Tag Archives: The Dear Hunter

Those Awkward Teenage Years – The 2010’s, pt. 6: 2015

We’re midway through the decade – thanks for joining us on our journey through the musical highlights of the 2010s!

In terms of music distribution, compact disc sales continued their steep decline. In 2000, 943 million CDs were sold. By 2015, that number had dropped to a little over 100 million. iTunes (and mp3s in general) was fading fast as Spotify, Amazon Music, and Apple Music attracted listeners to their streaming platforms. What these trends mean for artists remains to be seen. As it gets harder to earn income from recorded music, will that discourage new artists from getting started?

On the other hand – stepping back and taking a longer view of history – perhaps we’ll look at the 20th century as an aberration in terms of the financial rewards many recording artists were able to garner. For most of recorded history, musicians and composers have  had to struggle to survive, and even the the most gifted relied on wealthy patrons.

Fortunately for us in the 21st century, there is no shortage of great artists producing fine music, and 2015 was a good example. So here are the highlights of that year, in alphabetical order.

The Dear Hunter: Act IV: Rebirth In Reprise

Casey Crescenzo has released five of his planned six acts. Act IV: Rebirth In Reprise is my favorite so far. As usual, there is everything but the kitchen sink here. “A Night On The Town” is the key track as it swings like a Gershwin composition before an exhilarating rock motif takes over.

Gazpacho: Molok & NIght Of The Demon

Another year, and not one, but two Gazpacho releases. Molok is another dark concept album about the ancient demon utilizing modern technology for his nefarious purposes (I think). The fact that Molok has some of the prettiest music Gazpacho has ever made makes the concept go down easy. Night Of The Demon is a live set where the band really cooks. It’s a perfect introduction to them, if you’re curious.

Glass Hammer: THe Breaking Of The World & Double Live

Another year, and not one, but two Glass Hammer releases. The Breaking Of The World is another peak for them (how do they keep doing that?) with essential songs “Mythopoiea”, “North Wind”, and “Nothing, Everything”.  Double Live is a terrific no-frills live performance. Susie Bogdanowicz and Carl Groves are excellent singing classics like “The Knight Of The North” and “If The Stars”, while the band rocks tighter than a tick.

I Am The Manic Whale: Everything Beautiful In Time

A new band from Reading, England, I Am The Manic Whale sprang fully formed from the brain of Michael Whiteman (the band name is an anagram of his). This is an impressive debut with songs celebrating subjects ranging from 10,000 year clocks to the joys of parenting messy toddlers. “Princess Strange” is an inspiring take on cyberbullying.  A true delight to listen to, and worthy of a large audience.

Karnatake: Secrets of Angels

Veteran proggers Karnataka enlisted new singer Hayley Griffiths for Secrets Of Angels, and she really lit a fire under them. Opening track “Road To Cairo” has a killer middle eastern riff that is as satisfying as Led Zep’s “Kashmir”. The title track is also excellent.

Dave Kerzner: New World

The keyboardist and composer from Sound Of Contact struck out on his own and produced this wonderful Floydian sci-fi epic. Put it on, and imagine you are back in 1977, hearing a fantastic new prog masterpiece.

 

Lonely Robot: Please Come Home

John Mitchell’s (Arena, Frost*, It Bites) first album in a trilogy about an astronaut lost in space. One of the best albums of the decade, Lonely Robot features John’s excellent vocals and stellar guitar work. Every song is memorable, but “Oubliette” and “Are We Copies?” are standouts.

Neal Morse Band: The Grand Experiment

The first album from The Neal Morse Band is one of the best of the decade. First, it is NOT a Morse solo record – this is a band effort with all members contributing to the songwriting. Second, Neal found a young multi-instrumentalist in Eric Gillette who is simply phenomenal and spurs everyone to new heights. “Alive Again” may just be the finest epic Neal has been involved in.

Riverside: Love, Fear, and the Time Machine

This was my favorite album of 2015, and I still listen to it fairly often.  Riverside pulled together their metal and hard rock roots with Mariusz Duda’s gentler Lunatic Soul excursions, and came up with a winning mix. Add in some nods to ’80s new wave, and this is a very fine record.

Rush: R40

A document of Rush’s 40th anniversary tour, where they played songs from every phase of their long career. The stage set began filled to the brim with props and effects, and they gradually shed them as they worked their way back to the first shows they played in a high school auditorium.

Subsignal: The Beacons Of Somewhere

Subsignal’s The Beacons Of Somewhere was a highlight of 2015. Straight-ahead prog rock with awesome melodies. “Everything Is Lost” is an excellent song, as is the multi-part title track. Every time I listen to this marvelous album, I hear new details that delight.

Tesseract: Polaris

Tesseract toned down the more extreme metal aspects of their music for Polaris, and that made a huge difference. Daniel Tompkins has always been a terrific vocalist, but on this album he really shines.  “Dystopia” soars, and “Tourniquet” is a gorgeous cacophony of sound. “Phoenix” makes me want to drive 100 mph. A great album that earned Tesseract a well-deserved wider audience.

Steven Wilson: Hand.Cannot.Erase

Steven Wilson’s Hand.Cannot.Erase caused the biggest stir in progworld in 2015. It was his breakthrough album, catapulting him into the mainstream, and deservedly so. That said, the subject is so emotionally harrowing (the true story of a young woman who died alone in her apartment, and wasn’t discovered for three years) that I have a hard time enjoying it.

Yes; Progeny

A box set that contains recordings of seven concerts from 1972. Yes was touring in support of Close To The Edge, and this is a fascinating document of a young and hungry band at the peak of their powers. Yes, the setlist stays constant, but it is fun to hear how their performances evolved over a short period of time, and how they dealt with onstage setbacks, like a local FM radio station taking over their PA system!

Once again, I easily could have doubled the length of this post. I left off excellent albums by Bruce Soord, Downes Braide Association, Echlyn, Izz, and Perfect Beings, among others. Let us know what your Best of 2015 list is in the comments!

Those Awkward Teenage Years – The 2010’s, pt. 2: 2011

In our continuing series of posts celebrating the music of the 2010’s, here is Chapter 2: 2011.

2011 was a relatively quiet year music- and prog-wise. I’ve chosen to highlight ten albums that have survived the test of time, and one or two might surprise. Once again, they are listed in alphabetical order.

Blackfield: Welcome To My DNA

A Steven Wilson side project with Aviv Geffen, Welcome To My DNA is their third release. This was a very nice, radio-friendly collection of songs (with one terrible misstep: Geffen’s “Go To Hell”).  With the benefit of hindsight, one can see the influence this project had on Wilson’s excellent To The Bone years later.

The Dear Hunter: The Color Spectrum

Casey Crescenzo took a break from his six-act arc of albums (still in progress, BTW) to record this nine EP collection of songs inspired by the color spectrum. It begins with black, and works through the rainbow to end at white. It sounds insufferably pretentious, but it works. Dear Hunter manages to master every conceivable style of rock, from hard-core industrial (black) to pleasant folk (yellow). If you missed this set, check it out. It is an amazing achievement.

Duran Duran: All You Need Is Now

Duran Duran were always far more than ’80s pinup boys. Simon LeBon is a fine lyricist, and their melodies stand the test of time. All You Need Is Now is a surprisingly strong album, where they come close to the peaks they reached in their heyday, after spending years wandering in the wilderness.

Glass Hammer: Cor Cordium

The second Glass Hammer album to feature vocalist Jon Davison, and it builds on the strengths of 2010’s If. Every track is a winner, with “To Someone” a particular highlight. Once again, the cover art is a hoot.

Neal Morse: Testimony 2

Neal Morse continued chronicling his conversion to Christianity, focusing this time on a miraculous healing of his infant daughter. As expected with Morse, the music is excellent as endlessly satisfying melodies pour forth. The bonus disc contains three of his finest compositions: “Absolute Beginners”, “Supernatural”, and the 26-minute epic “Seeds Of Gold”.

Radiohead: King Of Limbs

Radiohead releases are few and far between, so when King Of Limbs showed up in 2011, it caused a stir. The first five tracks are dominated by relentless rhythm – maybe they’d been listening a lot to Philip Glass and Steve Reich? Anyway, it isn’t until “Codex” that a real melody shows up. “Give Up The Ghost” and “Separator” close things out on a relatively gentle note.

Rush: Time Machine

A DVD/CD set that documented Rush’s performance in Cleveland. Rush has released a lot of concert videos, and this is one of their best. They weren’t touring in support of a specific album, so they cover songs from every phase of their long career, and even preview a couple from the not-yet-released Clockwork Angels.

Sanguine Hum: Diving Bell

When I first heard this group, I was very excited. They managed to meld Devo-like rhythms to XTC-worthy tunes while creating a sound all their own. This was the strongest debut album of 2011, and is still a joy to listen to.

Steven Wilson: Grace For Drowning

Steven Wilson’s second solo album, and it put to rest any hopes of Porcupine Tree working together again. This was an ambitious two-disc set that ran a gamut of styles. Wilson is an inspired composer of seductive melodies (“Deform To Form A Star”), and he isn’t afraid to wear his influences on his sleeve, i.e. late-’60s Beach Boys or King Crimson. Like a lot of double albums, it might have been stronger as a single disc.

Yes: Fly From Here

Just when you think you’ll never hear anything new worth hearing from Yes, they surprise you with a strong album like Fly From Here. This one featured vocalist Benoit David, from the Canadian group Mystery, and it included Trevor Horn and Geoff Downes from Drama days. One of their best late-career efforts.

And that wraps up our musical look back to 2011. Not the most productive year with regard to prog, but just wait until 2012 – the floodgates are about to open!