“Hungarians are family-oriented,” she says, “and they love their families, their culture and their traditions. We’ve been given this direction by the Hungarian people. We want to strengthen families, women and young people. We want to provide security, and we want to protect our Christian culture.”

In the light of such heart-kindling wisdom from the peoples and governments of Poland and Hungary, rooted in faith and family and the future they offer, we are seeing the sun rising in Europe’s East, even as we see it setting in its decadent West.
— Read on theimaginativeconservative.org/2019/05/faith-family-europe-joseph-pearce.html

By the end of his formal academic career, in the late 1970s, Nisbet considered this chance encounter with The Servile State in 1936 to be one of the most significant turning points in his professional life. Indeed, he counted The Servile State one of the five most important books he had read in his life, ranking it alongside Tocqueville’s Democracy in America; James Fitzjames Stephen’s Liberty, Equality, Fraternity; Frank Teggarts’s Processes of History; and Joseph Schumpeter’s Capitalism, Socialism, and Democracy. “Suffice it here to say that never again, after reading Belloc’s work, did I imagine that there could be genuine individual freedom apart from individual ownership of property.”[3] Equally important, Nisbet noted, it forced him to realize that the liberals of the twentieth-century had profoundly corrupted the vision of their nineteenth-century ancestors. Additionally, at least in the mind of Nisbet, The Servile State, along with Tocqueville’s Democracy in America, Thomas More’s Utopia, Smith’s Wealth of Nations, William Graham Sumner’s The Forgotten Man, and Albert Jay Nock’s Our Enemy The State as one of the most important anti-government books of the modern West.[4]
— Read on theimaginativeconservative.org/2019/05/leviathan-inc-robert-nisbet-modern-nation-state-bradley-birzer.html

To create a unique atmosphere for his Gotham City, Timm’s team drew all of Gotham on black paper. Traditionally, animators use white, allowing for light to flourish somewhat naturally. That Mr. Timm and company tried, for the first time, black paper was revolutionary in terms of technology and art, but also quite successful. Even the cleanest corners of Gotham possess a brooding darkness, perfect for the entrance of a Dark Knight.“There was an architectural visionary named Hugh Ferris, who did these elaborate, futuristic cityscape architectural renderings,” Mr. Timm explains. “They were just gorgeous—these massive deco buildings rendered very moodily. That was one of our prime influences on the look of Batman: The Animated Series.“[9] One of the most innovative things the Batman: The Animated Series did, in its first feature animated movie, The Mask of the Phantasm, was an opening, computer generated at the very beginning of the use of CGI in any film, of a camera slowly making its way in reverse through the Gotham skyline as the magisterial music of the tragically unsung but brilliant composer Shirley Walker plays.[10] Walker’s soundtrack employs music from the late classical to early romantic period while incorporating faux medieval chant. As bizarre as this combination sounds, it works beautifully, especially as the camera crosses the Gotham City skyline.[11] Nothing in the comics or the movies made, before or after, has done so much to demonstrate the sheer and inhumane scope and scale of Gotham.
— Read on theimaginativeconservative.org/2019/05/americas-urban-nightmare-gotham-city-bradley-birzer.html

While there is no excuse for Kane having lied in his 1965 open letter or for having fudged the truth in his 1989 autobiography, there is some defense of his using his name exclusively when dealing with Batman in publications. Sadly, such a muddled state of recognizing who created who and what was a central feature of the earliest comic superheroes. In a world of pseudonyms, artistic entrepreneurship, and personal studios, one person might well serve as the public name for three or four others. And, one person might even write under a variety of names, thus keeping interest in his work intense rather than overwhelming. Writers trying to make a career in New York City were legion because of the intense competition in the pulps as well as in the slicks (magazines), while good artists were relatively rare. New York, of course, housed innumerable fine artists and an equally uncountable number of commercial artists, but comics demanded artists who not only understood the limits and physics of the human (and extra-human) form, but who could produce a huge quantity of art with relatively acceptable and consistent quality. The same was even more true of editors, who more often than not served as vital figures in the creation and maintenance of publications. During the 1930s, strong editors made, thwarted, and broke writing careers. When Superman appeared, pulp editors were in a strong position, writers in a weak one, and artists in a new and precarious one.[23] While in a relatively good position to capitalize on the new super-hero comics market, pulp publishers, editors, and writers still had to create and then navigate the new market, one that demanded consistency.
— Read on theimaginativeconservative.org/2019/04/dynamic-duo-controversy-over-batmans-creators-bradley-birzer.html

The present Open letter to the bishops of the Catholic Church goes a stage further in claiming that Pope Francis is guilty of the crime of heresy. This crime is committed when a Catholic knowingly and persistently denies something which he knows that the Church teaches to be revealed by God. Taken together, the words and actions of Pope Francis amount to a comprehensive rejection of Catholic teaching on marriage and sexual activity, on the moral law, and on grace and the forgiveness of sins. 
— Read on www.ncregister.com/blog/edward-pentin/father-aidan-nichols-signs-open-letter-charging-pope-francis-with-heresy

How often has one read or watched the news, only to be told that America, as the leading democratic power, must do this or that because it is in the interest of all free peoples to promote democracy? Democracy has become so overused as to become a synonym for all that is good in the world, especially identified as rainbow-headed unicorns with the wings of a Pegasus, flying unhesitatingly from imagined world to imagined world, the latest one progressing ever more and more toward all that is holy. Democracy, it seems, is freedom, goodness, truth, dignity, and beauty.

This is the absurdity that now surrounds us. Honestly, the unicorns would be preferable. One only has to watch the tumultuous and tenebrous storms of emotion that brew and blow on Twitter to see how well the democratic impulse tends toward goodness.
— Read on theimaginativeconservative.org/2019/04/not-democracy-bradley-birzer.html