Tag Archives: Brad Birzer

The Bardic Depths: Some Things Are Worth Remembering

Some Things Are Worth Remembering  is the fourth album from The Bardic Depths. Dave Bandana once again takes the reins, with lead vocals, bass, keyboards, and overall production, while Gareth Cole returns on acoustic and electric guitar, Tim Gehrt handles drums and percussion, and Peter Jones sings and plays sax and keyboards. The ever-clever and polyhistoric Brad Birzer supplies most of the lyrics, which, as the album’s title suggests, are full of reminiscences, longing, and nostalgia.

I’ve listened to Some Things Are Worth Remembering several times now, and my overall impression of the album is one of mellowness. There is a gentle vibe to most of the songs that wouldn’t be out of place on a early-to-mid-70s rock album. Given that I pretty much came of age in the 70s, I find Some Things Are Worth Remembering a most pleasant and entertaining listening experience.

The opening track, “Islands”, is, according to the notes provided by Mr. Bandana, Brad Birzer’s tribute to the classic Big Big Train song, “The Underfall Yard”. In that track, BBT expressed their admiration for the Victorian engineers who surveyed and constructed the railways that crisscrossed the UK. BBT sang how those engineers “using available light, they could see far”.  Birzer’s lyrics are a worthy tribute to the spirit of “The Underfall Yard”, as he writes, 

The song that longs to linger in our souls

Long after we’ve heard the last notes

A memory so pure so delicate

The song that cries to the skies

The song that hovers over that moment

Away from eternity

The music of “Islands” has a nice jazzy feel, thanks to the excellent saxophone work of Peter Jones. 

Next up is the very melodic “Fallen Leaves”, featuring beautiful wordless vocal harmonies that conjure memories of CSNY and The Beach Boys. 

Things get a little funky on the third track, “Arribabok”. Birzer’s lyrics explore how language is like a living thing, always evolving and mutating. I really like Bandana’s bassline on this song, and Cole’s sinuous electric guitar solo. The arrangement reminds me a bit of classic Peter Gabriel – shades of “Secret World”.

Side One closes with my favorite track, “October Sun”, which is Birzer’s ode to Michigan autumns. Maybe because autumn is my favorite season, this song really speaks to me with its evocation of “greens and reds and yellows and browns”. There is more to the song than mere colors, however:

The veil between this world and the next

Is ever so thin

It’s always twilight here

October holds its breath

In the dusk of it all

And on the verge of death

October sun shines through

I may be reading too much into these lyrics, but they remind me of Ray Bradbury’s memoir of small town America, Dandelion Wine, where natural beauty coexists uneasily with darker undercurrents. The music for “October Sun” is outstanding as well, with the final half consisting of an instrumental workout. Peter Jones’ sax and Gareth Cole’s guitar play a game of tag in the October sun!

Side Two opens with Peter Jones’ composition, “From Empty Trees”. He plays keyboards on this one, and it brings to minds Barleycorn-era Traffic. It’s a very fun track with a lot of drive.

The next song, “A View”, is, according to Bandana,  “about a man in space who awakes after his craft has been attacked and after finding out he is the only one left on board sees the Earth below in a totally different light.” Appropriately enough, the melody captures the longing and homesickness of that astronaut perfectly. 

“Harder to See” is the portrait of a man who is not the most likeable person. Bandana wrote the lyrics on this one, and he describes someone who is trying to find himself:

You make it I’ll break it you bake it I’ll take it

You grow it I’ll blow it you know it I’ll throw it

It’s not easy to please me it’s harder to see me

I like you can’t find me no ties to confine me

I need to get me a plan find out if I really can

I need to see where I am… see where I am as a man

Some Things Are Worth Remembering  closes with “Rewind”, which is Bandana’s recounting of attending a 1975 Genesis concert in London. Once again, there is a sense of longing for something that can never be recaptured.

I wish I could easily rewind my brain

All of the sights and the smells of old London Town

Sit and wait for the lights to die down

Music and drama and spells before our eyes

Stories of strange folk behind a disguise

I was there but I can’t remember now

Cole’s acoustic guitar work is outstanding, cleverly bringing to mind Steve Hackett from A Trick of the Tail-era Genesis. Cole also provides a muscular electric guitar solo that provides an intro to a beautiful vocal interlude. And when you think the song is over, we are given a wonderful pastoral coda that lasts almost five minutes. 

All in all, Some Things Are Worth Remembering is a fine addition to The Bardic Depths’ discography. I especially enjoyed Peter Jones’ saxophone work throughout, and Tim Gehrt’s work on drums and percussion is excellent. As I stated at the beginning of this review, this album is mellow – it’s a genuinely pleasurable listening experience that is perfect for a lazy Sunday afternoon (in October!). Even though there isn’t an explicit concept – such as the Inklings in their previous album, What We Really Like In Stories – a common thread of nostalgia and longing runs throughout all the songs. 

Finally, I noticed that the back cover has a disclaimer stating that, “No AI was used in the making of this album”. It’s a shame artists have to make that clear, but these are the time we live in. I hope Bandana, Cole, Jones, Gehrt, and Birzer continue to produce authentic music far into the future.

You can preorder Some Things Are Worth Remembering here.

 

 

The Bardic Depths’ “Promises of Hope” Is a Triumph

cover

The Bardic Depths, a musical project begun by musician Dave Bandana and lyricist Brad Birzer (who also founded this blog!) have just released their second album, Promises of Hope.

Rock artists fear succumbing to the dreaded “sophomore slump”, but Bandana et al. need have no worries on that front. Promises of Hope shows tremendous growth from their eponymous debut album, which was an all-around delight itself. (Reviewed on Spirit of Cecilia here.) There is now a stable core of musicians involved: Bandana on vocals, guitars, keyboards; Gareth Cole on guitars, Peter Jones on vocals, sax, penny whistle, and Tim Gehrt on drums.

Like their debut, Promises of Hope is a concept album, this time relating a tale of divine intervention in an attempted suicide in a fantasy realm. Sounds heavy, I know, but this is some of the most life-affirming music I’ve ever heard. The opening song, And She Appeared, is roaring rocker that is reminiscent of classic ’70s Rush. Cole’s lead guitar trades wonderful solos with Richard Krueger’s galloping organ. It’s an exhilarating way to begin an album. Lyrically, it introduces the main character, a woman who is

“Halo’d wrapped in white
Radiant wrapped in white
Innocence made real
Beauty made manifest”

However, there is something tragic in the offing, because she brings “promises of hope, but never of victory.”

Regal Pride, the next song, features lead vocals by Peter Jones, as well as his excellent saxophone flourishes. Our heroine has been betrayed by a man of mystery, and the melody is suitably somber.

Track three, Consumed, is the best of the album. It features a stunning classical guitar intro by Kevin McCormick, and soon shifts into a beautiful British-folk melody that sounds timeless. Jones’ penny whistle and Donny O”Connell’s spritely violin add Celtic atmosphere while Cole pulls off two more excellent electric guitar solos. The heroine has lost hope, and she is consumed by a fire.

Next up is The Burning Flame, which has a very spacey intro that calls to mind Wish You Were Here-era Pink Floyd. McCormick contributes another excellent guitar solo, this time on electric, while Paolo Limoli provides wonderful piano and Fender Rhodes accompaniment. Jones takes lead vocals here, and they have a definite bluesy edge. This entire track is a gorgeous, slow burn (pun intended!) of song that I wish lasted far longer than six minutes. Fortunately, it segues into the extended instrumental, Colours and Shapes, where Jones’ sax continues the spacey blues mood.

In Why Are You Here? our heroine is confronted in the afterlife:

Why are you here?
Did you not respect?
Did you not cherish it?
Could you not love life?

This is another somewhat slow song, but one that is enlivened by Limoli’s tasteful piano fills and Cole’s terrific guitar solos. 

Things pick up with Returned, where the protagonist’s suicide is rejected by her Creator:

“You must return
You will make good
Rewrite this wrong
You must Love”

These lyrics are accompanied by a triumphant melody that is bursting with energy. The album’s co-producer, Robin Armstrong really shines here, lending his talents on keyboards, vocals, bass, and lead guitar.

With our heroine given a new lease on life, The Essence explodes out of the speakers with an insistent beat and infectious melody that is truly exhilarating. 

“Reconciling hope, reconciling all.
Reconciling everything.
It is the universe made real.”

Bandana’s vocals and synths are outstanding here; they convey the pure joy of the lyrics.

The final track, Imagine, is a coda addressed to all of us and the choices we must make:

“Imagine a world in which we are judged by
Our most insufferable, our sorriest…

A horror beyond time…

Imagine a world in which we are judged by
Our best and our glory, our gift and our love…

There is a word and it needs to be heard.
It is hope. It is what you promised to me.
Rise up and see, it is our victory.”

Krueger’s church organ is appropriately employed here, because this last song is a hymn to hope. As the song unfolds, the tempo increases inexorably, and I’m reminded of the final scene in C. S. Lewis’ Narnia book, The Last Battle, where the protagonists reach paradise. As they realize where they are, they cry out, “Further up and farther in!”

Some final thoughts on this special album:

Dave Bandana has said that Robin Armstrong really pushed him to do his best, and it shows. His vocals and keyboards are terrific throughout. Peter Jones is the secret weapon of The Bardic Depths – his singing and sax work are some of the best elements in the mix. Gareth Cole’s lead guitar is AMAZING!

Promises of Hope is an outstanding album with an inspiring concept. The melodies complement the lyrics perfectly. As good as their debut was, this is even better. The core group of Bandana, Cole, Jones, and Gehrt have gelled into a formidable ensemble, and I hope they plan to tour.

Promises of Hope is on Gravity Dream Music. Here is the official lyric video for The Essence

SOC Progcast #2

Hello everyone, welcome to the Spirit of Cecilia Progcast #2. Tad Wert and I host, and we’re thrilled to feature music by The Flower Kings, IZZ, Lifesigns, Tin Spirits, Kevin McCormick, The Tangent, Nosound, NAO, and Airbag. Enjoy!

Music and the Arts Over Partisan Politics

Named for St. Cecilia, patroness of music and the arts, this blog, Spirit of Cecilia, highlights music, art, poetry, fiction, history, biography, and film. These fields of enjoyment and expression are creative and interactive, requiring both a transmitter and a recipient to achieve their fullest potential and profoundest effects.

It’s my hope that these fields, which we might usefully and with slight reservation label the humanities, can accomplish far more than partisan politics to expand the frontiers of knowledge and deepen our understanding of ourselves as human beings created by an awesome God.  Anger is not a constructive starting point for connecting with strangers or political opponents if the goal is mutual understanding. Hard logic puts strangers and political opponents on the defensive, causing them to question the logician’s motives and work through whatever problems and challenges the logician has presented.  But aesthetics: they provide pleasure and the kind of sensory experience in which people of diverse backgrounds and beliefs share and delight. This is not a grand claim about the universality of standards of beauty but rather a plain statement about the obvious draw of humans to phenomena that stir in them strange and wonderful emotions, that cause them to think about the timeless questions that the greatest minds over the centuries have contemplated with differing degrees of gravity and intensity. The fact that we have music, art, poetry, fiction, history, biography, and film at all suggests a certain commonality among human likes and desires across places and cultures.

I am an administrator in a law school, a recovering lawyer you might say, who happens to have earned a doctorate in English.  I am grateful to Dr. Bradley Birzer for including me as a contributor to the Spirit of Cecilia and have high hopes for what it can achieve. Life is difficult for everyone at some time or another.  Wouldn’t it be great if this site were a forum where friendships are built, ideas are exchanged civilly and in good faith, and a profound awareness of our shared humanity served as the predicate for our interpretations and communications?  I look forward to writing in this space. May it flourish.

–Allen Mendenhall