Tag Archives: Andrew Klavan

Werewolf Cop: Law Enforcement Meets The Supernatural

Andrew Klavan has become one of my favorite living authors, and his current Cameron Winter series is excellent. His standalone novel, Werewolf Cop, came out in 2015. When first heard that Klavan considers it one of his finest works, I thought, “Maybe so, but what a silly title”. Well, despite the cheesy title, it is a terrific mix of horror, suspense, and straightforward murder mystery.

It begins with a crime scene involving several bodies that have been gruesomely cut to pieces in the NYC apartment of a small-time fencer of stolen goods. Zach “Cowboy” Adams and his partner, Martin “Broadway Joe” Goulart, are part of a special investigative unit: The Task Force for Extraordinary Crimes. All signs from this carnage point to a shadowy German gangster, Dominic Abend, who has been on international law enforcement’s radar for years, but he has kept a low profile. Such a low profile that there are barely any photographs of him. However, he seems to be involved in every kind of criminal enterprise imaginable, and it appears he is moving in to take over NYC.

While going over the apartment, Zach discovers a secret storage space in which a terrified little boy is hiding. He is taken to the station and during questioning he says he overheard somebody demanding to know where the “stoomp bassard” was. The social worker talking to him assumes he heard “stupid bastard”, but Zach decides to do a little research on his own.

After digging into the internet, he finds a reference to “Stumpf’s Baselard” in a paper written by a German university Professor Gretchen Dankl. It explores the mystery of a missing 15th century dagger called the Baselard. The paper has disappeared from the internet, but Zach is able to contact Dankl via email. She sends him a copy of her paper, but she will not communicate anything useful electronically, so Zach convinces his supervisor to sign off on him flying to Germany to meet with Dankl face to face.

His trip to Germany is an almost surreal experience, where Zach is so jet lagged he thinks he’s hallucinating things. There are all kinds of riots happening across Europe, and the political order there seems to be collapsing. Professor Dankl is a wizened old woman who appears to be crazy. She tells Zach that Stumpf’s Baselard is a dagger that is imbued with the power to prolong life and cure any wound. It was used to execute a notorious murderer who was suspected of being a werewolf in the 15th century, and after reappearing a few times in European history, seems to have disappeared. Dankl then shows Zach a photograph of a group of Nazi officers from WWII, and one of them bears a remarkable resemblance to Dominic Abend.

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Andrew Klavan’s The Kingdom of Cain: Beauty from Darkness

Andrew Klavan is one of the most intelligent and thought-provoking cultural critics working today. It doesn’t hurt that he’s also an excellent mystery writer. His Cameron Winter series of novels has given me hours of great enjoyment, and he’s just getting started with it.

Besides mysteries, Klavan also writes nonfiction, including the bestselling The Truth and Beauty, where he discusses how nineteenth century romantic poetry reflects eternal Truths. His latest book, The Kingdom of Cain, is subtitled Finding God in the Literature of Darkness, and he isn’t kidding when he says Literature of Darkness! He focuses on three horrific and infamous crimes, and then he describes how each one led to extraordinarily beautiful and inspirational works of art. So how can the terrible crime of murder lead to great art? As he puts it in the Introduction,

The opposite of murder is creation – creation, which is the telos of love. And because art, true art, is an act of creation, it always transforms its subject into itself, even if the subject is murder. An act of darkness is not the same thing as a work of art about an act of darkness. The murders in Shakespeare’s Macbeth are horrific, but they are a beautiful part of the play. (p. 17)

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Andrew Klavan’s A Woman Underground – Cameron Winter battles his demons

Woman Underground

Andrew Klavan is one of my favorite writers and thinkers. He has written many mysteries, thrillers, and some very good nonfiction, as well as producing a weekly podcast on politics and culture. A Woman Underground is the fourth book in his Cameron Winter series, which just gets better and better with each installment.

Winter is a wonderfully deep and complex character – a professor of Romantic literature at a small midwestern college, he was an especially deadly counterintelligence assassin for some very dark and secret missions earlier in his life. Every novel in the series has flashbacks to Winter’s career as a deadly assassin, as he relates them to his therapist – a kindly, older woman who is very much attracted to him. Winter is incapable of maintaining any kind of relationship, because his parents, wealthy New Yorkers, had neither the time nor the inclination to care for him.

His nanny was a refugee from East Germany, and he never got over his childhood crush of her niece, Charlotte Shaefer. His unrequited love has served as an excuse to avoid any intimacy in his adult life. He is a deeply troubled man with a code of honor he tries to live by, even though he is not at all religious. Think of a Raymond Chandler character dropped into the 21st century.

A Woman Underground begins with Part 1: The Scent of Something Gone, Winter realizes that Charlotte may be trying to get in touch with him. One evening he comes home to his apartment and smells the lingering scent of her perfume in the hall. The next morning, he studies the building’s security video, and he sees a bundled up woman carrying a book. The book turns out to be a novel that is popular with right-wing extremists, and it features a heroine who is too similar to Charlotte to be a coincidence. Winter quickly tracks down the author. To avoid any spoilers, I won’t reveal any more details!

Klavan does a masterful job of balancing four(!) separate stories while keeping the reader glued to the page. First, there is the main plotline of Winter tracking down Charlotte. Then, there is a plotline involving an old mission Winter was assigned to bring back an agent who had disappeared in Turkey. When Winter is in therapy, he keeps returning to this story, even though his therapist knows he’s doing it to avoid facing what’s really causing his psychological distress. Third, there’s the plotline of the novel Charlotte was carrying when she tried to see Winter. In it, a small group of right-wingers try to decide what to do during the riots that caused so unrest and destruction in the summer of 2020. Cameron is reading this novel to try to pick up clues as to where Charlotte might be. The fourth subplot is some sexual shenanigans Winter’s colleague at the college gets himself into. Believe it or not, all four of these stories slowly come together into one.

A Woman Underground is a pivotal chapter in Cameron Winter’s development. Several things that had stunted his emotional and psychological maturity are dealt with and resolved. The path to that resolution, however, is a harrowing one. As Klavan describes him, he spends most of the book on the verge of a nervous breakdown. It is only through his therapist’s insightful and compassionate work that he is able to come out whole. By the end, it’s clear that Winter has emerged battered, but stronger and more resilient. I can’t wait to see what Andrew Klavan has in store for him. Bubbling under the surface of the various subplots is a potential global conspiracy that involves extremely powerful Americans who have been compromised. It’s enough to turn the most level-headed person into a paranoid lunatic, and the people Winter can completely trust are down to very few. Things are getting very interesting in Cameron Winter’s life!