McGoohan hated guns and was demanded that Drake would seduce no one. This could seem fuddy-duddy (McGoohan was quite Catholic), but maybe he was reaching for something more thoughtful, less escapist. On The Prisoner, when he walks away from his spy agency, it could also be a retirement from cheap escapism, an attempt to leave the binary world of Us Vs. Them. Fifty years later, seemingly every Bond movie is about Bond going rogue, though only a violent-sexy kind of rogue, kiss kiss bang bang.
— Read on ew.com/tv/2017/09/29/the-prisoner-50/