The Citadel of Fear – Classic Dark Fantasy

Francis Stevens is the pen name of Gertrude Barrows Bennett. The Citadel of Fear  was her first and most famous novel, published in 1918. It features a “lost city” in Central America, along the lines of Conan Doyle’s The Lost World. However, where the main threats in Doyle’s adventure were dinosaurs, Stevens’ tale features a lost civilization – the ancient city of Tlapallan – which is inhabited by peoples who still practice human sacrifice and worship the ancient Aztec gods.

You can read the rest of my review here.

Dave Kerzner’s New Lamb/IT

I’ve been into music—mostly progressive rock and jazz—for as long as I can remember.  As I’ve mentioned before, my first love was YESSONGS—owned by two older brothers.  I loved everything about it—the music, the lyrics, the art.  It also just seemed like a super science-fiction project to my very young mind.  I would’ve been six when YESSONGS came out.

After Yes, my second loves were Kansas and then Genesis.  I encountered Kansas in 1975, sometime around age 8.  In fact, living in Kansas, there was no escaping Kansas.  Americans don’t often realize it, but Kansans are as proud of being Kansans and their fellow Kansans as Texans are about being Texan; they’re just not loud about it.  So, yes, we lived and breathed LEFTOVERTURE and POINT OF NO RETURN.

Genesis, though, didn’t come to me until about 1978, me aged 10, when I fell in love with “Follow You, Follow Me” and purchased AND THEN THERE WERE THREE.  That was one of the first albums I ever bought.  Followed by DUKE, by ABACAB, by GENESIS.  From there, worked backward to TRICK OF THE TALE and WIND AND WUTHERING and, especially, SECONDS OUT.  I loved SECONDS OUT.  I even had video recorded—through the USA Network—a concert from the SECONDS OUT period with Bill Bruford on drums.

I also really liked Peter Gabriel—especially SECURITY—but for some reason I was reluctant to take a deep dive into Gabriel-era Genesis.  Honestly, I have no idea why, except that I so admired the Phil Collins period—especially TRICK and WIND.  

I love the Peter Gabrel era of Genesis so much now, however, that I can barely remember a time when I didn’t love them.  

So, right before I went to college (fall of 1986), I bought LAMB LIES DOWN ON BROADWAY.  To state that my mind was boggled, would be an understatement.  I knew “Carpet Crawlers” of course, but to listen to it in context truly floored me.  At the time (remember, I was 18), I thought Lamb was either the greatest statement of prog ever written or a statement of chaos and madness.  Either way, I wasn’t surprised that Gabriel chose to leave after making the album.  Clearly, the album means something profound and deep in the history of prog.

It’s a strange album lyrically, as a young Puerto Rican male wants to escape from the corporate conformity imposed at every level of his life.  Ah, you “progressive hypocrites.”

When Kevin McCormick—one of my all-time closest friends, a professional classical guitarist, a key contributor to this website—and I first talked Genesis (this would’ve been the fall of 1986), I expressed my love of Lamb, and he thought I was crazy.  Only a true Genesis weirdo would like LAMB, just as only a true Yes weirdo would like TALES FROM TOPOGRAPHIC OCEANS.  It was a funny conversation.  Kevin, it should be noted, was the first friend I had who could talk music as much as I could.  A high school friend, Joel, came close, but Joel was mostly into college rock and alternative music, not rock or prog.  So, his opinion (or, given LAMB, his anti-opinion) really meant a great deal to me.  Still, I continued to love LAMB as an act of mad genius.

Jump forward fifty years. . . and the mighty and awesome Dave Kerzner has recreated and recorded a brand new version of LAMB simply called IT.  If you don’t know the work of Kerzner, you really should.  He’s the great touchstone or fountainhead of our era’s (third wave or beyond) progressive rock.  From Sound of Contact, through his solo work (NEW WORLD DELUXE and STATIC), through his work with In Continuum, Kerzner is a genius.  He knows how to write the best lyrics, and he also knows how to write the best hooks.  But, there’s one thing about Kerzner that often doesn’t get recognized.  He’s a perfectionist, an audiophile at the level of Steven Wilson.  Don’t get me wrong, Steven Wilson has one of the best ears out there.  But, Kerzner’s is equally good.  

He just gets sound.

As far as I knew there’s nothing that Kerzner has released that I don’t proudly own.  So, when I heard he was remaking LAMB, I was absolutely thrilled.  And, there’s nothing about Kerzner’s version that doesn’t satisfy me.  From his production to its use of real strings, it’s a glorious masterpiece, so very worthy of its now-fifty-year old original.  Kerzner is exactly a year younger than me, and while I don’t know him, I wouldn’t be shocked if he and I encountered the album in much the same way.

In every way, Kerzner has done justice to LAMB.  For 1975, it was immaculately produced, but that simply can’t compare to the immaculate production of 2025.  IT—Kerzner’s version—replicates the entire album, again always advancing the production, especially with live orchestration.  Additionally, Kerzner offers a third disc with alternative versions of the classic tracks.

Even the band of IT is an all-star cast of current prog royalty: Kerzner, Francis Dunnery, Nick D’Virgilio, Fernando Perdomo, Billy Sherwood, and special guests.

Spirit of Cecilia readers, it just doesn’t get better than this.  Whether it’s genius or madness, who can say?  Except to note, there’s always a bit of madness in all genius, and a bit of genius in all madness.  LAMB/IT is smack-dab in the center.  Since Kerzner first sent me the tracks via Bandcamp, I’ve been listening obsessively.  That obsession—part madness and part genius—will continue for sometime, especially as we approach the end of the semester and with finals starting to loom larger. . . .

To order IT, please click here.

The Fantastical Prog of Terra Incognita (Uncharted Shores)

Hello, Spirit of Cecilia readers! Kevin J. Anderson has a Kickstarter campaign up and running for a gorgeous reissue of his Terra Incognita trilogy of fantasy novels and accompanying music that includes a new album from Roswell Six – Terra Incognita: Uncharted Shores.  Brad Birzer, Rick Krueger, and Tad Wert share their thoughts on it.

Tad: Brad and Rick, I understand this is the third Terra Incognita album, but they haven’t been on my radar. What’s the story behind this group, and how are they connected to author Kevin Anderson?

Rick: Tad and Brad, it’s great to join you two for a roundtable at long last!  I’m sure Brad knows a lot more about this project than I do.  But I first came across Kevin Anderson when he and Neil Peart wrote a novel based on the Rush album Clockwork Angels.  That one led to two more novels in the CA universe over the years, Clockwork Lives and Clockwork Destiny; all three of them were delightfully true to Peart’s concepts, with lots of clever Easter eggs from the Rush canon and enjoyable plot twists.  The only other novel of Anderson’s I previously read is The Dark Between the Stars, the first part of a science fiction trilogy that was nominated for a Hugo award back in 2015 – solid, sprawling space opera fun.   I’ve just downloaded his latest, Nether Station and am racing through it; he’s got that ever so slightly pulpy, lickety-split writing style down.  it’s about a deep space expedition that, little by little, gets kinda eldritch . . .

But that really just scratches the surface of what Anderson has done.  He’s most famous for continuing Frank Herbert’s Dune saga with Herbert’s son Brian; he’s also produced tie-in novels in the Star Wars, X-Files and DC universes; he’s an extremely prolific writer overall, whether it’s sci-fi, fantasy, horror or any combination of those genres – by his count, about 180 novels to date.  On top of all that, he and his wife Rebecca Moeste run their own publishing company, WordFire Press.

Through Brad’s connections with Anderson, I’m on WordFire’s mailing list, so I’ve noticed that he’s run a few Kickstarter campaigns over the years.  His latest campaign is a reissue of Terra Incognita, a fantasy trilogy originally published in 2009-2011. The thing that’s different about these books, though, is that the first two had soundtracks; apparently, Anderson has had a lot of contact with the music world over the years.  And maybe that’s where I should let Brad take over.

Brad: My dear friends, Tad and Rick, so great to do this with you guys!  And, to talk about one of my all-time favorite human beings, Kevin J. Anderson.  I’ve been reading Kevin’s works for years, but I only got to know him for the first time about 11 years ago.  I had a one-year position at the University of Colorado-Boulder (2014-2015 academic year), and that position came with some funding to bring speakers in.  As soon as I arrived in Longmont (where we lived for the year), I contacted Kevin (whom I had never met) and Dan Simmons.  I never heard back from Simmons, but Kevin immediately agreed to come speak for me.  He and his lovely (and equally talented) wife, Rebecca, came to Boulder, and Kevin gave an excellent speech on the art of writing fiction.  He called it his “pop-corn theory,” explaining that ideas happen all over the place.  I loved the speech.

And, I also loved Kevin and Rebecca.  We hit it off at dinner at an Indian restaurant right before Kevin’s talk.  He then invited us to his famous New Year’s Eve party for 2015.  Dedra and I happily drove to Monument to see Kevin’s impressive and rather Arthurian house!  Crazily enough, my car slid down his steep driveway and almost crushed the natural gas vein!  Thank the good Lord that disaster was averted and New Year’s Eve was a different kind of blast.  One of the great things about Kevin is he knows how to form communities.  He’s a natural leader.

We also really bonded over his friendship with Neil Peart.  In fact, it was Kevin who suggested I write the book about Peart’s lyrics, Cultural Repercussions, for his WordFire Press.  I was deeply honored to do so not just because of my love of Rush, but also because of my respect for Kevin.

And, Kevin has deep roots in the prog rock community.  Indeed, I can’t imagine a current writer who has greater or more legitimate ties to prog than does Kevin.  Rush’s Grace Under Pressure inspired Kevin’s first novel, Resurrection, Inc., and Kevin’s never been shy about his inspirations: Rush, Kansas, Styx . . . .

Rick, you brought up Clockwork Angels and its surrounding universe.  Admittedly, I love the Clockwork trilogy–the novels, the audiobooks, the graphic novels–and I think that Kevin really offered new insights into Rush and, frankly, into music.  To me, Clockwork Angels is Chestertonian, and I don’t understand why it’s not been made a Netflix series!

When I first encountered Kevin’s music project, Roswell Six, I was understandably impressed by the scope as well as the execution of the vast project.  Kevin has a great entrepreneurial spirit, but always with the artistic soul.  Roswell Six perfectly blends Kevin’s many loves and expertises.  I’ve been proudly listening to the first two CDs since they were first released, and I happily include them among my all-time favorite albums.  I’m especially taken with the first CD, 2009’s Beyond the Horizon.

When Kevin first announced this Kickstarter project–hardback editions of Terra Incognita as well as a re-release of the first two Roswell Six CDs, AND a brand-new third CD, I was absolutely thrilled.  I pledged during the second hour of the campaign.  And, that campaign has done exceedingly well.  Initially hoping to hit the $10,000 mark, the Kickstarter project, as of this writing, is at the $51,000 mark with 399 backers!  Incredible.  And, so well deserved.

So, what do you guys think of the music?

Tad: Okay, both of you have much more experience with Anderson’s work than I. When I saw that there was a companion novel to Rush’s Clockwork Angels, I immediately read it and enjoyed it very much. The Roswell Six albums slipped under my radar, though.

That said, I really like this third album, Terra Incognita (Uncharted Shores). To my ears, it’s pretty much straightforward, classic progrock. Fans of Kansas, Styx, Spock’s Beard, Threshold, Arena, et al. will love it. The fact that there are so many different vocalists brings to mind an Arjen Lucassen project – especially when the beautiful voice of Anneke van Geirsbergen appears in track 3, “A Sense of Wonder”. 

I like the acoustic, Celtic sounding “Haunted and Hunted” a lot. “Lighthouse” is another highlight for me, with its chugging rock riffing and excellent guitar soloing. “The Ballet of the Storm” is an instrumental that has a very nice intro played on violin that transforms into a warm piano/electric guitar duet underpinned by some excellent bass. 

“The Key to Creation” features the return of Anneke, and it has a fun 80s vibe to it – it’s got a relentless beat with a wall of synthesized sound. As a matter of fact, I think this is my favorite track on the album. It has a nice hook in the chorus that sticks in my ear. 

“Unexpected” keeps the musical quality high with, I believe, Dan Reed handling the vocals. I feel like these songs will take on more meaning when I have the chance to read the accompanying novels. They obviously follow a storyline. In many of the tracks, I can hear sounds of the sea, which makes sense, given the Uncharted Shores title!

Rick: Brad, what you said about Anderson’s connections in the music world helped me get my bearings for listening to Uncharted Shores; it definitely has that American heartland prog vibe with some nifty touches of funk (but also touches of European theatricality, as Tad pointed out).  KJA gave an interview this week with Michael Citro of Michael’s Record Collection where they go into the background behind the music; the basic tracks are written and performed by Bob Madsen (bass), Billy Connolly (guitar), Jerry Merrill (keys) and Gregg Bissonette (drums) – all artists working under the umbrella of The Highlander Company Records.  (Madsen’s band The Grafenberg Disciples announced themselves to the world a few years back with a tribute to Peart, “No Words”, that caught Anderson’s attention.)  And all that excellent violin work is by Jonathan Dinklage – he led the Clockwork Angels string section on those 2012 & 2013 tours.  Rush connections aplenty!

The guest vocalists take the whole thing up a notch as well.  Michael Sadler from Saga sings on the title song. “Hunted and Haunted” and “Lighthouse”; he’s played one of the “lead roles” for all three albums. Like you said, Tad, Ted Leonard and Anneke give it their all on their feature tracks.  But the big surprise for me was Dan Reed, who takes the villain role on “Mortal Enemies” and “Unexpected”; for a minute, I thought Steve Walsh had emerged from retirement!  Reed has this grizzled timbre, but a real purity of tone and expression underneath, and he absolutely sells the part.  And The Grafenberg Disciples vocalist Hans Eberbach brings it all home on “Not In My Name” –  gutsy and soulful by turns, and consistently dramatic (with Tull’s Doane Perry contributing a spoken-word cameo as a capper)!  I think that’s the track that’s my favorite so far.

But there isn’t a duff song on the new album, and it definitely grew on me the second time through.  I agree with you, Tad, that knowing the Terra Incognita storyline better will probably help, but the core emotions and throughline of the story come across loud and clear.  According to the Anderson/Citro interview, all the albums are being released through Sony (on InsideOut?) in the fall, but I decided not to wait; I’ve pledged for the ebooks and the digital albums, so my summer reading and listening are already lined up.  And when the CDs go to broad release – who knows?  It’d be far from the first time I’ve bought music twice!

Brad: Tad and Rick, so well stated!  And, yes, I pledged to buy all three albums as well, even though I already own the first two.  If you’ve not listened yet, I especially recommend the first track on Beyond the Horizon: Ishalem.  Incredible prog metal.  Very much in line with Ayreon or Dream Theater.

For those out there not totally familiar with Kevin, he has, as noted above, written extensively in the Star Wars, Dune, and X-Files franchises.  My favorite of his own books (that is, those not set in another mega genre/universe) are Nether Station (a sequel to H.P. Lovecraft’s Mountains of Madness) and Stake (a completely original novel questioning the existence of the supernatural).

Again, all praise to Kevin for bringing together so many beloved things: fantasy, science fiction, and prog rock!

Tad: Kevin Anderson’s Kickstarter link is here, for those interested!

SciFi/Fantasy Meets Prog (and the result is glorious)

Acclaimed author Kevin J. Anderson, is beginning a Kickstarter campaign tomorrow (March 11, 2025) to reissue his three-volume Terra Incognita project. The books have been previously published in paperback, but have been out of print. Anderson plans to rerelease them as a deluxe set of hardcovers in a slipcase.

Accompanying the books is a trio of albums featuring the cream of progressive rock. Just check out the lineup for the soon-to-be released third album, Uncharted Shores:

• Michael Sadler (SAGA)
• Dan Reed (Dan Reed Network)
• Doane Perry (Jethro Tull)
• Ed Toth (Doobie Brothers, Vertical Horizon)
• Jonathan Dinklage (Rush Clockwork Angels, Lady Gaga, Barbra Streisand)
• Greg Bissonette (David Lee Roth, Ringo Starr All Stars)
• Anneke van Giersbergen (European vocalist)
• Ted Leonard (Spock’s Beard, Pattern-Seeking Animals)

Be on the lookout for an in-depth review of this album soon. Meanwhile, check out the Kickstarter campaign – it will be the only means of acquiring this historic literary/musical project, and it only runs from March 11 through April 4!

[This post was updated to reflect the fact that all three novels have been published in paperback, and the personnel for the third Terra Incognita album was incorrect. The post now has the correct lineup.]

BARD OF SCOTLAND ; poet for all Mankind

By Richard K. Munro

BURNS COTTAGE Ayr

Yes, there was a lad born in Ayr: Robert Burns.

To go to that rude cottage of Ayr the birthplace of Burns so near the Brig o’ Doon, is to experience a secular epiphany as to the essential equality of all humanity.

It is to experience awe at the true mystery of talent and genius. It is an affirmation at what secret treasures can be found hidden anywhere among any class, gender or race IF individuals are given a proper upbringing and decent education and chance to develop, discover and explore their God-given gifts.

As Burns’ father knew it is hard to be poor . At the age of 19 Burns’ father was a homeless migrant farm laborer but he was proud he could read, write and cipher and always carried the Old Book with him.

But Agnes Brown (Mrs. Burns) and her husband kept their entire family of seven under one roof and surrounded the children’s lives with care and tender love. Both mother and father displayed a piety that was neither excessive nor harsh, unlike the extreme Calvinism that was the mode of the established clergy of his time. In Burn’s house, physical labor was incessant, food and fuel were scarce. However, education and religion were not neglected; they were held rather by the Burns family as an essential, sacred duty.

And Mrs Burns “sang so sweet” Rab oft “couldna” sleep as she crooned “the Auld Scots sangs” to him.

Burns had no shame of his very humble origin:

From scenes like these old Scotia’s grandeur springs

That makes her loved at home, revered abroad

Princes and lords are but the breath of kings

An honest man’s the noblest work of God.