vote In The Prog Magazine Readers’ Poll 2022

It’s time for Prog readers to tell us what progged their word in 2022!




We also have just a couple of other news items:



Karl Groom will shortly commence mixing our next studio album which is provisionally titled  ‘The Long Goodbye’. This was recorded during the same sessions as ’The Last Great Adventurer’ and should be released later in 2023. 



Work is on-going to finalise the LP versions of the new album. We understand from Oskar/Music Mart in Poland that there will be three vinyl versions of this album available, one standard black version plus two limited edition colour versions.


More details will follow on the above as soon as we know, so please keep your eyes peeled on our official band website as well our Facebook page.


I thank that is all for now…..apart from mentioning that we’ve included an MP3 above of a little something that Dean and Stu have put together. J







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