All posts by bradbirzer

By day, I'm a father of seven and husband of one. By night, I'm an author, a biographer, and a prog rocker. Interests: Rush, progressive rock, cultural criticisms, the Rocky Mountains, individual liberty, history, hiking, and science fiction.

Magenta’s Robert Reed and Camel’s Peter Jones join forces once again with new Cyan album‘Pictures From The Other Side.’

Alongside Luke Machin and Dan Nelson, the second Cyan album will be released on Nov 17th 2023. 
Video for “Broken Man” out now!
Keyboardist and composer Rob Reed, known for his work with Magenta, Kompendium and Sanctuary solo albums, has once again joined forced with Peter Jones, along with Luke Machin and Dan Nelson for a new Cyan album titled Pictures From The Other Side. The second album from the resurrected project is due out on the 17th of November 2023. The new album contains 6 songs, including the epic 17-minute track ‘Nosferatu’. The CD is accompanied by a DVD with a full 5.1 surround mix of the album and a live acoustic performance of songs from the previous album For King And County.
 
 Watch the video for the album’s opening track “Broken Man” here:
https://youtu.be/ndR-KT3i6Kc?si=tefp9XicW_0w3qKg 
 
Pre-order Pictures From The Other Side here:
https://tigermothhosting.co.uk/CYANCD2023/
Cyan was originally formed by Robert Reed (Magenta) when in school, back in 1983. After recording some demos at a local studio, the band went their separate ways. Years later, those demos led to the release of ‘For King And Country’ on the Dutch SI music label. It was the first of three Cyan albums released in the 1990s before the project was shelved and Rob went on to form Magenta.20 years later Rob Reed, along with a killer line-up, decided to brush off the cobwebs and successfully release a completely re-worked version of the ‘For King And Country’ album.  Cyan has since performed at the 2023 Night Of The Prog festival in Germany, and at the 2022 Summers End and Fusion festivals in the UK.
 
Rob Reed:
“I remember that the first Cyan album ‘For King And Country’ was written when I was still in school with a band I formed with some school friends. After I left school, we went our separate ways and it was several years later that I was approached by the record company. After the success of the first album, they wanted a follow-up so I wrote new material for what became ‘Pictures From The Other Side.’ It was more song-based, but included a couple of long epics. 
 
Obviously, I was influenced by the classic Prog of Genesis and Yes when writing this originally, but I was also listening to a lot of other bands of the time like It Bites, Simple Minds and Marillion. It’s been great to finally hear this material played by this line-up, it’s a completely different album. Re-written, re-recorded and re-arranged. Hopefully, I’ve brought to the album, everything I’ve learned in my career.
 
Pete Jones:
“It’s a joy to be involved in the ongoing resurrection of the Cyan canon and the vision Rob has for these new interpretations. As a vocalist, there’s so much to work with on the new album, with epics like “Broken Man,” which really let me dig deep into my inner Genesis prog vocals. The title track has some great hooks, as does the rest of the album. Tracks like the dark but beautiful “Solitary Angel,” and the vampire world of “Nosferatu,” really call for some vocal gymnastics where I can stretch myself and really go for it. Then there’s “Follow The Flow,” which is just gorgeous. As with all Rob’s stuff, it’s the feeling and emotions which are key to the whole thing. I hope I’ve managed to do my bit with the vocals.

We’ve now got a few gigs under our belt, including the recent fabulous time we all had at Night Of The Prog in Loreley. That was a real highlight of the year for me. The live band is sounding really great, with Luke, Dan, Jiffy and the man himself Rob Reed all at the top of their game. As well as doing the vocals, I play sax and whistles, and rhythm guitar which Rob asked me to do in a moment of madness. Ha-ha. All being well, we’ve got some rather special shows in the pipeline for next year. So I’m looking forward to the album coming out, and taking it to the stage!”
 
CD tracklisting:
1- Broken Man
2- Pictures From The Other Side
3- Solitary Angel
4- Follow The Flow
5- Tomorrow’s Here Today
6- Nosferatu 

DVD consists of:
Full album in Dolby Digital and dts 5.1 surround
Promo videos
The Quiet Room session (live acoustic performance)
1- I Defy The Sun
2- Don’t Turn Away
3- Call Me
4- Man Amongst Men/The Sorceror
5- Snowbound
6- For King And Country Pre-order ‘Pictures From The Other Side’ here:
https://tigermothhosting.co.uk/CYANCD2023/
Cyan is:Robert Reed
(Magenta / Kompendium / Sanctuary / Chimpan A)

Peter Jones
(Tiger Moth Tales / Camel / Francis Dunnery’s It Bites)

Dan Nelson
(Godsticks / Magenta)

Luke Machin
(Maschine / The Tangent / Karnataka / Francis Dunnery’s It Bites)
Magenta/CYAN/TigerMothTales Website
https://www.tigermothshop.co.uk/

Hope on a Rose

[originally published at The American Conservative–to honor my daughter’s eleventh birthday. This year, she would’ve been sixteen]

Had things worked or happened differently, I would be celebrating the eleventh birthday of my daughter, Cecilia Rose Birzer, today.  I can visualize exactly what it might be like.  A cake, eleven candles, hats, cheers, goofiness, photos, and, of course, ice cream.  I imagine that she would love chocolate cake–maybe a brownie cake–and strawberry ice cream.  Her many, many siblings cheer here, celebrating the innumerable smiles she has brought the family.  As I see her at the table now, I see instantly that her deep blue eyes are mischievous to be sure, but hilarious and joyous as well.  Her eyes are gateways to her soul, equally mischievous, hilarious, and joyous.  She’s tall and thin, a Birzer.  She also has an over abundance of dark brown curls, that match her darker skin just perfectly.  She loves archery, and we just bought her first serious bow and arrow.  No matter how wonderful the cake, the ice cream, and the company, she’s eager to shoot at a real target.  

She’s at that perfect age, still a little girl with little girl wants and happinesses, but on the verge of discovering the larger mysteries of the teenage and adult world.  She cares what her friends think of her, but not to the exclusion of what her family thinks of her.  She loves to dance to the family’s favorite music, and she knows every Rush, Marillion, and Big Big Train lyric by heart.  She’s just discovering the joys of Glass Hammer.  As an eleven-year old, she loves princesses, too, and her favorite is Merida, especially given the Scot’s talents and hair and confidence.  She has just read The Fellowship of the Ring, and she’s anguished over the fate of Boromir.  Aragorn, though.  There’s something about him that seems right to her.

If any of this is actually happening, it’s not happening here.  At least not in this time and not on this earth.  Here and now?  Only in my dreams, my hopes, and my broken aspirations.

Eleven years ago today, my daughter, Cecilia Rose Birzer, strangled on her own umbilical cord.  That which had nourished her for nine months killed her just two days past her due date.

On August 6, 2007, she came to term.  Very early on August 8, my wife felt a terrible jolt in her belly and then nothing.  Surely this, we hoped, was Cecilia telling us she was ready.  We threw Dedra’s hospital bag into the car as we had done four times before, and we drove the 1.5 miles to the hospital.  We knew something was wrong minutes after we checked in, though we weren’t sure what was happening.  Nurses, doctors, and technicians were coming in and out of the room.  The medical personnel were whispering, looking confused, and offering each other dark looks.  Finally, after what seemed an hour or more, our beloved doctor told us that our child–a girl, it turned out–was dead and that my wife would have to deliver a dead child.  

We had waited to know the sex of the baby, but we had picked out names for either possibility.  We had chosen Cecilia Rose for a girl, naming her after my great aunt Cecelia as well as St. Cecilia, the patron saint of music, and Rose because of St. Rose of Lima being the preferred saint for the women in my family and because Sam Gamgee’s wife was named Rosie.

I had never met my Aunt Cecelia as she had died at age 21, way back in 1927.  But, she had always been a presence in my family, the oldest sister of my maternal grandfather.  She had contracted tetanus, and the entire town of Pfeifer, Kansas, had raised the $200 and sent someone to Kansas City to retrieve the medicine.  The medicine returned safely to Pfeifer and was administered to my great aunt, but it was too late, and she died an hour or two later.  Her grave rests rather beautifully, just to the west of Holy Cross Church in Pfeifer valley, and a ceramic picture of her sits on her tombstone.  Her face as well as her story have intrigued me as far back as I can remember.  Like my Cecilia Rose, she too had brown curly hair and, I suspect, blue eyes.  She’s truly beautiful, and her death convinced her boyfriend to become a priest.

The day of Cecilia Rose’s death was nothing but an emotional roller coaster.  A favorite priest, Father Brian Stanley, immediately drove to Hillsdale to be with us, and my closest friends in town spent the day, huddled around Dedra.  We cried, we laughed, and we cried some more–every emotion was just at the surface.  I’m more than certain the nurses thought we were insane.  Who were these Catholics who could say a “Hail Mary” one moment, cry the next, and laugh uproariously a few minutes later?  Of course, the nurses also saw just how incredibly tight and meaningful the Catholic community at Hillsdale is.  And, not just the Catholics–one of the most faithful with us that day was a very tall Lutheran.

Late that night, Dedra revealed her true self.  She is–spiritually and intellectually–the strongest person I know.  She gave birth with the strength of a Norse goddess.  Or maybe it was just the grace of Mary working through her.  Whatever it was, she was brilliant.  Any man who believes males superior to females has never seen a woman give birth.  And, most certainly, has never seen his wife give birth to a dead child.  Cecilia Rose was long gone by the time she emerged in the world, but we held her and held her and held her for as long as we could.  With the birth of our other six children, I have seen in each of them that unique spark of grace, given to them alone.  Cecilia Rose was a beautiful baby, but that spark, of course, was absent, having already departed to be with her Heavenly Father.

For a variety of reasons, we were not able to bury her until August 14.  For those of you reading this who are Catholic, these dates are pretty important.  August 8 is the Feast of St. Dominic, and August 14 is the Feast of St. Maximilian Kolbe.

Regardless, those days between August 8 and August 14 were wretched.  We were in despair and depression.  I have never been as angry and confused as I was during those days.  Every hour seemed a week, and the week itself, seemed a year.  I had nothing but love for my family, but I have never been that angry with God as I was then and, really, for the following year, and, frankly, for the next nine after that.  We had Cecilia Rose buried in the 19th-century park-like cemetery directly across the street from our house.  For the first three years after her death, I walked to her grave daily.  Even to this day, I visit her grave at least once a week when in Hillsdale.  In the first year after her death, I was on sabbatical, writing a biography of Charles Carroll of Carrollton.  Every early afternoon, I would walk over to her grave, lay down across it, and listen to Marillion’s Afraid of Sunlight.  Sometime in the hour or so visit, I would just raise my fist to the sky and scream at God.  “You gave me one job, God, to be a father to this little girl, and you took it all away.”  In my fury, I called Him the greatest murderer in history, a bastard, an abortionist, and other horrible things.  I never doubted His existence, but I very much questioned His love for us.

Several things got me through that first year: most especially my wife and my children as well as my friends.  There’s nothing like tragedy to reveal the true faces of those you know.  Thank God, those I knew were as true in their honor and goodness as I had hoped they would be.  A few others things helped me as well.  I reread Tolkien, and I read, almost nonstop, Eliot’s collected poetry, but especially “The Hollow Men,” “Ash Wednesday,” and the “Four Quartets.”  I also, as noted above, listened to Marillion.  As strange as it might seem, my family, my friends, Tolkien, Eliot, and Marillion saved my life that year.  I have no doubt about that.  And, nothing gave me as much hope as Sam Gamgee in Mordor.  “Sam saw a white star twinkle for a while.  The beauty of it smote his heart, as he looked up out of the forsaken land, and hope returned to him that in the end the Shadow was only a small and passing thing: there was light and high beauty forever beyond its reach.”  As unorthodox as this might be, we included Tolkien’s quote in the funeral Mass.

A year ago, my oldest daughter–the single nicest person I have ever met–and I were hiking in central Colorado.  We were remembering Cecilia Rose and her death.  Being both kind and wise, my daughter finally said to me, “You know, dad, it’s okay that you’ve been mad at God.  But, don’t you think that 10 years is long enough?”  For whatever reason–and for a million reasons–my daughter’s words hit me at a profound level, and I’m more at peace over the last year than I’ve been since Cecilia Rose died.  I miss my little one like mad, and tears still spring almost immediately to my eyes when I think of her.  I don’t think any parent will ever get over the loss of a child, and I don’t think we’re meant to.  But, I do know this: my Cecilia Rose is safely with her Heavenly Father, and, her Heavenly Mother, and almost certainly celebrating her birthday in ways beyond our imagination and even our hope.  I have no doubt that my maternal grandmother and grandfather look after her, and that maybe even Tolkien and Eliot look in on her from time to time.  And, maybe even St. Cecilia herself has taught my Cecilia Rose all about the music of the spheres.  Indeed, maybe she sees the White Star.  Let me re-write that: I know that Cecilia Rose sees the White Star.  She is the White Star.

Happy birthday, Cecilia Rose.  Your daddy misses you like crazy, but he does everything he can to make sure that he makes it to Heaven–if for no other reason than to hug you and hug you and hug you.

My 200 Favorite Rock and Pop Albums

Over at my substack (just a few months old now), I posted my top 100 albums. I got some great responses there and on Facebook as to what I was missing (and some kind words about my choices as well). As such, I decided it would be best to expand my list to my favorite albums of all time–so I went for 200! I know a few things are missing, such as the Beatles. I was a huge fan of the Beatles back in college, but my enthusiasm for them died after reading a few biographies of the band. I realize that Sgt. Pepper’s and Magical Mystery Tour are both extraordinary, but I won’t go back to those album unless I’m preparing for something academic.

So, this list, is obviously deeply personal. But, these are the 200 albums I go back to, over and over again. I’ve tried to be faithful to my life as a 55-year old, recognizing what I’ve loved continuously. So, for example, I was a huge ELO fan as a kid, but that’s not stuck with me, even though I recognize the brilliance of Jeff Lynne.

So, I’m not trying to dismiss anything by their absences, only praise what I love. Another caveat–I’m leaving off surf bands (The Madeira and Lords of Atlantis) and jazz acts (Dave Brubeck and Miles Davis). I’m also leaving out The Shadows–of whom I’ve only recently become a fan.

One last note, I typed these out in Microsoft Word, and, for some reason, Word failed to alphabetize them or align them perfectly. I’m not sure how to fix the latter problem. The former problem just sort of cracks me up–so I’m leaving as is.

The List:

ABC, Lexicon of Love

Airbag, All Rights Removed

Airbag, Disconnected

Anathema, We’re Here Because We’re Here

Anathema, Weather Systems

Astra, The Black Chord

Ayreon, The Human Equation

Ayreon, Universal Migrator

Beach Boys, Pet Sounds

Big Big Train, English Electric

Big Big Train, Grimspound

Big Big Train, Second Brightest Star

Big Big Train, The Difference Machine

Big Big Train, The Grand Tour

Big Big Train, The Underfall Yard

Blackfield

Blackfield II

Bryan Ferry, Boys and Girls

Catherine Wheel, Happy Days

Chicago, Chicago Transit Authority

Chris Squire, Fish Out of Water

Cosmograf, Capacitor

Cosmograf, Man Left in Space

Dave Kerzner, New World

Dave Kerzner, Static

Dave Matthews Band, Before These Crowded Streets

Dave Matthews Band, Crush

Days Between Stations, In Extremis

Echo and the Bunnymen, Heaven Up Here

Echo and the Bunnymen, Ocean Rain

Enochian Theory, Life and All it Entails

Flower Kings, Flower Power

Flower Kings, Paradox Hotel

Flower Kings, Space Revolver

Frost*, Day and Age

Frost*, Experiments in Mass Appeal

Frost*, Milliontown

Galahad, Beyond the Realms of Euphoria

Galahad, Empires Never Last

Gazpacho, Fireworker

Gazpacho, Night

Gazpacho, Tick Tock

Genesis, A Trick of the Tail

Genesis, Duke

Genesis, Foxtrot

Genesis, Lamb Lies Down on Broadway

Genesis, Selling England by the Pound

Glass Hammer, At the Gate

Glass Hammer, Dreaming City

Glass Hammer, Inconsolable Secret

Glass Hammer, Valkyrie

Haken, The Mountain

Iamthemorning, Lighthouse

Icehouse, Measure for Measure

INXS, The Swing

IZZ, Crush of Night

IZZ, Everlasting Instant

IZZ, I Move
Laura Meade, Most Dangerous Woman in America

IZZ, The Darkened Room

Jethro Tull, Benefit

Jethro Tull, Minstrel in the Gallery

Jethro Tull, Thick as a Brick

John Galgano, Real Life is Meeting

Kansas, Leftoverature

Kansas, Point of No Return

Kansas, Song for America

Kate Bush, Aerial 

Kate Bush, Hounds of Love

Kevin McCormick, Squall

Kevin McCormick, With the Coming of Evening

King Bathmat, Overcoming the Monster

Led Zeppelin I

Led Zeppelin II

Led Zeppelin IV

Led Zeppelin, Houses of the Holy

Love Spit Love

Lush, Spooky

Marillion, Afraid of Sunlight

Marillion, Brave

Marillion, FEAR

Marillion, Marbles

Mew, And the Glass Handed Kites

Moody Blues, Days of Future Passed

Muse, Origin of Symmetry

My Bloody Valentine, Loveless

NAO, Fog Electric

NAO, Grappling Hooks

NAO, Grind Show

NAO, The Third Day
NAO, United Wire

Natalie Merchant, Leave Your Sleep

Neal Morse, Testimony

Neal Morse, Testimony II
No-Man, Love You to Bits

New Order, Low-life

No-man, Schoolyard Ghosts

Nosound, Lightdark

OAK, False Memory Archive

Oceansize, Effloresce

Oceansize, Everyone Into Position

Oceansize, Frames

Ordinary Psycho, The New Gothick
Ordinary Psycho, Volume II

Pearl Jam, Vs.

Peter Gabriel III

Peter Gabriel, Security

Peter Gabriel, SO

Phish, Billy Breathes

Pink Floyd, Animals

Pink Floyd, Dark Side of the Moon

Pink Floyd, Meddle

Pink Floyd, Wish You Were Here

Porcupine Tree, Fear of a Blank Planet

Porcupine Tree, Lightbulb Sun

Porcupine Tree, Sky Moves Sideways

Pure Reason Revolution, The Dark Third

Queen II

Queen, A Night at the Opera

Radiohead, Kid A

Rhys Marsh, October After All

Riverside, Love, Fear, and the Time Machine

Riverside, Out of Myself

Riverside, Second Life Syndrome

Riverside, Wasteland

Roxy Music, Avalon

Rush, 2112

Rush, A Farewell to Kings

Rush, Clockwork Angels

Rush, Grace Under Pressure

Rush, Hemispheres

Rush, Moving Pictures

Rush, Permanent Waves

Rush, Power Windows

Rush, Snakes and Arrows

Sanguine Hum, Diving Bell

Sarah McLachlin, Fumbling Towards Ecstasy

Simon and Garfunkel, Bookends

Simple Minds, New Gold Dream

Simple Minds, Sons and Fascination

Simple Minds, Sparkle in the Rain

Sixpence None the Richer

Smashing Pumpkins, Siamese Dream

Sound of Contact, Dimensionaut

Steven Wilson, Grace for Drowning

Steven Wilson, Hand Cannot Erase

Steven Wilson, Insurgentes

Steven Wilson, Raven That Refused to Sing

Stone Temple Pilots, Tiny Music

Talk Talk, Laughing Stock

Talk Talk, Spirit of Eden

Talk Talk, The Colour of Spring

Tears for Fears, Elemental

Tears for Fears, Everybody Loves a Happy Ending

Tears for Fears, Songs from the Big Chair

Tears for Fears, The Hurting

The Connells, Boylan Heights

The Cure, Blood Flowers

The Cure, Disintegration

The Cure, Head on the Door

The Cure, P-ography

The Cure, Wish

The Fierce and the Dead, Spooky Action

The Fierce and the Dead, If It Carries On Like This

The Sundays, Reading, Writing, and Arithmetic

The Tangent, A Place in the Queue

The Tangent, Auto Reconnaissance

The Tangent, Le Sacre du Travail

The Tangent, Proxy

The Tangent, The Music that Died Alone

Thomas Dolby, Golden Age of Wireless

Thomas Dolby, The Flat Earth

Tim Bowness, Butterfly Mind

Tim Bowness, Flowers at the Scene

Tim Bowness, Late Night Laments

Tim Bowness, Lost in the Ghostlight

Tin Spirits, Scorch

Tin Spirits, Wired to Earth

Tori Amos, Little Earthquakes

Tori Amos, Under the Pink

Traffic, John Barleycorn Must Die

Traffic, Low Spark of High Heeled Boys

Traffic, Mr. Fantasy

Traffic, Traffic

Transatlantic, SMPT:e

Transatlantic, The Whirlwind

U2, October

U2, The Joshua Tree

U2, Unforgettable Fire

Ultravox, Rage in Eden

Ultravox, Vienna

Vertica, The Haunted South

XTC, Black Sea

XTC, Skylarking

Yes, 90125

Yes, Close to the Edge

Yes, Drama

Yes, Fragile

Yes, Relayer

Yes, The Yes Album

My third substack post, Time, Time Time

Travels

My wife, Dedra, and I just spent the past week in Pierre, South Dakota. I’m sure Pierre wouldn’t be for everyone, but I love it. I have my chair of contemplation there, and I take daily walks along the Missouri River. The people are incredibly nice (just like my upbringing in Kansas), and I always feel like a member of a small republic when I’m there.

To keep reading, please go here:

https://bradleyjbirzer.substack.com/p/time-time-time

Big Big Train: 2017

Now that summer break has arrived, I have so much more time to listen to great music.

I sit here (I have glorious reading chairs in Michigan as well as in South Dakota), and I read and read great books, and, thanks be to God, I listen and listen to great music.

Right now, I’m marveling at Big Big Train in 2017. What a year for the band and for fans. Not one but three releases that year: Grimspound; Second Brightest Star; and London Song.

Really, has any band so wonderfully treated its fan base before or since?

I would unhesitatingly recommend any of these three to anyone.

Held by Trees: LIVE

 

For Immediate Release

Two New EPs From Held By Trees Recorded at Peter Gabriel’s Real World Studios Released Exclusively by InnerSleeve.com

Featuring Paul McCartney/Pretenders guitar legend Robbie McIntosh!

Hot on the heels of their critically acclaimed debut album, “Solace”, instrumental project Held By Trees is excited to be releasing two new EPs this year on Sound Canyon Records through InnerSleeve.comrecorded at Peter Gabriel’s famous Real World Studios, the first EP is comprised of live versions of five tracks from “Solace”. The six-piece live iteration of Held By Trees brings together three of the Talk Talk/Mark Hollis alumni that contributed to “Solace” including renowned guitarist Robbie McIntosh. The band recorded playing all together in the ‘Big Room’ at Real World in November 2022, a week after their debut live performances.

The second EP is an entirely new suite of pieces themed on the transition from daylight to darkness. Entitled “Eventide”, it was tracked live at Real World Studios and then additional layers were added by musicians in America and Canada, by old friends of project leader David Joseph.

The twin EPs will be released on separate CDs and as two sides of one vinyl pressing by new American record label, Sound Canyon and their retail arm www.InnerSleeve.com

The new material sees Held By Trees continue to create instrumental music characterized by skilled improvisation over spacious, epic arrangements. The music draws on the influence of Van Morrison and John Martyn, alongside their usual late Talk Talk and Pink Floyd references. The live versions of “Solace” tracks bring a fresh intensity to the music, with a heavier vibe created by the band in real time.

The main musicians who worked on the new EPs are…
Laurence Pendrous – piano
James Grant – bass, double bass
Robbie McIntosh – guitar
David Joseph – guitar
Andy Panayi – flute, clarinet, saxophone
Paul Beavis – drums

Pre-orders available at https://www.innersleeve.com/en-gb/collections/held-by-trees

First 50 customers pre-ordering the bundle (both EP’s and the vinyl) will receive an exclusive signed poster and one lucky winner will receive a set of album cover cushion covers

Videos:
https://www.youtube.com/watch?v=uuam_koJkII
https://www.youtube.com/watch?v=qrUjGIrSAVM
https://www.youtube.com/watch?v=Nb6ZTLgEXhQ

Held By Trees and www.InnerSleeve.com will be celebrating the release with a launch show at the Half Moon in Putney London on September 21st 2023

WHAT THEY SAID….

A fascinating project… Rekindles the spirit of Talk Talk to startling effect… channels their psychedelic post-rock vibe to an almost eerie degree” – Prog Magazine

“…beautifully played throughout…” – Mojo Magazine

A tree is planted for every album sold… I’ll be planting a few trees – giving them out at Christmas!” – Guy Garvey, Elbow / BBC 6 Music

…beautiful, minimalist, instrumental delight” – Scottish Daily Express

Timely, important, beautiful music” – Under the Radar

A tantalising project evokes the spirit of latter-era Talk Talk and David Gilmour-led Pink Floyd…highly recommended for fans of Hollis’ sparse aesthetic” – Classic Pop Magazine

New heroes of post-rock/prog have arrived.” – Record Collector Magazine

“…Lovely but very different guitar work… somehow sparse but also slightly proggy as well which I know will sound very appealing, almost like a perfect combination…” – Elizabeth Alker – Unclassified, BBC Radio 3

“Solace” charted at Number 4 on the Indie Breakers Chart and Number 23 on the main Indie Chart

For more information: www.heldbytrees.co.uk UK

Latest from THE BAND WAGON

Have you seen the latest issue of PROG Magazine? As always, the magazine is filled with exciting news from new and old bands. But, in the latest issue of our eyes fell on the Q&A with Matt Dorsey. Having known Matt for years we are very excited about his debut solo release and pleased that he has allowed us to be a small part of it. Have you heard it? What do you think? We love it, but, then again, we might be biased … 😊
As always, if you know any independent bands or record labels looking for distribution assistance in North America, please feel free to put them in contact with us (sven@thebandwagonusa.com) or drop us a message telling us to check them out.
 HIGHLIGHTSVonn Zandus
Vonn Zandus is the new solo project from Joe Burns from UK proggers, Guranfoe. This project combines keyboards, synthesizers, drums, marimba and glockenspiel into ecstatic progressive music. There is really no better way to describe this rhythmically complex and melodically vibrant album. If you like vibrant instrumental prog, you should really give this one a try.
Vonn Zandus – The Band Wagon USA

Strange Horizon
Strange Horizon is back and kicking … you know what we mean 😊 The labels we attach to music can be strange and sometimes confusing and one of the reasons we often try to avoid them. Strange Horizon is described as Doom Metal or as they like Blytung Skandinavisk Heavy Metal. What we hear is 70’s inspired hard rock that … yes you know what we mean. No matter how you describe it, this is a great album, with lots of energy that begs to get turned up to 11.
Strange Horizon – The Band Wagon USA
Candles – YouTube

Nick Bohensky & Max N’Adamo
Some of you already know Nick and Max from the band The 16 Deadly Improvs. What you may not know is that they have more to offer. While waiting for the next installment from their band to finish up, these two decided they have more to give and have released the EP Imphilosible. Give them a listen, we know some of you will like this. Physically only available on Vinyl.
Nick Bohensky & Max N’Adamo – The Band Wagon USA
Forwards/Backwards by Nick Bohensky and Max N’Adamo – YouTube
Syllogism – YouTube

CURRENT PRE-ORDER CAMPAIGNS

Matt Dorsey – Let Go (CD)
Available Now!

Matt Dorsey – The Band Wagon USA

Dave Foster Band – Glimmer (CD, Black Vinyl, Yellow Vinyl)
CD Available Now! (Vinyl delayed until mid-May)

Dave Foster Band – The Band Wagon USA

Waking Dreams – Sliding Lines (CD & Vinyl)
Available Now!

Waking Dreams – The Band Wagon USA

Aisles – Beyond Drama (CD)
Available Now!

Aisles – The Band Wagon USA

Big Big Train – Ingenious Devices (Hoody)
April 19 deadline for pre-orders has passed
May 12 Release

Big Big Train – The Band Wagon USA

Howlin’ Sun – Maxime (CD, Black Vinyl, Transparent Orange Vinyl)
May 19 Release

Howlin’ Sun – The Band Wagon USA

Hex A.D. – Delightful Sharp Edges (CD, Black Vinyl, Transparent Orange Vinyl)
May 26 Release

Hex A.D. – The Band Wagon USA

Strange Horizon – Skur 14 (CD, Black Vinyl, Purple Vinyl)
May 26 Release

Strange Horizon – The Band Wagon USA
 
Rick Armstrong – Chromosphere (CD)
May/June Release

Rick Armstrong – The Band Wagon USA

Vonn Zandus – Unimortal (CD)
June 9 Release

Vonn Zandus – The Band Wagon USA

Big Big Train – Ingenious Devices (CD, Black Vinyl, Sky Blue Vinyl)
June 30 Release

Big Big Train – The Band Wagon USA

LAST BUT NOT LEAST
Rita is jetting off today to see some Scottish Heavy Metal band (aka Marillion) in Italy. She claims she is “working”, but Sven isn’t buying it. If you are going to be in Padua, stop by the merch desk and say hello. She’ll be the one who kinda looks like our logo 😉 She will be back on Monday, then home for a week before it is off to Montreal for the Marillion Weekend there. Rita will be working at the merch desk, along with running the charity event, helping supports acts Matt Dorsey and John Young, and orchestrating the John Young solo show on Sunday, May 14. Sven will be busy giving Rita grief for doing too much while performing his duties “herding cats” and whatever else bands and management need. If you catch a glimpse of us, come and say hi, we would love to meet you. Don’t be shy, we don’t bite. Unless we are hungry 😊

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Exodusters

Exodusters–Voting with one’s feet

                  One of the greatest rights any person can hold is the “right to exit,” that is, the right and ability to depart a bad situation in search of a better one.  With the failure and end of post-Civil War Reconstruction in 1877, numerous ex-slaves voted with their feet, leaving the South for the American West.  The 1870s and 1880s witnessed the beginning of the plains settlement boom, and blacks migrated in significant numbers to western Kansas, western Nebraska, and Oklahoma.  Known as Exodusters, these blacks shook the dust of southern prejudice off their feet.  The Homestead Act of 1862, one of the most liberal and republican of all American laws, did not discriminate on basis of race, and any black males or single black females were welcome to take up a government-provided homestead.  Though records were poorly kept, almost 40,000 blacks migrated to the new communities.  Like many or the original European-derived Great Plains communities, few of these black Gilded Age settlements remain at the beginning of the twenty-first century.  The most prominent of those still extant is Nicodemus in Graham County, Kansas.  It had been the earliest of the Exoduster communities, founded in 1877.

                  The two most prominent individuals in the great exodus from the South were Louisianan Henry Adams, a former slave, and Benjamin “Pap” Singleton.  Both men mixed self-help philosophy and God-given drive with entrepreneurial boosterism to promote the black settlements.  “What’s going to be a hundred years from now ain’t much account to us,” Singleton said, and the “whites has the lands and the sense, an’ the blacks has nothin’ but their freedom, an’ it’s jest like a dream to them.” The promoters sent advertising circulars to black churches, mostly located in the border states and upper South.  Most of the Exodusters came from Tennessee.

                  The enterprise faced many obstacles.  First, many southern whites feared the loss of exploitable, cheap labor.  Armed throughout river ports in the South, whites physically prevented innumerable blacks from migrating.  Second, unlike the many European immigrants to the high plains who had first lived in the steppes of Russia, the blacks from the South had no experience with dry farming.  Continental weather patterns and very little rain hindered black agricultural efforts at first.

                  Still, the new settlers overcame these difficulties and created thriving communities.  “When I landed on the soil I looked on the ground and I says this is free ground,” one black settler said. “Then I looked on the heavens and I says them is free and beautiful heavens. Then I looked within my heart and I says to myself, I wonder why I was never free before?”  A Great Bend, Kansas, newspaper editorialized: “We have been so long aiding white people coming here that certainly no one would think of refusing the freedom of the state to a few hundred colored people seeking liberty and a home.  Treat the colored people exactly the same as if they were white people in like circumstances.”  By 1890, blacks owned roughly 20,000 acres in Kansas.  Inspired by the philosophy of Booker T. Washington, another 50,000 blacks settled in Indian Territory in the 1890s.  The leader of the Oklahoma migrations, Edward McCabe, desired the creation of an independent black state.

                  Blacks participated in more western activities than just farming.  A goodly percentage worked as cowboys or on railroads.  Most famous among western blacks were the so-called “Buffalo Soldiers,” who fought in several important Indian battles between the Civil War and 1890.  Stripped down to peacetime size after the Civil War, the frontier army relied heavily–sometimes exclusively–on black soldiers.  Buffalo soldiers served in campaigns against the Sioux, the Cheyenne, the Comanche, the Kiowa, the Ute, and the Apache.  Black troops also protected the United States border against Mexican bandits.  Congress awarded fourteen medals of honor to black soldiers between 1870 and 1890.

–Brad Birzer