No one captures the tragic paradox of culture more poignantly than the twentieth century’s greatest poet, William Butler Yeats, who came away from the carnage of World War I fearing that we humans “are but weasels fighting in a hole”:
Civilisation is hooped together, brought Under a rule, under the semblance of peace By manifold illusion; but man’s life is thought, And he, despite his terror, cannot cease Ravening through century after century, Ravening, raging, and uprooting that he may come Into the desolation of reality: Egypt and Greece, good-bye, and goodbye, Rome!
As our own civilization ravens and uproots, only to come into the desolation of false and lying illusion, so far more farce than tragedy, that’s my worry, too. Watching the hard-eyed troops surge by in Communist China’s 70th anniversary parade in October, the rank upon rank of fit young men and…
The Stunning Artwork for Love Over Fear, by Liz Saddington
It never fails – I post a “Best of 20_ _” list, and then up pops a masterpiece that I missed. That is the case with 2019 and Pendragon’s wonderful album, Love Over Fear. Ah well, better late than never, right?
Pendragon is a British prog band whose illustrious history stretches all the way back to 1978, when punk was all the rage, and prog was definitely not in vogue. Yet, despite wild swings in musical fashion, Pendragon has remained true to their vision, and they are all the more respected for it.
Nick Barrett (guitars, vocal, keyboards) is the one constant through the decades, and he writes all the songs on Love Over Fear. He is assisted by long-time bandmates Clive Nolan (keyboards) and Peter Gee (bass), as well as Jan Vincent Velazco (drums and percussion). A review copy of the album was in my DropBox, and I decided to give it a listen.
After five straight repeat listens, I ordered a hard copy. You won’t find them on Spotify, so if you want to hear this exceptionally fine album, support the band and order a copy for yourself at pendragon.mu.
What sets Love Over Fear apart from the embarrassment of riches that 2019 blessed prog fans with? First, the music. The first track, Everything, bursts forth from your speakers with all the exuberance of a Riding The Scree. Starfish and the Moon is a pensive piano-based ballad featuring a timeless melody and an airy guitar solo. Truth And Lies is a slow building, majestic song whose overdubbed acoustic guitars lulls the listener into a sense of languor until a wicked electric guitar solo takes over. 360 Degrees is the poppiest of the lot, with a hook (played on violin by Zoe Devenish) that lodges itself in your brain and won’t leave. If it had been released in 1982 (the year of C’mon Eileen), it would be a massive international hit single. Eternal Light is one of the most beautiful songs I have ever heard. It sends the listener up to the heights of heaven. Who Really Are We? is a viciously rocking track with a Kashmir-worthy guitar riff that crushes everything in its path. Heck, I could go on in a similar vein for every song on Love Over Fear. Every single track is exceptionally fine – I had a hard time getting through the album, because I kept hitting repeat.
Second, the words. After I had the actual CD in my hands, and I was able to peruse Barrett’s lyrics, I was blown away with his courage and vision. Love Over Fear is a cri de coeur against the current “cancel culture” that is having a reign of terror on social media, and a plea to learn from the wisdom previous generations accumulated through hard experience and suffering. Take these lines from Everything:
The spectrum is a lie
Love is the new hate
Hate is the new love
We’ve all been roundly deceived
And swallowed all the bait
Or how about these from Truth and Lies:
Farewell my trusted friends
These books they burn transcend
The hunger we have for the knowledge
For wisdom and the wise
Deeper and deeper down the rabbit hole
Deeper and deeper down the rabbit hole
The lie told often enough as sooth becomes the truth
And these from the centerpiece, Eternal Light:
Turn off that TV set and read a book instead
Read about the world and the universe
Don’t fill your snowflake head
With how beautiful I am
And, finally, from Who Really Are We?, a warning of the soft totalitarianism taking over the West:
The books of Solzhenitsyn
The wisdom of kings
Censored plays and words
And all that can bring
It seeks to divide us
While pretending to unite us
And neither they repented of their murders
And I see their gulag faces
Frozen to the floor
Love’s become the new hate’s become the new love
And therein lies the biggest deception of all
You can’t fight it
It’s the law
Nick Barrett is a 21st century prophet – proclaiming uncomfortable truths about our current culture. He is begging us to return to those thinkers who built civilization, and turn away from those who seek to tear it down. It doesn’t hurt that his jeremiad is wrapped in such appealing musical accompaniment. Love Over Fear isn’t one of the best albums of 2019; it is one of the best of the last decade. May love triumph over fear.
One of rock’s finest guitarists and a true gentleman, Dave Gregory, has decided to retire from his glorious time in Big Big Train. Here’s Gregory’s message on social media today:
I’d like to say how very touched I was to read the many comments and tributes from you folks, that flew in following the announcement of my departure from Big Big Train and the cancellation of the U.S. tour. Thank you everybody, I hope eventually I’ll be forgiven for letting the side down at this point. Events have reached a crossroads and it’s best that I make a move now to allow the band to re-group and make future plans.
The excellent Randy McStine will soon be occupying the vacant spot stage left, and I wish him and Big Big Train all the very best for the future. There’s a chance you may see, or hear me perform with them again somewhere down the line. I’d like to thank all the band members and road crew for their past brilliant work in helping put the band where it is today. Big thanks also to the behind-the-scenesters Sarah Ewing, Kathy Spawton, Steve Cadman, Niall Hayden, Nellie Pitts, Glenn Codere, Sue Heather, Tobbe Janson, Geoff Parks , Simon Hogg and all who assisted in making last year’s Grand Tour the success that it was.
Once again thank you all, we are sure to meet again at some point – Coronavirus willing – so please stay healthy, stay safe.
As sad as I am about this news, I can’t help but remember and remind myself that Gregory has given so much beauty and integrity to the world: in XTC, in Tin Spirits, and in Big Big Train.
What a blessing this man is.
From my perspective, the only living guitarist who rivals his soul and ability is Alex Lifeson. What a great time to be alive. Thank you, Dave!
Neal Morse is giving away a collection of songs called Hope And A Future.
Here’s his letter explaining his motivation:
From Neal Morse:
“As we all crowd around our televisions and read our news feeds concerning the ever-changing nature of the coronavirus, I am sensing a wave of hopelessness, fear and uncertainty unlike anything I can remember.
“Many times there have been extreme difficulties in regions or nations, but this is a trial for all humanity…and, as in any time of testing, many will fall into the depths of hopelessness. When hope disappears, all seems lost.
“But it’s not.
“So I have been thinking…what can I do? How can I help? I shared that feeling with the Radiant team and we came up with this idea: a free collection of Neal Morse songs titled “Hope and a Future”.
“I’ve tried to interject elements of hope in my music for as far back as I can remember, so we have made a special album of songs from my entire catalogue, accenting the uplifting and affirming, to help you navigate these unchartered waters with peace and blessed assurance.
“Effective immediately, you can download this collection of songs free of charge from the Radiant website by clicking the button below.
“My deepest desire is that you will find something in these songs — a word, a phrase, a concept — that you can latch onto and will help you and your family through this season.
“Your download will also contain a document that we put together containing some great quotes regarding hope.
“In closing, let me encourage you with this. No matter the circumstances or how things appear, let “the love that never dies” fill your heart today and be the “wind at your back” that brings you to a “peaceful harbor” in the days ahead.”
With much love,
Neal
You can download the album (which comes with a very nice PDF booklet) here.
Prior to this, I had prided myself on writing seven-, eight-, or even nine-page handwritten letters. My family and friends had filled our letters with news, with details of great adventures, with reviews of the latest books we had read and music we had heard. We filled the entire page with snippets of poems or lyrics, with some rather inexpert doodles; sometimes, I’d paste photos into the letter or squiggle in some band name such as Rush, Talk Talk, or Yes. There was an individualistic art to long-form letter correspondence.
I still have boxes and files full of these letters received from friends, and I cherish them as some of my finest possessions. I hope and trust the recipients of my letters feel the same. These letters represent small but mighty little communities: neighborhoods, suburbs, towns, republics, and – sometimes – dynasties of letters.
— Read on www.acton.org/religion-liberty/volume-30-number-1/solution-cancel-culture-true-community
March 19 is the Feast of St. Joseph, the patron saint of my mother’s side of the family, the Basgalls and the Kuhns. The traditional family prayer:
“O God, whose attribute it is to be always merciful and to spare, protect us through the intercession of St. Joseph from crop failures. In order to make ourselves, at least to a certain extent, worthy of this grace, we solemnly vow to keep the feast of St. Joseph as a holyday of obligation for all time and to spend some hours of that day in public prayer.”
Later, they prayed “the powers that be to preserve the growing crop, destroy grasshoppers, worms and bugs and finally to mature the grain, allow a bountiful harvest and furnish a high-priced market.”
Hans Jonas was born into a German Jewish household in 1903. As a boy, he longed for excitement. However, the most exciting events always seemed to be happening elsewhere. It seemed unlikely that he could fulfill his boyhood “dreams of glory” in the monotony of everyday life there.
Before the First World War, the most significant world events in his memory had been the sinking of the Titanic and the Balkan Wars. Comparing these events to his “charmed life — in a country that had known nothing but peace for decades, that was flourishing economically, and as a child in a comfortably situated family,” he found his life and the lives of his family members to be very boring.
Again, it is possible that Burke actively disliked the principles of the American Revolution, but there exists no such evidence one way or another. What we do know is that Burke, when pushed, supported the American cause for independence, though he very much lamented the breakdown and breakup of the British commonwealth.
No one captures the tragic paradox of culture more poignantly than the twentieth century’s greatest poet, William Butler Yeats, who came away from the carnage of World War I fearing that we humans “are but weasels fighting in a hole”:
Civilisation is hooped together, brought Under a rule, under the semblance of peace By manifold illusion; but man’s life is thought, And he, despite his terror, cannot cease Ravening through century after century, Ravening, raging, and uprooting that he may come Into the desolation of reality: Egypt and Greece, good-bye, and goodbye, Rome!
As our own civilization ravens and uproots, only to come into the desolation of false and lying illusion, so far more farce than tragedy, that’s my worry, too. Watching the hard-eyed troops surge by in Communist China’s 70th anniversary parade in October, the rank upon rank of fit young men and women toting high-tech weaponry and marching with eager determination, as if treading down all before them, it was hard not to wonder how we’d fare if we ever had to fight them, given President Xi Jinping’s undisguised imperial designs. As I watched, I couldn’t help remembering the 2016 photos of American sailors kneeling in humiliated submission on the deck of their U.S. Navy patrol vessel, which they had allowed diminutive Iranian gunboats to seize without firing a single shot in the Persian Gulf. Did they not believe, had they not been taught, that they had anything worth defending?
Myron Magnet, City Journal’s Editor-at-Large, is a National Humanities Medal laureate.
US SAILORS IGNOMINIOUSLY CAPTURED IN JANUARY 2016 SOMEHOW I still take hope in the fact US Marines would not have given up so easily.
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