Tag Archives: Radiohead

Those Awkward Teenage Years – The 2010’s, pt. 7: 2016

Welcome to Spirit of Cecilia’s retrospective of this decade’s musical highlights! This is the seventh chapter, which covers the best of 2016, and Hoo Boy! we had a bumper crop of great music that year. Here are 20(!) of the best prog and rock albums from 2016, in alphabetical order.

Big Big Train: Folklore

Big Big Train continued its decade-long conquest of progworld with Folklore. A big part of their appeal (aside from their wonderful musicianship and beautiful melodies) is their knack for finding forgotten heroes and paying musical tribute to them. In Folklore, we are treated to the fascinating story of the messenger pigeon, Winkie. “The Transit Of Venus Across The Sun” is another indispensable BBT track.

Blueneck: The Outpost

Blueneck hails from Britol, UK, and The Outpost was one of the standout albums of 2016. Shimmering, slow-building, atmospheric, and majestic music made this a compulsive listen for me. “From Beyond” is a tremendous track.

David Bowie: Black Star

David Bowie had this album released posthumously. As always, he resists easy categorization. The nearly ten minute title track is full of skittery rhythms, disembodied jazz sax, and disturbing lyrics. A fitting final statement from one of the most talented and creative souls in music.

 

Cyril: Paralyzed

I did not hear about this group until recently, but I am glad I discovered them. Cyril is from Germany, and Marek Arnold and Manuel Schmid are members. Paralyzed is a fantastic prog album – one of the best of the last ten years. There are hints of classic Genesis in their sound, and I can’t recommend this album enough.

Devin Townsend Project: Transcendence

It looks like this is the final offering from the Devin Townsend Project, and what a way to finish! They revisit a DTP classic (“Truth”), and cover a Ween song (“Transdermal Celebration”). In between are some of the strongest songs Townsend has ever written. His vocals can make my hair stand on end, they are so, well, transcendent.

Evership

Evership is from my own city of Nashville, TN, but I would add this to our list regardless of their location. These guys write lyrical epics that are performed flawlessly. “Ultima Thule” is a near-perfect song, building slowly and quietly to a roaring conclusion. I can’t wait to hear more from this group.

Frost: Falling Satellites

How about a little fun? Jem Godfrey’s project Frost* released a terrific pop/prog collection in 2016 that I still listen to often. “Closer To The Sun” is one of the most enjoyable and reassuring seven and a half minutes in music.

Glass Hammer: Valkyrie

Glass Hammer embraced their inner Rush and put together a challenging concept album based on the trauma suffered by a WWI veteran. Suzie Bogdanowicz never sounded better, the band rehearsed all the songs before recording, and it shows. They really fire on all cylinders.

Haken: Affinity

Haken took a time machine back 30-odd years ago for Affinity. There all kinds of vintage synth sounds and nods to ’80s hair bands that make Affinity a hugely enjoyable record. Of course, they still have their 21st century wall of sound on great songs like “1985” and “The Architect”. This is one of Haken’s best albums, and it is scary how good they are.

Headspace: All That You Fear Is Gone

The second album from Adam Wakeman’s and Damien Wilson’s project was a stunning set of songs. There are rough blues (“Polluted Alcohol”), straight ahead metal (“Kill You With Kindness”), and complex prog (“The Science Within Us”). “Secular Soul” is the kind of song that forces you to stop what you’re doing and just listen.

iamthemorning: Lighthouse

A beautiful and sensitive portrayal of a young woman’s battle with mental illness, Lighthouse was iamthemorning’s second album. In my original review, I noted, “Imagine, if you will, a world where Aerial-era Kate Bush, Dumbarton Oaks-era Igor Stravinsky, and Sketches of Spain-era Miles Davis got together to compose a song cycle.”

Kansas: The Prelude Implicit

One of the biggest surprises of 2016 was the triumphant return of Kansas. This was no cashing in on nostalgia – this was a truly excellent album that successfully compares to their classics from the ’70s and ’80s. Welcome back, boys!

Kyros: Vox Humana

These guys started out as Synaesthesia, and morphed into Kyros. Whatever they call themselves, Adam Warne and Co. are some of the most talented songwriters and musicians working today. Vox Humana was a 2-disc concept album about a scientist who creates an artificial human, and the problems that ensue. Highly recommended.

Neal Morse Band: Similitude Of A Dream

The Similitude Of A Dream was the Neal Morse Band’s second album, and it was a monster. Over 2 hours long, it told the story of John Bunyan’s Pilgrim’s Progress. Upon its release, it was immediately hailed as a prog classic.

Opeth: Sorceress

Opeth’s Sorderess topped a lot of critics’ Best of 2016 lists. With this album, Opeth laid to rest any remains of their death metal past, and jumped headlong into prog.

Pineapple Thief: Your Wilderness

In 2016, Pineapple Thief released what I consider to be their finest album to date, Your Wilderness. Bruce Soord came up with a diverse and satisfying set of songs that really rocked (“Tear You Up”). Gavin Harrison plays drums, and he kicks them into high gear.

Radiohead: A Moon-Shaped Pool

Radiohead rediscovered melody on A Moon Shaped Pool and came up with a beautiful album. String quartets, gentle synth washes, and massed voices combine for one of their finest hours.

Southern Empire

Australia’s Sean Timms (keyboards) and Danny Lopresto (vocals, guitar) lead this marvelous new prog band. Their debut was one of the best albums of 2016, with “The Bridge That Binds” the standout track.

Syd Arthur: Apricity

I listened to this album by Syd Arthur more than practically anything else in 2016. It is a funky, catchy set of songs that remind me a bit of Talking Heads. I dare you to sit still while listening to “No Peace”.

Vangelis: Rosetta

And finally, an offering from an old veteran: Vangelis. He can veer dangerously close to cheesy romanticism, but Rosetta is one of his best set of songs in his long career. He composed them to accompany the European Space Agency’s Rosetta spacecraft that successfully landed on a comet. It is appropriately spacey and atmospheric.

Whew! I hope this long post convinced you that 2016 was one of the best for great music. Let us know in the comments below what you enjoyed back then.

Those Awkward Teenage Years – The 2010’s, pt. 2: 2011

In our continuing series of posts celebrating the music of the 2010’s, here is Chapter 2: 2011.

2011 was a relatively quiet year music- and prog-wise. I’ve chosen to highlight ten albums that have survived the test of time, and one or two might surprise. Once again, they are listed in alphabetical order.

Blackfield: Welcome To My DNA

A Steven Wilson side project with Aviv Geffen, Welcome To My DNA is their third release. This was a very nice, radio-friendly collection of songs (with one terrible misstep: Geffen’s “Go To Hell”).  With the benefit of hindsight, one can see the influence this project had on Wilson’s excellent To The Bone years later.

The Dear Hunter: The Color Spectrum

Casey Crescenzo took a break from his six-act arc of albums (still in progress, BTW) to record this nine EP collection of songs inspired by the color spectrum. It begins with black, and works through the rainbow to end at white. It sounds insufferably pretentious, but it works. Dear Hunter manages to master every conceivable style of rock, from hard-core industrial (black) to pleasant folk (yellow). If you missed this set, check it out. It is an amazing achievement.

Duran Duran: All You Need Is Now

Duran Duran were always far more than ’80s pinup boys. Simon LeBon is a fine lyricist, and their melodies stand the test of time. All You Need Is Now is a surprisingly strong album, where they come close to the peaks they reached in their heyday, after spending years wandering in the wilderness.

Glass Hammer: Cor Cordium

The second Glass Hammer album to feature vocalist Jon Davison, and it builds on the strengths of 2010’s If. Every track is a winner, with “To Someone” a particular highlight. Once again, the cover art is a hoot.

Neal Morse: Testimony 2

Neal Morse continued chronicling his conversion to Christianity, focusing this time on a miraculous healing of his infant daughter. As expected with Morse, the music is excellent as endlessly satisfying melodies pour forth. The bonus disc contains three of his finest compositions: “Absolute Beginners”, “Supernatural”, and the 26-minute epic “Seeds Of Gold”.

Radiohead: King Of Limbs

Radiohead releases are few and far between, so when King Of Limbs showed up in 2011, it caused a stir. The first five tracks are dominated by relentless rhythm – maybe they’d been listening a lot to Philip Glass and Steve Reich? Anyway, it isn’t until “Codex” that a real melody shows up. “Give Up The Ghost” and “Separator” close things out on a relatively gentle note.

Rush: Time Machine

A DVD/CD set that documented Rush’s performance in Cleveland. Rush has released a lot of concert videos, and this is one of their best. They weren’t touring in support of a specific album, so they cover songs from every phase of their long career, and even preview a couple from the not-yet-released Clockwork Angels.

Sanguine Hum: Diving Bell

When I first heard this group, I was very excited. They managed to meld Devo-like rhythms to XTC-worthy tunes while creating a sound all their own. This was the strongest debut album of 2011, and is still a joy to listen to.

Steven Wilson: Grace For Drowning

Steven Wilson’s second solo album, and it put to rest any hopes of Porcupine Tree working together again. This was an ambitious two-disc set that ran a gamut of styles. Wilson is an inspired composer of seductive melodies (“Deform To Form A Star”), and he isn’t afraid to wear his influences on his sleeve, i.e. late-’60s Beach Boys or King Crimson. Like a lot of double albums, it might have been stronger as a single disc.

Yes: Fly From Here

Just when you think you’ll never hear anything new worth hearing from Yes, they surprise you with a strong album like Fly From Here. This one featured vocalist Benoit David, from the Canadian group Mystery, and it included Trevor Horn and Geoff Downes from Drama days. One of their best late-career efforts.

And that wraps up our musical look back to 2011. Not the most productive year with regard to prog, but just wait until 2012 – the floodgates are about to open!