The Bardic Depths: Some Things Are Worth Remembering

Some Things Are Worth Remembering  is the fourth album from The Bardic Depths. Dave Bandana once again takes the reins, with lead vocals, bass, keyboards, and overall production, while Gareth Cole returns on acoustic and electric guitar, Tim Gehrt handles drums and percussion, and Peter Jones sings and plays sax and keyboards. The ever-clever and polyhistoric Brad Birzer supplies most of the lyrics, which, as the album’s title suggests, are full of reminiscences, longing, and nostalgia.

I’ve listened to Some Things Are Worth Remembering several times now, and my overall impression of the album is one of mellowness. There is a gentle vibe to most of the songs that wouldn’t be out of place on a early-to-mid-70s rock album. Given that I pretty much came of age in the 70s, I find Some Things Are Worth Remembering a most pleasant and entertaining listening experience.

The opening track, “Islands”, is, according to the notes provided by Mr. Bandana, Brad Birzer’s tribute to the classic Big Big Train song, “The Underfall Yard”. In that track, BBT expressed their admiration for the Victorian engineers who surveyed and constructed the railways that crisscrossed the UK. BBT sang how those engineers “using available light, they could see far”.  Birzer’s lyrics are a worthy tribute to the spirit of “The Underfall Yard”, as he writes, 

The song that longs to linger in our souls

Long after we’ve heard the last notes

A memory so pure so delicate

The song that cries to the skies

The song that hovers over that moment

Away from eternity

The music of “Islands” has a nice jazzy feel, thanks to the excellent saxophone work of Peter Jones. 

Next up is the very melodic “Fallen Leaves”, featuring beautiful wordless vocal harmonies that conjure memories of CSNY and The Beach Boys. 

Things get a little funky on the third track, “Arribabok”. Birzer’s lyrics explore how language is like a living thing, always evolving and mutating. I really like Bandana’s bassline on this song, and Cole’s sinuous electric guitar solo. The arrangement reminds me a bit of classic Peter Gabriel – shades of “Secret World”.

Side One closes with my favorite track, “October Sun”, which is Birzer’s ode to Michigan autumns. Maybe because autumn is my favorite season, this song really speaks to me with its evocation of “greens and reds and yellows and browns”. There is more to the song than mere colors, however:

The veil between this world and the next

Is ever so thin

It’s always twilight here

October holds its breath

In the dusk of it all

And on the verge of death

October sun shines through

I may be reading too much into these lyrics, but they remind me of Ray Bradbury’s memoir of small town America, Dandelion Wine, where natural beauty coexists uneasily with darker undercurrents. The music for “October Sun” is outstanding as well, with the final half consisting of an instrumental workout. Peter Jones’ sax and Gareth Cole’s guitar play a game of tag in the October sun!

Side Two opens with Peter Jones’ composition, “From Empty Trees”. He plays keyboards on this one, and it brings to minds Barleycorn-era Traffic. It’s a very fun track with a lot of drive.

The next song, “A View”, is, according to Bandana,  “about a man in space who awakes after his craft has been attacked and after finding out he is the only one left on board sees the Earth below in a totally different light.” Appropriately enough, the melody captures the longing and homesickness of that astronaut perfectly. 

“Harder to See” is the portrait of a man who is not the most likeable person. Bandana wrote the lyrics on this one, and he describes someone who is trying to find himself:

You make it I’ll break it you bake it I’ll take it

You grow it I’ll blow it you know it I’ll throw it

It’s not easy to please me it’s harder to see me

I like you can’t find me no ties to confine me

I need to get me a plan find out if I really can

I need to see where I am… see where I am as a man

Some Things Are Worth Remembering  closes with “Rewind”, which is Bandana’s recounting of attending a 1975 Genesis concert in London. Once again, there is a sense of longing for something that can never be recaptured.

I wish I could easily rewind my brain

All of the sights and the smells of old London Town

Sit and wait for the lights to die down

Music and drama and spells before our eyes

Stories of strange folk behind a disguise

I was there but I can’t remember now

Cole’s acoustic guitar work is outstanding, cleverly bringing to mind Steve Hackett from A Trick of the Tail-era Genesis. Cole also provides a muscular electric guitar solo that provides an intro to a beautiful vocal interlude. And when you think the song is over, we are given a wonderful pastoral coda that lasts almost five minutes. 

All in all, Some Things Are Worth Remembering is a fine addition to The Bardic Depths’ discography. I especially enjoyed Peter Jones’ saxophone work throughout, and Tim Gehrt’s work on drums and percussion is excellent. As I stated at the beginning of this review, this album is mellow – it’s a genuinely pleasurable listening experience that is perfect for a lazy Sunday afternoon (in October!). Even though there isn’t an explicit concept – such as the Inklings in their previous album, What We Really Like In Stories – a common thread of nostalgia and longing runs throughout all the songs. 

Finally, I noticed that the back cover has a disclaimer stating that, “No AI was used in the making of this album”. It’s a shame artists have to make that clear, but these are the time we live in. I hope Bandana, Cole, Jones, Gehrt, and Birzer continue to produce authentic music far into the future.

You can preorder Some Things Are Worth Remembering here.

 

 

Onsegen Ensemble: Sheer Northern Beauty

I’m sure like many of us who love progressive rock, we’re always looking for music that actually progresses.  Of course, we love and adore The Yes Album and Trick of the Tail and Songs from the Wood, but we also want something rooted in that music that goes beyond it as well.

Well, my search, at least for 2026, has ended.  It ended when I discovered the Finnish band, Onsegen Ensemble.  I knew absolutely nothing about them until the great Karisma Records sent Spirit of Cecilia a review copy.

Here’s what the band says about itself:

“ONSÉGEN ENSEMBLE IS A GROUP OF MUSICIANS FROM NORTHERN FINLAND. BEING FAITHFUL TO ITS OWN PURPOSE, THE SPIRITUAL HOME OF ONSÉGEN KEEPS ITS DOORS OPEN FOR EVERYONE TO ENTER. THE MUSIC TAKES YOU TO A MYSTICAL TRIP WITH EXCURSIONS INTO WONDERFULLY CINEMATIC AND FLAMBOYANT LANDSCAPES.”

From the very opening few seconds of the latest album, A Tale, I was hooked.  I’ve remained hooked for all 42 minutes of A Tale now too many times to count.  For what it’s worth, I always buy a personal copy of an album sent to me for review if I love it.  That is, I very much want to support the artists, especially when they trust me with a review copy.  It’s an honor to be on the receiving end of such beauty, and I never want to break that trust.  Just so you know, I bought three copies of A Tale—one for me, and two to give to friends.  That’s how much I love this band and album.

As to specifics. . . the instruments, the vocals, the lyrics are all astounding.  The production is outstanding, a true aural delight.  Truly, I felt like I was being drawn into the musical equivalent of Tolkien’s profound essay “On Fairy Stories.”  Yes, I was entering fairy by listening to this band.

The lyrics are pretty minimal, but they’re excellent nonetheless.  I’m especially taken by the lyrics of track no. three, “A thought”:

“Peace is a thought

Followed by the word. . . . 

Peace is a flame

Lit by devastation

Dependent on shelter

Never meant to fade.”

I have no idea if the word is a Word in the Stoic or Christian or just hippie sense, but I like it nonetheless.  It’s evocative of truth, beauty, and goodness.

As to the music?  Well, it’s original, to be sure.  I hear bits of Traffic, bits of Jethro Tull, bits of Talk Talk, bits of Kate Bush (especially side 2 of Hounds of Love), and bits of David Gilmour.  But, in the end, this is original music. Something straight from the northern most parts of the world.

If you’re looking for something beautiful and original, look no further.  You have reached your destination.

If you’re in the U.S., make sure to patronize our best prog rock store, Band Wagon USA. Elsewhere in the world, get it from Bandcamp.

Cecilia in Proghalla, Ep. 2: Phil Keaggy and Kevin Belmonte

In Episode 2 of Cecilia in Proghalla, Brad Birzer, Kevin McCormick, and Tad Wert have a wide-ranging conversation with the incredibly talented musician Phil Keaggy, and his gifted collaborator, author and poet Kevin Belmonte. They have a new album: Things of Heaven, that is a beautiful set of songs celebrating everything from Paul McCartney’s lost and then found Hofner bass to Easter and Christmas.

Along the way, we touch on Kevin’s new book, G K Chesterton on Life, and Phil’s fascinating career in music. Give it a listen: