“There’s some very special moments when you’re hearing something privileged, and that’s one of the best parts of this job, hearing things for the first time. An exclusive, if you will! We realized right then and there, ‘there is definitely music here that should be worth releasing!'” Speaking with Resonance Records co-president and “jazz detective” Zev Feldman over the phone, the joy and passion he brings to his calling — a worldwide hunt for unreleased archival recordings by titans of the genre — is almost palpable.
The focus of this conversation? One of Feldman’s latest efforts — Bill Evans Live at Ronnie Scott’s, out on LP on November 27 and CD December 4 (and recently reviewed in this space). As he sat in legendary drummer Jack DeJohnette’s home studio back in 2018, hearing the multitrack recordings of Evans, bassist Eddie Gomez and DeJohnette at the iconic London club during July 1968, his reaction was, first and foremost, that of a lifelong lover of the music.
“There’s so much beauty, lessons that I’ve learned from Bill. He really helped me learn about the beauty and sometimes subtlety and just the way the chords and different things can come out. For a piano trio, with three guys, they have so much to say, and so much to express in the way that they communicate . . . Just these guys having a conversation up there – it’s amazing. Different chemistry, different dudes; this is something that’s definitely got some hard hitting, some nice rough edges around here in a good way.”
Inspired by the Ronnie Scott’s tapes, Feldman set out to build a package that could not only stand with Resonance’s other Evans releases (including Some Other Time and Another Time by the same, rarely-recorded trio), but would fulfill “a responsibility, in taking the opportunity to make things as great as they can be.” Beyond the details of unearthing this recording, the album booklet is packed to the gills. Reflections from Gomez and DeJohnette (the latter in conversation with pianist Chick Corea) on their time together in Evans’ trio. A view of Evans’ London residency from the audience by British jazz writer Brian Priestley, who was there and raved about it . A unique illustration by brilliant commercial artist David Stone Martin, another of Feldman’s passions. And then there’s — Chevy Chase?
“I’m not sure the mainstream public is aware of this, or even most of Bill’s fans are aware of this, but Bill and Chevy were very good friends. Chevy used to drive him home sometimes after gigs; they kept in touch over the years; Bill even had two kittens which he gave to Chevy, which he had their whole entire lives. And Chevy is also a musician in his own right; some people may not be aware, but he’s also been a drummer and a pianist.” In other words, Chase brings to this release what Feldman and all the other contributors do: a long-standing delight in Evans’ music, filtered through his own unique perspective.Continue reading On the Hunt for Classic Jazz: A Conversation with Zev Feldman