July 30th, 2021 sees the release of ‘Common Ground’, the self-produced new album from Big Big Train on their own label, English Electric Recordings. The new album, recorded during the worldwide pandemic, sees the band continue their tradition of dramatic narratives but also tackles issues much closer to home, such as the Covid lockdowns, the separation of loved ones, the passage of time, deaths of people close to the band and the hope that springs from a new love.
Watch the new video for the title track, created by Christian Rios, here:
“This is unashamedly a love song. It is about finding things that we share and have in common with other people. When my partner and I first came together as a couple, we lived not far from Avebury in Wiltshire, a very Big Big Train kind of place. The chalk hills and standing stones were part of the imagery of our ‘Folklore’ album, and once again I was writing what was literally happening in the location in which we found ourselves. I remember seeing my white chalk dust footprints upon the black of the car mats after we’d been walking around Avebury. I’m pleased that we both get to have this time with each other and ‘Common Ground’ is about finding out the things that we have in common with each other and deciding what we want to do in life together.” – David Longdon
— Read on mailchi.mp/dc6b181db799/big-big-train-announce-new-album-and-single-common-ground
Ten Imaginative Conservative Questions ~ The Imaginative Conservative
When Winston Elliott and I first started talking about what a proper online conservative journal might look like, way back in the spring and summer of 2010, we decided on a few things. Most importantly, we wanted real diversity of opinion, not the parroting of some ideological drudgeries. As such, we wanted all schools of non-ideological thought to be able to express their views, but we were most taken with the more traditionalist forms of conservatism—especially as represented by Irving Babbitt, Paul Elmer More, T.S. Eliot, Willa Cather, Russell Kirk, and Robert Nisbet. We also desired for there to be real conversation, and, thus, we hoped for longish, thoughtful essays. As The Imaginative Conservative developed, the idea of an imaginative conservatism became, appropriately enough, a school of questions—all of them difficult to answer with any quick summation or hasty thinking. In an attempt, however, to provide something of a catechetical summa, here are the ten most important questions that linger to varying degrees behind every essay published over the last eleven years.
— Read on theimaginativeconservative.org/2021/05/ten-imaginative-conservative-questions-bradley-birzer.html
10 Ancient Books That Influenced Stoicism ~ The Imaginative Conservative
“A book is a word spoken into creation. Its message goes out into the world. It cannot be taken back,” Michael O’Brien warned as well as assured in his magisterial novel, Sophia House. Just as each word is a reflection of The Word (Logos), so each book is a reflection of The Book. While Christians have come to have a sort of monopoly on The Word and its greatest meaning and exemplar, others—such as the Stoics—embraced the Logos as well. And, while Christians have also come to have a sort of monopoly on The Book, others—such as the Stoics—embraced a variety of works. Here are ten books written by non-Stoics that greatly influenced Stoicism.
At the beginning of Stoic philosophy stands the first great work of philosophy itself, Heraclitus’ Fragments. In them, Heraclitus recognized and embraced (or perhaps even truly created) the notion of the Logos, the thing common to all. “For this reason it is necessary to follow what is common,” he lamented. “But although the logos is common, most people live as if they had their own private understanding.” Further, he continued, “Those who speak with understanding must rely firmly on what is common to all as a city must rely on law, and much more firmly. For all human laws are nourished by one law, the divine law; for it has as much power as it wishes and is sufficient for all and is still left over.” These ideas form the basis of Stoicism.
— Read on theimaginativeconservative.org/2021/05/10-ancient-books-influenced-stoicism-bradley-birzer.html
robert E. Howard/Conan Sources

I’m thrilled to have my article, “The Dark Virtues of Robert E. Howard,” in the latest issue of MODERN AGE (Spring 2021). A huge thanks to Daniel McCarthy for inviting me to write this, and to Anthony Sacramone for editing it so perfectly. It’s a really excellent issue, despite my contribution!
If you’re interested, here are the sources I used (plus a few excellent articles by John J. Miller):
“Mother, Son to Be Buried.” Abilene (TX) Morning Reporter News, June 14 1936, 7.
“Death Ends Young Texas Writer’s Vigil,” Brownsville (TX) Herald, June 11, 1936, 8.
Busiek, Kurt. Conan the Barbarian. New York: Marvel, 2020.
Cassell, Dewey. “Conan the Syndicated Barbarian.” Backissue 121, no. 1 (September 2020): 40-46.
de Camp, Catherine Crook, and L. Sprague de Camp. Science Fiction Handbook, Revised. Philadelphia, PA: Owlswick, 1975.
de Camp, Catherine Crook, L. Sprague de Camp, and Jane Whittington Griffin. Dark Valley Destiny: The Life of Robert E. Howard, the Creator of Conan. New York: Bluejay Books, 1983.
Derie, Bobby. “Fragments from the Lost Letters of H.P. Lovecraft to Robert E. Howard.” Lovecraft Annual (2016): 199-204.
Dowd, Christopher. “The Irish-American Identities of Robert E. Howard and Conan the Barbarian.” New Hibernia Review 20, no. 2 (Summer 2016): 15-34.
Ellis, Novalyne Price. Day of the Stranger: Further Memories of Robert E. Howard. Edited by Rusty Burke. West Warick, RI: Necronomicon Press, 1989.
———. One Who Walked Alone, Robert E. Howard: The Final Years. Hampton Falls, NH: Donald M. Grant, 1996.
Finn, Mark. Blood and Thunder: The Life and Art of Robert E. Howard. Robert E. Howard Foundation Press, 2013.
Gruber, Frank. The Pulp Jungle. Los Angeles, CA: Sherbourne Press, 1967.
Howard, Robert E. The Horror Stories of Robert E. Howard. New York: Ballentine, 2008.
———. Robert E. Howard’s Conan the Cimmerian Barbarian. Corvalis, OR: Pulp-Lit Productions, 2017.
Howard, Robert E., and H.P. Lovecraft. A Means to Freedom: The Letters of H.P. Lovecraft and Robert E. Howard, 1930-1932. Edited by S.T. Joshi, David E. Schultz and Rusty Burke. New York: Hippocampus Press, 2017.
———. A Means to Freedom: The Letters of H.P. Lovecraft and Robert E. Howard, 1933-1936. Edited by S.T. Joshi, David E. Schultz and Rusty Burke. New York: Hippocampus Press, 2017.
Joshi, S.T. Sixty Years of Arkham House. Sauk City, WI: Arkham House, 1999.
King, Stephen. Danse Macabre. New York: Gallery Books, 2010.
Lord, Glenn. The Last Celt: A Bio-Bibliography of Robert Ervin Howard. West Kingston, RI: Donald M. Grant, 1976.
Lovecraft, H.P. “Robert Ervin Howard: A Memoriam.” In Skull-Face and Others, edited by August Derleth, xiii-xvi. Sauk City, WI: Arkham House, 1946. Reprint, Jersey, ENG: Neville Spearman, 1974.
———. “Letters to Farnsworth Wright.” Lovecraft Annual, no. 8 (2014): 5-59.
Lovecraft, H.P., and August Derleth. Essential Solitude: The Letters of H.P. Lovecraft and August Derleth: 1932-1937. Edited by S.T. Joshi and David E. Schultz. New York: Hippocampus Press, 2013.
———. Essential Solitude: The Letters of H.P. Lovecraft and August Derleth: 1926-1931. Edited by S.T. Joshi and David E. Schultz. New York: Hippocampus Press, 2013.
Lovecraft, H.P. and Divers Hands. Tales of the Cthulhu Mythos. Sauk City, WI: Arkham House, 1990.
Moskowitz, Sam. Seekers of Tomorrow: Masters of Modern Science Fiction. New York: Ballantine, 1967.
Price, E. Hoffman. “A Memory of R.E. Howard.” In Skull-Face and Others, edited by August Derleth, xvii-xxvi. Sauk City, WI: Arkham House, 1946. Reprint, Jersey, ENG: Neville Spearman, 1974.
Thompson, Steven. “Conan Goes to Adventure Town.” Backissue 121, no. 1 (September 2020): 3-14.
Vick, Todd B. Renegades and Rogues: The Life and Legacy of Robert E. Howard. Austin: University of Texas Press, 2021.
Battling Dragons With Joy And Hope ~ The Imaginative Conservative
Those of us who seek to preserve the Good, the True, and the Beautiful are aware, as the old saying goes, that “there be dragons” in the world who seek to destroy the invaluable inheritance that is Western Civilization.
Perhaps this has never been truer than it is today in our hyper-polarized world, where conservatives are now often branded “haters” and even “traitors” and “insurrectionists” by those who want to throw overboard the Permanent Things and build a progressive utopia.
— Read on theimaginativeconservative.org/2021/04/there-be-dragons-support-the-imaginative-conservative.html
Evership To Release Third Album

It’s been a long wait, but we can now rejoice: Evership (Shane Atkinson & Beau West) is set to release a new album, The Uncrowned King, Act I. If you haven’t heard their previous work, every self-respecting fan of melodic, intellectually stimulating prog rock owes it to him or herself to give them a listen.
From their latest newsletter is this teaser:
Album 3 is the first half of a Rock Opera adaptation of the 1910 book by Harold Bell Wright called The Uncrowned King. This story is an allegory in the style of The Pilgrim’s Progress but with a story arch of Twain’s Prince and the Pauper meets Dicken’s Christmas Carol.
A pilgrim on a search for Truth arrives at the Temple of Truth with questions about the journey. In answer, the Keeper of the Temple retires him to The Quiet Room, overlooking The Beautiful Sea, where he is visited by the The Four Voices of Life. Each Voice tells him a piece of a story entitled “The Uncrowned King”, to give answer to his questions.
Rich with imagery, Shane has adapted the story faithfully to a progressive rock format we believe our fans will enjoy. Broken into two releases, the story is an allegory on the nature of truth. It is a statement that real truth cannot be derived solely by the senses, but it is more transcendent and one must be courageous in its pursuit and consequence.
Sounds like a fascinating premise for a concept, and I can’t wait to hear it. You can preorder The Uncrowned King, Act I here.
Meanwhile, while you’re waiting, enjoy listening to “Ultima Thule” from their debut album:
Arjen Lucassen and Pete Pardo Interview
I’m rather proudly a huge fan of Arjen Lucassen (and have been for years and years and years), and Pete Pardo does an excellent job of interviewing him here. Lucassen is so earnest and so enthusiastic. A great combination for a musician. This interview is well worth watching.
GREAT ROMANTIC MOMENT

“Now from his breast into the eyes the ache
of longing mounted, and he wept at last,
his dear wife, clear and faithful, in his arms,
longed for as the sunwarmed earth is longed for by a swimmer
spent in rough water where his ship went down
under Poseidon’s blows, gale winds and tons of sea.
Few men can keep alive through a big serf
to crawl, clotted with brine, on kindly beaches
in joy, in joy, knowing the abyss behind:
and so she too rejoiced, her gaze upon her husband
,her white arms round him pressed as though forever.”
― Homer, The Odyssey
Rhiannon Giddens with Francesco Turrisi, “They’re Calling Me Home”
Rhiannon Giddens & Francesco Turrisi’s There Is No Other was one of my favorite albums of 2019. Reviewing it, I described it as
A sweep of traditions and times woven together . . . one of those albums that Duke Ellington might termed ‘beyond category,’ resonating with the core of our shared humanity.
Giddens and Turrisi’s breathtaking new effort They’re Calling Me Home does it again. Recorded in Ireland under lockdown conditions with limited guests, the duo spin shimmering sonic webs with viola, banjo, guitar, accordion and hand percussion, enlivening a brilliantly eclectic gamut of spirituals, folk songs, hymns, Baroque arias and striking originals.
And as always, Giddens’ incomparable voice compels your attention, tracing the commonalities of these variegated songs across the centuries — caressing Monteverdi’s “Si dolce e’l Tormento” and the Anglo-Appalachian “When I Was in My Prime,” testifying to a hope beyond reason on “I Shall Not Be Moved,” staring down mortality itself on a vehement, haunted version of “O Death:”
Separated from their extended families in North Carolina and Italy by the pandemic, Giddens and Turrisi have made, essentially, an album of laments; They’re Calling Me Home faces up to the spectres of separation (temporary and permanent) that continue to stalk our world. But strengthened by the confrontation, they — and we — come out the other side refreshed, able to rejoice in the life and love still there for us to find and cherish.
Buy They’re Calling Me Home at Nonesuch Records; listen to it below:
— Rick Krueger
10 Books Every Imaginative Conservative Should Read ~ The Imaginative Conservative
Dedicated to the British people in the midst of war, Christopher Dawson’s 1942 The Judgment of the Nations is everything a history book should be but rarely is. With lively prose and ceaselessly innovative ideas, Dawson considers the role of Providence in history and produces a twentieth-century version of St. Augustine’s City of God. Modern evils and totalitarianisms, he notes, are the results of the shallowness of liberalism and the wickedness of progressivism, each conspiring to make men nothing but cogs in a grinding machine.
— Read on theimaginativeconservative.org/2021/04/10-books-every-imaginative-conservative-should-read-bradley-birzer.html
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