I’m rather proudly a huge fan of Arjen Lucassen (and have been for years and years and years), and Pete Pardo does an excellent job of interviewing him here. Lucassen is so earnest and so enthusiastic. A great combination for a musician. This interview is well worth watching.
This week, I feel like the DropBox is in a holding pattern (with one exception). We have two well-established prog artists with new albums, but neither one indicates much artistic growth. Both are solid efforts that will certainly please die-hard fans, but I don’t see them attracting many new ones.
Arjen Lucassen, the king of prog operas, has released a new magnum opus, Transitus. This is the first of his operas that isn’t tied to his Ayreon world in some way (although there is a sly reference the “The Human Equation”). Transitus is a Victorian ghost story/morality play that tells the story of two doomed lovers – one a wealthy young man and the other a servant of his – and how they overcome the barrier of death to be together.
If you’re an Ayreon fan, musically this fits in with everything Lucassen has done previously. There’s not a lot of new ground broken, but it’s hard to fault an artist for being so consistently good. Tommy Karevik (Kamelot) sings the lead role of Daniel, and Cammie Gilbert (Oceans of Slumber) takes the role of Abby.
The Flower Kings are never ones to stint their fans when it comes to providing music, and Islands is no exception. It is a big 2 CD album that features Roine Stolt’s trademark guitar work and laconic vocals. On this outing, I actually prefer the songs bandmate Hasse Froberg sings – he is a little grittier. According to Stolt, all of the songs revolve around the theme of isolation, hence the title. There are some beautiful moments in this sprawling set, particularly All I Need Is Love. Fans of the Flower Kings and Transatlantic will not be disappointed with this one.
This album is the most interesting one of this week’s batch. Short-Haired Domestic is Tim and Lee Friese-Greene, and their offering is not exactly prog, but it is some of the most delightfully quirky artpop I’ve heard in a long time. Every song is sung in a different language – Japanese, Bulgarian, Italian, German, Hindi, even Latin. It is funky, catchy as hell, and just plain fun. Tim is best known for his extraordinary production of Talk Talk’s last few groundbreaking albums, and Short-Haired Domestic makes clear he still has a few tricks to share with us.
Here’s the first single, A Song In Latin About The Importance Of Comfortable Shoes (yes, that’s the actual title):
As I mentioned in Part 2 of this series, 2012 is when the floodgates open for prog releases. This post features 15 albums from that halcyon year, and it barely scratches the surface! So let’s dive into the great music 2012 had for us, in alphabetical order.
Anathema followed up the wonderful We’re Here Because We’re Here with the even better Weather Systems. Featuring a weather-related song cycle – “The Gathering Of The Clouds”, “Lightning Song”, “Sunlight”, and “The Calm Before The Storm” – Anathema produces a prog classic.
After a 2-year absence, Big Big Train returned in a big way with English Electric, Part 1. David Longdon is now fully integrated into the band, and his songwriting sparkles, particularly on joyous romps like “Uncle Jack”. One of BBT’s finest hours, ever.
All of the disparate styles Devin Townsend played with on previous albums is synthesized in this masterpiece. Power pop, metal, gospel -it’s all here in one big beautiful mess.
This album topped a lot of critics’ Best of 2012 lists, and rightly so. Every song is perfect, and “Some Memorial” may be the best they’ve ever done. This is a classic prog record that will still be lauded decades from now.
This effort from the prog supergroup comprised of Neal Morse, Mike Portnoy, Steve Morse, Dave Larue, and Casey McPherson was a very impressive debut. Everyone participating subsumed his personality in service to the group, and the result was a lot of fun – reminiscent of the best of ’70s arena rock.
This is a somewhat obscure gem by John Galgano, the bassist of Izz. It’s a quiet, beautiful, philosophical collection of songs that is truly charming. There is a lot of depth and solace in these songs.
Glass Hammer continued its winning streak with the third album to feature Jon Davison. Perilous is one long song chronicling the adventures of two children trapped in a, well, perilous land populated by malignant beings. The music is appropriately exciting and compelling.
John Mitchell (Arena, Frost*, Lonely Robot) took over It Bites’ reins for this marvelous concept album about a young man confronting his past and his tortured relationship with his father. “Wallflower” is one of his finest songs.
Arjen Lucassen (Ayreon, among many other projects) released this solo effort in 2012, and it featured his love of science fiction themes. Many years in the future a cryogenically preserved man is revived and brought up to date with all the changes that have occurred in society while he was frozen. Along the way, Arjen gives us a history of rock while an evil Rutger Hauer narrates. Great fun.
I’ve written a full post on this excellent band, and this is one of their best albums. It’s a perfect introduction to Mystery if you’ve never heard them. “Another Day” is a 19 minute song that ranks with the best epics in the genre.
The second album by Kscope’s North Atlantic Oscillation still has their impossibly angelic vocal harmonies from the debut, but there is an undercurrent of unease in songs like “Savage With A Barometer”. Utterly unique sound, and one of the best albums of the decade.
The fourth (and final?) album from the Office Of Strategic Influence. Jim Matheos (Fates Warning) and Kevin Moore (Dream Theater, Chroma Key) collaborate on another fine collection that is somewhat somber but always melodic. If you need music for a rainy afternoon, O.S.I. is the perfect choice.
Another supergroup, this time composed of, surprise, producers. Trevor Horn, Lol Creme, Stephen Lipson, and Ash Soan (with a uncredited Chris Braide on vocals) combine to produce a wonderful pop confection. Too bad they only lasted for one album.
In 2012, we had no way of knowing this would be Rush’s final album, but what an album to go out on. It was meant to be the soundtrack to a Kevin Anderson sci-fi novel, but it works well as a standalone work of art. Rush pulled out all the stops on their tour supporting it, and it remains a high point of their career.
This was a complete surprise – after decades of inactivity, the ’80s synth band Ultravox reunited in 2012 and put together this terrific set of songs. It was as if they never left, still at the top of their form. If you loved Vienna and Rage In Eden, then this is a must-have album.
That’s 15 albums from 2012, and I could have added many more. District 97, Downes Braide Association, Gazpacho, Headspace, Izz, KingBathmat, Pineapple Thief, Porcupine Tree, Storm Corrosion, Threshold, Time Morse, and Yppah all released outstanding records. Let us know what your favorites of 2012 were in the comments!