File handling on iOS is too inconsistent. You can save and open files in various places on iCloud drive or even on your local device, but the rules about when you can save files and where you can save them aren’t clear. The user can’t create folders arbitrarily, which is frustrating. The On My Device area is especially confusing—so much so that even technically savvy users don’t understand that your iOS apps can save files to your iPhone or iPad without also syncing them with iCloud Drive. (A major feature if you’re out of iCloud space or on a metered or slow Internet connection.) You can’t create or open Zip archives using the Files app. With a little bit of focus on the details, Apple can clean this experience up and make it much better than it is today.
— Read on www.macworld.com/article/3397042/ios-13-wish-list.html
Happy birthday, Greg, master of the TrainYard!
For most music fans, and especially prog rockers, Yes existed between 1969 and 1983.
Some would even end Yes around 1979.
Amazingly enough, though, Yes still exists. And, while the band has never produced a perfect album since 1983’s 90125, it has produced a number of tracks equal to the best of the “classic Yes” period.
The two best albums of this later period were Magnification (2001) and Fly from Here-Return Trip (2018).
For those interested (and with ears to hear), here are my favorites from 1987-present.
- Birthright (Anderson Bruford Wakeman Howe, 1989)
- Dreamtime (Magnification, 2001)
- Endless Dream (Talk, 1994)
- Evensong (Union, 1991)
- Fly From Here (Fly From Here-Return Trip, 2018)
- Homeworld (The Ladder, 1999)
- I’m Running (Big Generator, 1987)
- In the Presence Of (Magnification, 2001)
- Into the Storm (Fly From Here-Return Trip, 2018)
- Life on a Film Set (Fly From Here-Return Trip, 2018)
- Magnification (Magnification, 2001)
- Minddrive (Keys to Ascension 2, 1997)
- New Language (The Ladder, 1999)
- Order of the Universe (Anderson Bruford Wakeman Howe, 1989)
- Shoot High Aim Low (Big Generator, 1987)
- Silent Talking (Union, 1991)
- Spirit of Survival (Magnification, 2001)
- Subway Walls (Heaven and Earth, 2014)
- Themes (Anderson Bruford Wakeman Howe, 1989)
If all of this sounds too intelligent and too good to be a part of popular culture, it’s because it is! No, no, no. This is not pop. This is art. True, good, real, and beautiful. Imagine, for a moment, how many other manifestations of secular culture take seriously a Christian saint, let alone analyze the very stones used in the art of Byzantium? Truly, what this band offers us is a precious gem. And, while the members of the band (at least as far as I know) are not religious, they certainly take the religion of the past quite seriously. Not just Theodora, but the band has also written gorgeously on its previous releases about St. Edith, the granddaughter of King Alfred, the first great English king, the first to codify Anglo-Saxon common law, and the blessed recipient of Marian visions.
— Read on theimaginativeconservative.org/2019/05/big-big-train-grand-tour-bradley-birzer.html
Part II of our symposium. A second indepth look at the philosophy and emotions behind Big Big Train’s latest album, GRAND TOUR.
Beginning with genteel blushings and awed whispers, David Longdon’s vocals—so plaintive and so earnest and so full of wonder—begin Grand Tour by sharing hard-earned wisdom.
After all, this story begins far from home, and the craft in question flies along shadowed paths beyond all human sight, but never beyond human imagination. By whatever measure of success or failure, the craft made the attempt. And, by necessity, so did those who launched it in the first place.
Whatever the fate of that craft, it was made by human hands, and those hands should be celebrated. And, thus we should celebrate not just the act of creation but the very life that gave the very intelligence to act.
We are, after all, ALIVE!
And thus begins Big Big Train’s latest album, Grand Tour, a masterpiece even among masterpieces. Ostensibly, this hook—which catches onto the eighteenth-century ideal of English travel throughout the European continent and, especially, into and around the Mediterranean and Aegean—ties the latest album together. By employing such a story, the band can travel not only across space but also back through time. The album explores ideas and as well as biographies.
This is, simply put, an album for the intelligent and meaningful person.
With track three, “The Florentine,” the band looks at the very core of the Italian Renaissance and one of its four greatest figures, Leonardo.
On track four, “Roman Stone,” the band digs deep back into western civilization, finding the very stones that created the Roman Republic and the various Mediterranean powers of the ancient world. There is both regret at the loss and admiration at the gain. See what we once were, the band claims. See what we could’ve been, the band asks. After all, things that have broken have often been made whole again. Sometimes even with the very material that had fallen into ruin becomes the cornerstone.
[please scroll down a bit and go to PAGE 2]
Given that this site’s patron is also the patron saint of music, it seems meet and just to review our favorite music. Thus, I give you the awesome Tad Wert’s first entry into the symposium, “What Hath the Train Wrought,” a deep look at Big Big Train’s GRAND TOUR.–Brad, editor
“GRAND TOUR” by Tad Wert
There are and can exist but two ways of investigating and discovering truth. The one hurries on rapidly from the senses and particulars to the most general axioms, and from them, as principles and their supposed indisputable truth, derives and discovers the intermediate axioms. This is the way now in use. The other constructs its axioms from the senses and particulars, by ascending continually and gradually, till it finally arrives at the most general axioms, which is the true but unattempted way.
–Francis Bacon, Novum Organum
Never let it be said that Big Big Train doesn’t think big. Their latest opus, Grand Tour, is a massive undertaking, taking the listener on a voyage from the cliffs of Dover to Italy, Constantinople, and out to interstellar space. Along the way, we pay our respects to Leonardo da Vinci, Saints Theodora and Justinian, exiled Prospero and Ariel, and Percy Bysshe Shelley. Oh, and we mustn’t forget to say hello to Francis Bacon, the first “modern” thinker.
If this project were attempted by any other artist, they would be ridiculed for their pretentiousness. To BBT’s credit, they have done their research, and every song on this amazing album is filled with respect, appreciation, and love for their subjects. In the 18th and 19th centuries, every well-educated European took a “Grand Tour”, which included visits to famous cultural and religious sites, such as Rome, Florence, Paris, etc. Thanks to BBT, we can embark upon our own grand tour via their artistry.
[Please go to the next page]
Its most famous member is Dave Gregory, formerly the lead guitarist for XTC. Like every member of the band, Gregory is an extraordinary musician pursuing a high art. He is also, I’m happy to note, a true gentleman and, like everyone in the band, a perfectionist. From the beginning of its existence, BBT has honed its complex song structures, riveting melodies, and gorgeous historical, poetic, and mythic lyrics. Almost all of the band’s songs celebrate excellence, innovation, and struggle. Typical themes include World War I and II ace fighters, beekeepers, medieval saints, architects, and survivors of trauma. Lyrically, the band is levels above almost anything being written in popular culture today, and, in the rock-pop world, certainly well beyond Elvis, Madonna, and Lady Gaga.
— Read on www.theamericanconservative.com/articles/an-ode-to-progressive-rock/