World Party: Is It Too Late?

Talk about biting the hand that feeds
Sitting there watching as it bleeds
Try your best in the winter light
When it really should be summer night

Is it too late, baby? Too late now
Too late, baby? Too late now
Too late for you to realize
Everything could have been alright

Is it been to long? Yeah
Is it too long now
Is it too long for you to make the change?
Gotta love yourself to make a better day

I hate the way you don’t want to move
What’s the matter?
Money rules the groove now
What we’re doing here today
Won’t make the bad life go away

You gotta grow the beard
Find the doubt
And maybe you’ll work
Something out, hey

Is it too long baby? Too long now yeah
Too long for you to make the change
You got to love yourself
To make a better day, better day

Look out

And recognize your soul
And everything’s alright
You gotta see the whole
And everything’s alright

Come on give yourself a break
Everything’s alright
We’ll be breathing deep
And everything’s alright

Well, come on come on come on
Everything’s alright

In a dream I was crossing African plains
And elephant’s graveyard, a bone dry place
And I was wondering why there was no more rain
And in a pile of bones, I saw your face

Is it too late baby?
Is it too late now? Yeah

It’s aright
It’s alright
It’s alright

Source: Musixmatch

Songwriters: Karl Edmond De Vere Wallinger

Is It Too Late lyrics © Polygram Music Publishing Ltd. Gb

XTC: Mermaid Smiled

From pools of xylophone clear
From caves of memory
I saw the children at heart
That we once used to be

Borne on foaming seahorse herd

Compose with trumpeting shell
From lines across their hands
A song as new as new moon
As old as all the sands

Shrank to stagnant from Atlantic wild
Lost that child ’til mermaid smiled

Summoned by drum-rolling surf
As laughing fish compel
The young boy woken in me
By clanging diving bell

Breakers pillow-fight the shore

She wriggles free in the tide
I’m locked in adult land
Back in the mirror, she slides
Waving with comb in hand

I was lucky to remain beguiled
Grown to child since mermaid smiled

Source: Musixmatch

Songwriters: Andy Partridge

XTC: Then She Appeared

Then she appeared
Apple Venus on a half open shell
Then she appeared
The first photograph on Fox Talbots gel

I was a little frightened
Flying with my senses heightened
Cherubim cheered, then she appeared

Then she appeared
As the giggling crew of Mary Celeste
Then she appeared
Pale Atlantis rising out of the west

I was a little dazzled
Catherine wheeled and senses frazzled
Know it sounds weird, then she appeared

And the sun which formally shone
In the clearest summer sky
Suddenly just changed address
Now shines from her blue eyes

Then she appeared
Brittle shooting star that dropped in my lap
Then she appeared
Dressed in tricolor and phrygian cap

I was a little troubled
Hookah with my senses bubbled
All Edward leered, then she appeared

And the moon which formally shone
On the marbled midnight mile
Suddenly just packed its bags
Now shines from her bright smile

Then she appeared
Out of nowhere
Then she appeared
Out of nowhere

Then she appeared
Out of nowhere
Then she appeared
Out of nowhere
Out of nowhere

Source: LyricFind

Songwriters: Andy Partridge

Then She Appeared lyrics © BMG Rights Management

Talk Talk: Desire

Desire
Whispered spoken
In time
Rivers oceans

That ain’t me babe
That ain’t me babe
That ain’t me babe
I’m just content to relax
Than drown within myself

Of mind
Sheltered broken
Denied 
Gifted stolen

That ain’t me babe
That ain’t me babe
That ain’t me babe
Ain’t got a bed of excuse for myself

That ain’t me babe
That ain’t me babe
Ain’t got a bed of excuse for myself

That ain’t me babe
That ain’t me babe
That ain’t me babe
I’m just content to relax
Than drown within myself

Source: LyricFind

Songwriters: Friese-Greene Timothy Alan / Mark David Hollis / Mark S. Hollis / Timothy Alan Friese-Greene

Desire lyrics © Royalty Network, Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc

Talk Talk: Time It’s Time

Nobody knows how long

Rustling leaves unrhyme

Lullaby breeze unsung

Babel of dreams unwinds in memory

As bad, as bad becomes
It’s not a part of you

And love is only sleeping
Wrapped in neglect

Time it’s time to live
Time it’s time to live through the pain

Time it’s time to live, now that it’s all over
Time it’s time to live
Time it’s time to live through the pain
Now that it’s over, now that it’s over

Kissing a gray garden

Shadow and shade
Sunlight treads softly

As bad as bad becomes
It’s not a part of you

Contempt is ever breeding
Trapped in itself
Time it’s time to live
Time it’s time to live through the pain
Time it’s time to live, now that it’s all over
Time it’s time to live
Time it’s time to live through the pain
Now that it’s over, now that it’s over, now that it’s over

As bad as bad becomes
It’s not a part of you

The wicked and the weeping
Ramble or run
Time it’s time to live
Time it’s time to live for living
Time it’s time to live, now that it’s all over
Time it’s time to live
Time it’s time to live for living
Time it’s time to live, now that it’s all over
Now that it’s over, now that it’s over

Now that it’s over, now that it’s over

Rest your head

Source: Musixmatch

Songwriters: Mark David Hollis / Timothy Alan Friese-greene

The Call: Into the Woods

I can see night in the day time
Into the woods I quietly go
It takes all the strength I have in me
These are the woods
The night of the soul
Painful to see
Love without action
Painful to see years of neglect
Achin’ to see all that they see
Still telling lies to the remains of respect
Creatures we are worth defending
It takes the right word said from the heart
Given to you without ending
Given to you, the purpose of art
Thousands of plans, I’ve made many
I wonder just how many plans I have made
Feelin’ this mood overtake me
Finally to see the truth as it fades
Out of these woods will you take me
Out of these woods, out of the strom
Sinless child can you save me
Guilty man, freedom is yours

Source: LyricFind

Songwriters: James Paul Goodwin / Michael Been

The Call: Let the Day Begin

https://www.youtube.com/watch?v=gw6B5P_ZuB4

Here’s to the babies of a brand new world
Here’s to the beauty of the stars
Here’s to the travellers on the open road
Here’s to the dreamers in the bars
Here’s to the teachers in the crowded rooms
Here’s to the workers in the fields
Here’s to the preachers of the sacred word
Here’s to the drivers at the wheel
Here’s to you my little love
With blessings from above
Now let the day begin
Here’s to you my little love
With blessings from above
Now let the day begin
Let the day begin
Here’s to the winners of the human race
Here’s to the losers in the game
Here’s to the soldiers of the bitter war
Here’s to the wall that bears their name
Here’s to you my little love
With blessings from above
Now let the day begin
Here’s to you my little love
With blessings from above
Now let the day begin
Let the day begin
Let the day begin
Let the day… start
Here’s to the doctors and their healing work
Here’s to the loved ones in their care
Here’s to the strangers on the streets tonight
Here’s to the lonely everywhere
Here’s to the wisdom from the mouths of babes
Here’s to the lions in the cage
Here’s to the strugglers of the silent war
Here’s to the closing of the age
Here’s to you my little love
With blessings from above
Now let the day begin
Oh!
Here’s to you my little loves
With blessings from above
Now let the day begin
Here’s to you my little loves
With blessings from above
Now let the day begin
Here’s to you my little loves
With blessings from above
Now let the day begin
Let the day begin
Let the day… start

Source: Musixmatch

Songwriters: Michael Been

Raphael and the Noble Task: A Modern Christmas Classic

Raphael

In 2000, when our daughters were 10 and 6, I saw a list of new Christmas-themed books that included Catherine Salton’s Raphael and the Noble Task. I found it at the local bookstore and was immediately taken with David Weitzman’s beautiful illustrations. I read it aloud to the family, and we all enjoyed it very much. Even though it’s technically a children’s book, it will appeal to readers of all ages, much like C. S. Lewis’ Narnia series.

Raphael and Alchemist
Raphael speaks with The Alchemist, another of his cathedral’s statues

I decided advent 2024 was as good a time as any to revisit this charming tale of a Gothic cathedral’s chimère (French for a statue of a chimera) named Raphael and his quest to find a Noble Task to justify his existence. Raphael is a griffin, placed above the cathedral’s main entrance. He has a lion’s body and legs, eagle’s wings, and the head and neck of a dragon. He is bored and lonely, and he visits the statue of an alchemist who refers to an older cathedral guardian named Parsifal who is no longer around. It is the alchemist who plants the idea of a noble task in Raphael’s head.

Once Raphael decides he needs to perform a noble task, he decides to ask other members of the cathedral statuary what he should do. He first goes to a couple of tomb effigies of a knight and his wife, but they’re so busy bickering they can’t help him. Next, he approaches a gargoyle who is near his niche, but, like all gargoyles, this one – named Madra-Dubh (Black Dog) – is very rude and condescending:

Raphael steeled his resolve. “You see, I’m trying to find something, and I think you might know where it is,” he said as quickly as possible.

“Oooh, and it’s trying to find something,” crowed Madra-Dubh as the others cackled gleefully. “Not good enough for the fawning idle-headed dewberry to sit in its donkey-spotted behind and do its right job, mark me! Nooo, it’s got to go thumping about pestering the working folk with foolish don’t-you-knows. Go drop some feathers, ye molting chicken-witted dragglebeak, and leave us in peace, then.” (pages 21 – 22)

Raphael eventually finds the scriptorium (library), and even though he can’t read, he sees an illustration in an illuminated manuscript. It depicts a knight in silver armor slaying a dragon. Because Raphael resembles the dragon, he begins to doubt his own integrity and wonder if he is actually evil. At this point in the story, there is beautiful scene set in a side chapel where Raphael, tortured by gnawing self-doubt, encounters a statue of Mary with her child Jesus, and he is immediately set at peace.

A young woman with a gentle expression gazed out at him from the darkness. Her plain blue gown fell in folds to her bare feet, and her hair was unbound, spreading over her shoulders in rippling veil. In her arms she cradled a baby, who reached up with one small hand to touch her face in a gesture of cam devotion. As Raphael stood wondering, his head cocked to one side, he felt as if his hurt and disappointment were being softly lifted away. For the young woman seemed to speak to him in a manner he did not fully understand; she did not move, nor did she actually say a word, but all the same, she told Raphael a long and beautiful story. In the icy darkness of that chapel, she spoke gently to Raphael alone. She spoke of joy in good times, and patience in hard, and of hope even in the bleakest hours of all. (page 41)

Once he has returned to his niche over the main portal, though, his self-doubt returns. And then one day, he sees a young woman in desperate straits hurry up the steps to leave her baby in the “foundling” box – a place for babies whose parents can’t feed them or care for them. In a flash Raphael has found his noble task!

What follows is great fun, as various communities in the cathedral all work together to help Raphael take care of his new charge. The gargoyles, the churchmice, and the pigeons all manage to put aside their differences and learn to cooperate.

Of course, the situation cannot last forever, and Raphael is faced with a terrible choice: his true noble task. Salton does a terrific job of weaving together the lives of the monks and other inhabitants of the village with the clandestine doings of the cathedral statuary, armies of mice, and flocks of pigeons. The whole tale is a marvelous allegory of how, despite the best of human (and chimère) intentions, without a little Divine intervention things would rapidly turn into tragedy. However, as Salton quotes Julian of Norwich at the very beginning of the book, “All shall be well, and all manner of things shall be well.”

Raphael and the Noble Task is a wonderful book for families to read aloud at Christmastime. It’s relatively short: 157 pages, and as I mentioned before, David Weitzman’s illustrations are fantastic. It deserves a place alongside other Christmas classics like Dickens’ A Christmas Carol  and O’Henry’s The Gift of the Magi.

Tolstoy’s Anna Karenina

 

Karenina

I could say 2024 is the year I rekindled my love of Russian literature: I reread Tolstoy’s War and Peace, and discovered the beauty of Turgenev’s Fathers and Sons. Like War and Peace, I read Tolstoy’s Anna Karenina when I was much younger – 21 years old. At the time, I thought it was a pretty good story, but a little melodramatic. Now, with the benefit of having been happily married for 38 years with two wonderful daughters, I can appreciate Tolstoy’s mastery of the novel form as he chronicles the tragic arc of marital infidelity. I now understand so much better the psychological and emotional torture his protagonists put themselves and those around them through.

Anna Karenina is a perfect example of why I enjoy reading classics so much: they are time machines. While reading it, I was able to get a glimmer of what life was like in 19th century Russia – the lifestyles of the peasants; the mores and conventions of the upper class; how hard life was for women, regardless of class; how perilous childhood was – if one survived infancy, he or she could easily die from illness or accident; how slow and difficult getting from one place to another was; the elaborate rules of courtship, and on and on. Tolstoy vividly conveys his world through small details that resonate over decades. I really feel like I have experienced a visit to pre-revolutionary Russia.

The story begins with one of the greatest opening sentences in all of literature: “Happy families are all alike; every unhappy family is unhappy in its own way.” We begin with Prince Stepan (Stiva) Oblonsky getting up one morning, bursting with good health and benevolent feelings for those around him. He is a government functionary who doesn’t really do anything, and he’s quite happy about it. He knows all the “right” people, he is considered quite a wit, and he has a bright future ahead of him. The only blot on his horizon is the fact that he has been having an affair with his children’s governess, and his wife has found out about it.

His best friend is Konstantin (Kostya) Levin, who is a man of simpler pleasures. He is a relatively successful landowner who is uncomfortable when he’s in the big city. He has come to Moscow to ask Kitty Shtcherbatskaya to marry him. Kitty is the sister of Stepan’s wife, Dolly. She is also in love with the dashing young military officer, Count Alexey Vronsky. He is an up-to-date man who considers wooing young noblewomen great sport:

In his Petersburg world all people were divided into utterly opposed classes. One, the lower class, vulgar, stupid, and, above all, ridiculous people, who believe that one husband ought to live with the one wife whom he has lawfully married; that a girl should be innocent, a woman modest, and a man manly, self-controlled, and strong; that one ought to bring up one’s children, earn one’s bread, and pay one’s debts; and various similar absurdities. This was the class of old-fashioned and ridiculous people.

But there was another class of people, the real people. To this class they all belonged, and in it the great thing was to be elegant, generous, plucky, gay, to abandon oneself without a blush to every passion, and to laugh at everything else.

LEO TOLSTOY. Anna Karenina (Kindle Locations 2797-2802). Delphi Classics. Kindle Edition.

Stepan’s sister, Anna Karenina, is coming to visit him – with the ulterior motive of reconciling Stepan and Dolly. She is married to an very important statesman, Alexei Karenin, and they have an eight-year-old son, Sergei (Seryozha). Vronsky happens to see her as she arrives at the Oblonsky’s and immediately is smitten with her.

Levin proposes to Kitty, but she turns him down, thinking Vronsky is about to propose to her. However, at a ball later on Kitty sees how Vronsky can’t keep his eyes off of Anna, and she realizes to her shame that she has been discarded.

Anna enjoys the attention Vronsky gives her at the ball, but realizes she must remove herself from Moscow and return to her husband and son in Petersburg. On the train home, she runs into Vronsky (who had deliberately followed her), and, to her horror, is gratified and excited to see him. Once in Petersburg, Vronsky slowly and methodically insinuates himself into a circle of oh-so-advanced nobles and thinkers that includes Anna. Here’s a typical conversation:

But why was it you didn’t come to dinner?” she said, admiring him.

“I must tell you about that. I was busily employed, and doing what, do you suppose? I’ll give you a hundred guesses, a thousand… you’d never guess. I’ve been reconciling a husband with a man who’d insulted his wife. Yes, really!”

“Well, did you succeed?”

“Almost.”

“You really must tell me about it,” she said, getting up. “Come to me in the next entr’acte.”

“I can’t; I’m going to the French theater.”

 “From Nilsson?” Betsy queried in horror, though she could not herself have distinguished Nilsson’s voice from any chorus girl’s.

“Can’t help it. I’ve an appointment there, all to do with my mission of peace.”

“Blessed are the peacemakers; theirs is the kingdom of heaven,’” said Betsy, vaguely recollecting she had heard some similar saying from someone. “Very well, then, sit down, and tell me what it’s all about.”

And she sat down again.

LEO TOLSTOY. Anna Karenina (Kindle Locations 3121-3133). Delphi Classics. Kindle Edition.

And so the die is cast for this classic tale of all-consuming passion and selfishness. Like a Shakespearean tragedy, the reader knows things cannot possible end well, yet he or she can’t stop reading. Anna and Vronsky are doomed, yet you can’t look away.

Even after their affair has been consummated, and Vronsky has told Anna she means the world to him, he really can’t think of anyone except himself. After he loses a horse race due to a riding mistake he commits that causes his horse to fall, he handles his setback poorly:

“A — a — a!” groaned Vronsky, clutching at his head. “Ah! what have I done!” he cried. “The race lost! And my fault! shameful, unpardonable! And the poor darling, ruined mare! Ah! what have I done!”

A crowd of men, a doctor and his assistant, the officers of his regiment, ran up to him. To his misery he felt that he was whole and unhurt. The mare had broken her back, and it was decided to shoot her. Vronsky could not answer questions, could not speak to anyone. He turned, and without picking up his cap that had fallen off, walked away from the race course, not knowing where he was going. He felt utterly wretched. For the first time in his life he knew the bitterest sort of misfortune, misfortune beyond remedy, and caused by his own fault.

LEO TOLSTOY. Anna Karenina (Kindle Locations 4795-4800). Delphi Classics. Kindle Edition.

Meanwhile, Konstantin Levin is doing what he enjoys most: managing his estate and not worrying about city matters. He even joins his peasants as they mow a meadow:

Another row, and yet another row, followed — long rows and short rows, with good grass and with poor grass. Levin lost all sense of time, and could not have told whether it was late or early now. A change began to come over his work, which gave him immense satisfaction. In the midst of his toil there were moments during which he forgot what he was doing, and it came all easy to him, and at those same moments his row was almost as smooth and well cut as Tit’s. But so soon as he recollected what he was doing, and began trying to do better, he was at once conscious of all the difficulty of his task, and the row was badly mown.

LEO TOLSTOY. Anna Karenina (Kindle Locations 5974-5978). Delphi Classics. Kindle Edition.

All of this happens in the first quarter of the novel, meaning Tolstoy spends the majority of it exploring the effects of Anna’s and Vronsky’s adultery on those around them. One of Tolstoy’s most striking talents is his ability to describe and analyze the psychological motivations of his characters. As I read of Anna’s anguish as she slowly realized the impossible situation she had put herself in, I was able to sympathize with her more and more. Conversely, as Vronsky’s true character came to light, he became more and more repugnant. Anna’s husband, Alexei Alexandrovich, develops from a stiff and priggish man into a compassionate and sensitive one. Konstantin Levin undergoes many changes as he struggles to understand a reason for living and working. Kitty Shtcherbatskaya matures into a thoughtful and intelligent young woman, whose faith never wavers.

Anna Karenina is also a study in contrasts: the decadent moral relativism of upper class society in Petersburg vs. the more traditional morality of Moscow; the spendthrift lifestyle the cities encourage vs. the economies of country life; the useless and parasitical occupations of the governing class vs. the difficult but productive work of the peasants; and, overarching the entire novel, the deeply satisfying holy marriage of Levin and Kitty vs. the decaying and troubled relationship Anna and Vronsky try to convince themselves is a marriage.

Where Levin and Kitty devote themselves to their newborn child and delight in his every move, Anna barely acknowledges her and Vronsky’s daughter. When Dolly visits Anna and asks to see little Annie, Anna doesn’t even know that she has some new teeth. While Levin and Kitty spend their honeymoon learning how to fuse their separate lives into one, and they sometimes quarrel, there is never any doubt about their abiding love for each other. Because Anna and Vronsky’s relationship is not grounded in a true marriage, she succumbs to paranoid jealousy, to the point that she cannot comprehend reality. The end result is truly tragic.

Tolstoy’s Anna Karenina deserves its reputation as one of the greatest novels ever written. In it, he plumbs psychological depths to a degree most authors couldn’t dream of doing. Whether he is describing the feelings of a nobleman, a peasant, a woman, a dilletante, or an intellectual, every character is fully fleshed out and someone the reader can have empathy with. Even Vronksy is revealed to truly and faithfully love Anna. No one is all bad, and no one is all good. Much like real life!

Standard Ebooks has an excellent (and free) edition of Anna Karenina that you can download here.

 

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