A few posts back, I passed along the news that Evership was about to release a new album, The Uncrowned King. Well, it is now available, and it is the best work they have done.
The Uncrowned King is a concept album based on an allegorical story by Harold Bell Wright of the same title. It’s basically a very brief Pilgrim’s Progress, and since it’s in the public domain you can read it for free here. I highly recommend listeners take a few minutes to read through the story, because the album won’t make a lot of sense if you don’t. The story involves twin princes of a kingdom who take very different paths. In the end, they both learn that “The Crown is not the kingdom, nor is one King because he wears a Crown.”
Musically, The Uncrowned King is the most accomplished and adventurous achievement of Shane Atkinson and Beau West yet. Fans of melodic prog will love every song. There are hints of classic Boston, Styx, and Kansas throughout, while Atkinson’s unerring ear for a beautiful melody keeps Evership’s sound sui generis. Standout tracks are “The Tower” and the epic “Yettocome/Itmightbe”.
Beau West has been a phenomenal vocalist since the debut album, but his singing on The Uncrowned King is simply amazing. He is blessed with some awesome pipes, and Atkinson’s compositions give him plenty of space to wield them.
There have been several outstanding prog albums released in the past few months, and The Uncrowned King is definitely a contender for the best of 2021. Here’s the official video for the Overture:
It’s been a long wait, but we can now rejoice: Evership (Shane Atkinson & Beau West) is set to release a new album, The Uncrowned King, Act I. If you haven’t heard their previous work, every self-respecting fan of melodic, intellectually stimulating prog rock owes it to him or herself to give them a listen.
From their latest newsletter is this teaser:
Album 3 is the first half of a Rock Opera adaptation of the 1910 book by Harold Bell Wright called The Uncrowned King. This story is an allegory in the style of The Pilgrim’s Progress but with a story arch of Twain’s Prince and the Pauper meets Dicken’s Christmas Carol.
A pilgrim on a search for Truth arrives at the Temple of Truth with questions about the journey. In answer, the Keeper of the Temple retires him to The Quiet Room, overlooking The Beautiful Sea, where he is visited by the The Four Voices of Life. Each Voice tells him a piece of a story entitled “The Uncrowned King”, to give answer to his questions.
Rich with imagery, Shane has adapted the story faithfully to a progressive rock format we believe our fans will enjoy. Broken into two releases, the story is an allegory on the nature of truth. It is a statement that real truth cannot be derived solely by the senses, but it is more transcendent and one must be courageous in its pursuit and consequence.
Sounds like a fascinating premise for a concept, and I can’t wait to hear it. You can preorder The Uncrowned King, Act I here.
Meanwhile, while you’re waiting, enjoy listening to “Ultima Thule” from their debut album:
We’re getting close to the present day in our look back at the best music of the decade. 2018 was another bountiful year for prog fans, and, like 2017, it included a couple of surprise reunions along with some reappearing favorites.
We’ve chosen 15 albums to represent the excellence of 2018, so without further ado, here they are in alphabetical order.
Damanek’s second album is even better than their impressive debut. “Skyboat” sounds like a mid-70s Jethro Tull single, and the three-part “Big Eastern” is an epic telling of a family’s saga from their roots in China to their settling in America. Thanks to Damanek, I have become a big fan of Guy Manning.
Another sophomore effort that improves on an excellent debut. Evership II continues their championing of classic prog. Fans of Marillion and early Spock’s Beard will love this.
Gazpacho released one of their all-time finest albums in 2018 with Soyuz. Loosely based on the true story of a doomed Soviet Russian space mission, the music is uplifting, angry, and heroic.
There’s a reason a Glass Hammer album has been featured almost every year this decade: they have consistently produced great music! This entry to their catalog is a sequel to Chronometree, and it showcases their pop skills (think classic Todd Rundgren). “Fade Away”, the majestic finale, is one of their best.
Haken released a 2-CD/DVD set of a great performance in Amsterdam in 2018, where they play the entire Affinity album. Later in the year, they put out Vector, which made quite a few Best of 2018 lists. Haken are at the top of their game, with no sign of fading.
This was a nice surprise! Way back in 2005, John Mitchell (Arena, Frost*, Lonely Robot, It Bites), Pete Trewavas (Marillion), John Beck (It Bites), and Chris Maitland (Porcupine Tree) got together and recorded what many people thought was a one-off album. Lo and behold, they reunited in 2018 and released Radio Voltaire, which ended up being one of the best of the year. Like anything Mitchell is involved in, there are excellent tunes, superb guitar, and a dash of humor.
Tim Morse (no relation to Neal) quietly and carefully self-produces gems of albums every few years. Tim Morse III is a delight to listen to, and I hope he never stops creating music.
If you’ve worked your way through this series, you know that I like North Atlantic Oscillation – a lot. Grind Show doesn’t disappoint, as they continue to hone their unique sound that marries layered harmonies to synth-heavy music. Sort of like what would happen if Brian Wilson collaborated with Kraftwerk.
A fascinating set of songs from the Norwegian group Oak. I would classify it as chamber pop music. They even include “Clair de Lune” in one of their songs, but it doesn’t come off as pretentious. Highly recommended if you are looking for something pretty to listen to.
Wow. This is one of the best albums of the decade, let alone 2018. Vier means “four”, and the songs are divided into four groups: Guedra, The Golden Arc, Vibrational, and Anunnaki. The entire album is one long suite as various themes emerge, recede, and reappear. On their previous two albums, Perfect Beings incorporated some Beatlesque power pop into their music, but this is on another plane of music entirely.
Another surprise reunion. Maynard James Keenan’s side project A Perfect Circle released two incredible albums in 2000 and 2003, and a horrible one in 2004. It seemed like that was that, and they were done. Fourteen years later, they put out Eat The Elephant, which is excellent. Not as metal-oriented as their earlier music, but more subtle. Beautiful melodies and lyrics expressing barely controlled rage characterize this one.
Riverside survived the dreadful loss of Piotr Grudzinski, their guitarist, and released the very strong Wasteland in 2018. Set in a post-apocalyptic future, this album manages to be hopeful and uplifting.
RPWL started out as a Pink Floyd tribute band, which was obvious on their earlier Beyond Man and Time. On Tales From Outer Space, they just rock out and have a great time. I ended listening to this album almost more than anything else in 2018. “Not Our Place To Be” has a great hook that gets in your ear and won’t come out.
The second outing by this band from Down Under consists of four epics, and there isn’t a wasted note anywhere. These guys are going to be prog superstars very soon.
That completes our look back to 2018. Honorable mentions are Big Big Train’s live set Merchants of Light, Gunship’s Dark All Day, Pineapple Thief’s Dissolution, Tesseract’s Sonder, and Umphrey McGee’s It’s Not Us.
Welcome to Spirit of Cecilia’s retrospective of this decade’s musical highlights! This is the seventh chapter, which covers the best of 2016, and Hoo Boy! we had a bumper crop of great music that year. Here are 20(!) of the best prog and rock albums from 2016, in alphabetical order.
Big Big Train continued its decade-long conquest of progworld with Folklore. A big part of their appeal (aside from their wonderful musicianship and beautiful melodies) is their knack for finding forgotten heroes and paying musical tribute to them. In Folklore, we are treated to the fascinating story of the messenger pigeon, Winkie. “The Transit Of Venus Across The Sun” is another indispensable BBT track.
Blueneck hails from Britol, UK, and The Outpost was one of the standout albums of 2016. Shimmering, slow-building, atmospheric, and majestic music made this a compulsive listen for me. “From Beyond” is a tremendous track.
David Bowie had this album released posthumously. As always, he resists easy categorization. The nearly ten minute title track is full of skittery rhythms, disembodied jazz sax, and disturbing lyrics. A fitting final statement from one of the most talented and creative souls in music.
I did not hear about this group until recently, but I am glad I discovered them. Cyril is from Germany, and Marek Arnold and Manuel Schmid are members. Paralyzed is a fantastic prog album – one of the best of the last ten years. There are hints of classic Genesis in their sound, and I can’t recommend this album enough.
It looks like this is the final offering from the Devin Townsend Project, and what a way to finish! They revisit a DTP classic (“Truth”), and cover a Ween song (“Transdermal Celebration”). In between are some of the strongest songs Townsend has ever written. His vocals can make my hair stand on end, they are so, well, transcendent.
Evership is from my own city of Nashville, TN, but I would add this to our list regardless of their location. These guys write lyrical epics that are performed flawlessly. “Ultima Thule” is a near-perfect song, building slowly and quietly to a roaring conclusion. I can’t wait to hear more from this group.
How about a little fun? Jem Godfrey’s project Frost* released a terrific pop/prog collection in 2016 that I still listen to often. “Closer To The Sun” is one of the most enjoyable and reassuring seven and a half minutes in music.
Glass Hammer embraced their inner Rush and put together a challenging concept album based on the trauma suffered by a WWI veteran. Suzie Bogdanowicz never sounded better, the band rehearsed all the songs before recording, and it shows. They really fire on all cylinders.
Haken took a time machine back 30-odd years ago for Affinity. There all kinds of vintage synth sounds and nods to ’80s hair bands that make Affinity a hugely enjoyable record. Of course, they still have their 21st century wall of sound on great songs like “1985” and “The Architect”. This is one of Haken’s best albums, and it is scary how good they are.
The second album from Adam Wakeman’s and Damien Wilson’s project was a stunning set of songs. There are rough blues (“Polluted Alcohol”), straight ahead metal (“Kill You With Kindness”), and complex prog (“The Science Within Us”). “Secular Soul” is the kind of song that forces you to stop what you’re doing and just listen.
One of the biggest surprises of 2016 was the triumphant return of Kansas. This was no cashing in on nostalgia – this was a truly excellent album that successfully compares to their classics from the ’70s and ’80s. Welcome back, boys!
These guys started out as Synaesthesia, and morphed into Kyros. Whatever they call themselves, Adam Warne and Co. are some of the most talented songwriters and musicians working today. Vox Humana was a 2-disc concept album about a scientist who creates an artificial human, and the problems that ensue. Highly recommended.
The Similitude Of A Dream was the Neal Morse Band’s second album, and it was a monster. Over 2 hours long, it told the story of John Bunyan’s Pilgrim’s Progress. Upon its release, it was immediately hailed as a prog classic.
Opeth’s Sorderess topped a lot of critics’ Best of 2016 lists. With this album, Opeth laid to rest any remains of their death metal past, and jumped headlong into prog.
In 2016, Pineapple Thief released what I consider to be their finest album to date, Your Wilderness. Bruce Soord came up with a diverse and satisfying set of songs that really rocked (“Tear You Up”). Gavin Harrison plays drums, and he kicks them into high gear.
Radiohead rediscovered melody on A Moon Shaped Pool and came up with a beautiful album. String quartets, gentle synth washes, and massed voices combine for one of their finest hours.
Australia’s Sean Timms (keyboards) and Danny Lopresto (vocals, guitar) lead this marvelous new prog band. Their debut was one of the best albums of 2016, with “The Bridge That Binds” the standout track.
I listened to this album by Syd Arthur more than practically anything else in 2016. It is a funky, catchy set of songs that remind me a bit of Talking Heads. I dare you to sit still while listening to “No Peace”.
And finally, an offering from an old veteran: Vangelis. He can veer dangerously close to cheesy romanticism, but Rosetta is one of his best set of songs in his long career. He composed them to accompany the European Space Agency’s Rosetta spacecraft that successfully landed on a comet. It is appropriately spacey and atmospheric.
Whew! I hope this long post convinced you that 2016 was one of the best for great music. Let us know in the comments below what you enjoyed back then.