Looking back at the album, Roland Orzabal commented, “Pop music was still a growth industry. It hadn’t sort of stagnated, stalled, diversified into streaming like it is nowadays. We were young, we were both good-looking and we had the right music. As we move further and further from that decade and you keep hearing ‘Everybody Wants To Rule The World’, in various forms I do think it is an era-defining album”.

Curt Smith “You would never normally get three songs that strong in an album. But balance that out with tracks like ‘Listen’, ‘The Working Hour’; all those things that give it air and give it time to breathe I think is what makes it something more than just the sum of its parts. I think the album had a lot more depth than a lot of those other albums of that time. And albums of more depth tend to stick around longer”.
— Read on www.udiscovermusic.com/news/tears-fears-big-chair-reissue/

Track 1: “The Trenches.” Under­scored by ambient whistling, rifle shots, and single notes struck on a piano, Brad Birzer’s voice fades in softly at first, repeating, and echoing over itself. He speaks C.S. Lewis’s description of his expe­rience in World War I: “The frights, the cold, the smell of human excrement, the hor­ribly crushed men still moving like crushed beetles…” 

Then, cue an electric guitar intro, a chorus of “This is war!” and, finally, drop in some heavy metal drumming.  

These are the opening lines and sounds of the pro­gressive rock epic chron­i­cling the meeting, devel­oping rela­tionship, and, ulti­mately, failed friendship between J.R.R Tolkien and Lewis. Birzer, pro­fessor of history, wrote this seven-track album, “The Bardic Depths,” in col­lab­o­ration with pro­gressive rock musician Dave Bandana. 
— Read on hillsdalecollegian.com/2020/02/brad-birzer-writes-lyrics-for-progressive-rock-album/

To transcend or to break through this delusion of progress, a true scholar, Hulme continued, must attempt to see the gaps in both senses, recognizing them and allowing them to exist. In other words, much like Friedrich Hayek will proclaim with the “knowledge problem” several decades later, true scholars must be humble and be content with knowing what we do not know. The modernist, of course, hates ignorance more than anything else, and in his blind zeal to know all things, he will create “knowledge” where no knowledge is possible, thus truly derailing centuries upon centuries of fine work and of understanding of the human person. Ironically, in his hatred of religion, the modernist merely creates a new, shallow, and false religion. The modern, Hulme understood, is nothing short of a full-fledge Gnostic, ultimately seeing the universe as pre-determined, mechanistic, and absent of free will.
— Read on theimaginativeconservative.org/2020/02/te-hulme-religious-attitude-bradley-birzer.html

http://robertburns.org/works/61.shtml’

FROM ” Epistles to J . Lapraik”

Lapraik was a minor Scottish songwriter and poet but he was a lover of Scottish songs and poems and hence a man after Burns’ heart. Here Burns describes his method at producing poetry straight from the heart. Burns shows great sincerity, honesty, modesty and courage. Burns had earlier made an apology in the Preface to the Kilmarnock Edition at his lack of Latin and Greek. Burns also had very little knowledge of French or Gaelic (but certainly more than many as proved by his French quotations and Gaelic names and titles). Burns states his natural response to the world might have more poetic relevance than the (by then) almost hackneyed references to classical allusions. Burns humorously compares his poetic talents to those of university educated scholars whom he says in brilliant imagery go in as “stirks” (Bullocks) and come out as asses! How amusing, now to think people thought Burns semi-literate and unable to distinguish between the genres of poetry or prose (he as a master of both). These epistles are rich in the “lallans” (lowland) vocabulary of the Scots. Only Shakespeare, I believe, had contributed as many unique phrases and vocabulary to English and Burns essentially translated an entire Scots tradition in English with his own unique combination of rich Scots expressions and English. He valued the harmonic poetic and music treasures of the Scots thus preserving forever ,as a kind of causeway, English literature and ancient Scots literature making them one tradition.

***

I am nae poet, in a sense; 
But just a rhymer like by chance, 
An’ hae to learning nae pretence; 
Yet, what the matter? 
Whene’er my muse does on me glance, 
I jingle at her. 

Your critic-folk may cock their nose, 
And say, “How can you e’er propose, 
You wha ken hardly verse frae prose, 
To mak a sang?” 
But, by your leaves, my learned foes, 
Ye’re maybe wrang. 

What’s a’ your jargon o’ your schools- 
Your Latin names for horns an’ stools? 
If honest Nature made you fools, 
What sairs your grammars? 
Ye’d better taen up spades and shools,  (taken up spades and shovels)
Or knappin-hammers.  (stone-breaking hammers)

A set o’ dull, conceited hashes 
Confuse their brains in college classes! 
They gang in stirks, and come out asses,  (the go in bullocks…)
Plain truth to speak; 
An’ syne they think to climb Parnassus  (since)
By dint o’ Greek! 

Gie me ae spark o’ nature’s fire, 
That’s a’ the learning I desire; 
Then tho’ I drudge thro’ dub an’ mire  (puddles and mud)
At pleugh or cart,  (plough/plow)
My muse, tho’ hamely in attire, 
May touch the heart. 

Burns who “jingled” at his Muse later (Second Epistle To J. Lapraik) has the Muse assume the form of a worn-out servant girl.

The tapetless, ramfeezl’d hizzie,  (Heedless, wornout hussy or wench)
She’s saft at best an’ something lazy:  (Soft)
Quo’ she, “Ye ken we’ve been sae busy 
This month an’ mair, 
That trowth, my head is grown right dizzie, 
An’ something sair.” 

***

Nature, according to Burns places little value on material wealth. Amusingly he says the rich will return as savage, hungry wolves and the poor as gentle souls united by love and friendship. Clearly the meek shall inherit the earth.

***

O mandate glorious and divine! 
The ragged followers o’ the Nine, 
Poor, thoughtless devils! yet may shine 
In glorious light, 
While sordid sons o’ Mammon’s line 
Are dark as night! 

The world must raise their voices and stand up for persecuted Christians, Hungarian State Secretary for the Aid of Persecuted Christians Tristan Azbej said on Thursday.

Azbej was one of eight speakers at a side-event of the National Prayer Breakfast that was sponsored by the organization Save the Persecuted Christians.

“All of humanity should stand up and come to the aid of persecuted Christians,” said Azbej.
— Read on catholicherald.co.uk/news/2020/02/07/hungarian-government-urges-defence-of-persecuted-christians/