It’s been 7 long years since we have heard from Oscar Fuentes Bills (keyboards) and Sepand Samzadeh (guitar), the duo who go by the moniker Days Between Stations. They have a new album out, Giants, and it is a contender for best of 2020. I love this album. It is produced by Billy Sherwood of Yes fame, who also plays bass, drums, and handles lead vocals on most of the songs. Colin Moulding, who sang The Man Who Died Two Times on their last album, returns to sing on Goes By Gravity, while Durga McBroom, who sang on several Pink Floyd songs sings lead on Witness the End of the World.
While their second album, In Extremis, was very good, Giants is a huge step forward for DBS. Did I mention I love this album? It kicks off with a clanging guitar chord reverberating from one speaker to another, and before you know it, we’re on a rollercoaster of an epic named Spark.
Spark of life
Coming in waves
Point of view
You’re an act of God
Even though Spark lasts nearly 17:00 and is nonstop high energy, it never seems too long or forced. Samzadeh unleashes some terrific guitar solos worthy of David Gilmour, while Bills answers with vigorous organ fills.
Things calm down a bit for Witness the End of the World. Over an acoustic piano, guitar, and violin, McBroom delivers a sensitive vocal performance. This is a beautiful and tender waltz that mourns the inevitable loss all humans suffer.
Everything we once knew
Witness the end of the world
Another Day begins with a slow tempo that gradually adds layers of instruments and vocal harmonies until it is a juggernaut of sound. It features an incredibly catchy chorus that gets in your head and won’t leave.
Goes By Gravity, sung by Moulding with his trademark wry vocals, is the poppiest song on the album, and is another earworm.
The title track is another epic, clocking in at 13:00, and is Bills’ tribute to his deceased father, the “giant” of his childhood, and a man he deeply admires. This is a tremendous song, with lots of space for Sherwood, Samzadeh, and Bills to stretch out and play off each other. Sherwood’s massed vocals are spine-tingling as he sings,
Shaking the sky
Holding on to the reins
The Great Divide
Between memories and
After the emotional experience of Giant, we are treated to an instrumental interlude that begins with a Bill Evans-like jazz passage on piano, transitions to a Bach-like fugue on acoustic guitar, and ends up with a guitar/synthesizer duet that reminds me of classic Genesis. (Side note: the cover art is by Paul Whitehead, who painted several classic covers for Genesis.)
The album wraps up with the magnificent The Common Thread. This is, hands down, the best song I’ve heard this year. Full of tricky time changes but always staying accessible and engaging, it progresses upward inexorably, gaining power with every bar. By the time we get to the final minute and the triumphant conclusion, I feel like I’ve reached the top of a mountain. This song is as good as anything Yes recorded in their classic incarnation.
Days Between Stations have only released three albums, but I’ve never seen such growth in group like they’ve accomplished with Giant. Billy Sherwood definitely deserves a lot of the credit, with his production, bass and drum work, and vocals. Their debut was all instrumental, their second was about half instrumental, whereas Giants is a full-bore progrock vocal tour de force. Album of the year? There are some strong contenders from Glass Hammer, Bardic Depths, Pendragon, Katatonia, Pain of Salvation, and Pineapple Thief, but right now Days Between Stations’ Giants is at the top of my list.
I ordered a CD from their website for my collection, and they included some DBS pencils and guitar picks. How’s that for customer service!
The video below is a nice sampler of the album: