Tag Archives: Starbridge Series

Susan Howatch’s Absolute Truths: Book 6 of Starbridge

Susan Howatch’s Absolute Truths is the sixth and final novel in her Starbridge Series. This is the second time I have read the series, and it has been an very rewarding experience; I have noticed so many details and internal references that I missed the first time around.

In a nice nod to symmetry, Howatch concludes the series with the same narrator who began it: Charles Ashworth. It is 1965, and he is now bishop of Starbridge, happily (ecstatically, actually) married to Lyle, who keeps his life ordered and on track, down to the smallest details. They have two adult sons, Michael and Charley. In terms of theology, Ashworth is a traditionalist who sees his calling as defending the Church’s “absolute truths” against the cultural onslaughts of the 1960s.

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Ultimate Prizes: The Third Book of Starbridge

I’m rereading Susan Howatch’s Starbridge Series, and I am noticing all kinds of details and themes I missed the first time around. The series chronicles three Church of England clerics: Charles Ashworth, the traditionalist theologian with a privileged background; Jonathan Darrow, the pious monk with incredible psychic gifts but potentially dangerous pride; and Neville Aysgarth, the Starbridge Archdeacon from Yorkshire who is a Modernist that dislikes any whiff of “Popery”.

The first book, Glittering Images, was narrated by Ashworth, and we soon learn that he is not the perfect man he appears to be. He suffers a breakdown, and through the effective counseling of Darrow, is able to emerge whole. Book two, Glamorous Powers, is narrated by Darrow, and he is shown to be extremely complicated. He also suffers a breakdown, and is healed by the empathetic counseling of his college rival, Francis Ingram. Near the end, Darrow butts heads with Neville Aysgarth, and it’s clear there is an immediate antipathy between them.

In the third book, Ultimate Prizes, Aysgarth is the narrator, and we see Jon Darrow from his perspective. But before Darrow enters the scene, we learn how Aysgarth is a young, ambitious Archdeacon with a gift for administration. It is set in 1942, and he is married to the perfect wife, Grace. They have five children – four sons and a daughter. The fifth child, Alexander, was a surprise, and Grace is exhausted taking care of him and their toddlers. She is unable to attend the social functions Aysgarth needs to “get on” in his career.

At one significant social event, a dinner with the bishop, Aysgarth meets a young socialite, Dido Tallent, and he is swept off his feet. He knows that to commit adultery is career suicide for a clergyman, so he resists his desire, but poor Grace soon realizes that something is wrong. Meanwhile, another character from Glittering Images shows up, the wily old Alex Jardine, who resigned his bishopric suddenly. He has mentored Aysgarth and assisted in his swift rise through the Church hierarchy, and he warns him to avoid all contact with Dido. Aysgarth takes strong offense to this advice and agrees to her request that he be her spiritual advisor.

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