Welcome to Spirit of Cecilia’s retrospective of this decade’s musical highlights! This is the seventh chapter, which covers the best of 2016, and Hoo Boy! we had a bumper crop of great music that year. Here are 20(!) of the best prog and rock albums from 2016, in alphabetical order.
Big Big Train continued its decade-long conquest of progworld with Folklore. A big part of their appeal (aside from their wonderful musicianship and beautiful melodies) is their knack for finding forgotten heroes and paying musical tribute to them. In Folklore, we are treated to the fascinating story of the messenger pigeon, Winkie. “The Transit Of Venus Across The Sun” is another indispensable BBT track.
Blueneck hails from Britol, UK, and The Outpost was one of the standout albums of 2016. Shimmering, slow-building, atmospheric, and majestic music made this a compulsive listen for me. “From Beyond” is a tremendous track.
David Bowie had this album released posthumously. As always, he resists easy categorization. The nearly ten minute title track is full of skittery rhythms, disembodied jazz sax, and disturbing lyrics. A fitting final statement from one of the most talented and creative souls in music.
I did not hear about this group until recently, but I am glad I discovered them. Cyril is from Germany, and Marek Arnold and Manuel Schmid are members. Paralyzed is a fantastic prog album – one of the best of the last ten years. There are hints of classic Genesis in their sound, and I can’t recommend this album enough.
It looks like this is the final offering from the Devin Townsend Project, and what a way to finish! They revisit a DTP classic (“Truth”), and cover a Ween song (“Transdermal Celebration”). In between are some of the strongest songs Townsend has ever written. His vocals can make my hair stand on end, they are so, well, transcendent.
Evership is from my own city of Nashville, TN, but I would add this to our list regardless of their location. These guys write lyrical epics that are performed flawlessly. “Ultima Thule” is a near-perfect song, building slowly and quietly to a roaring conclusion. I can’t wait to hear more from this group.
How about a little fun? Jem Godfrey’s project Frost* released a terrific pop/prog collection in 2016 that I still listen to often. “Closer To The Sun” is one of the most enjoyable and reassuring seven and a half minutes in music.
Glass Hammer embraced their inner Rush and put together a challenging concept album based on the trauma suffered by a WWI veteran. Suzie Bogdanowicz never sounded better, the band rehearsed all the songs before recording, and it shows. They really fire on all cylinders.
Haken took a time machine back 30-odd years ago for Affinity. There all kinds of vintage synth sounds and nods to ’80s hair bands that make Affinity a hugely enjoyable record. Of course, they still have their 21st century wall of sound on great songs like “1985” and “The Architect”. This is one of Haken’s best albums, and it is scary how good they are.
The second album from Adam Wakeman’s and Damien Wilson’s project was a stunning set of songs. There are rough blues (“Polluted Alcohol”), straight ahead metal (“Kill You With Kindness”), and complex prog (“The Science Within Us”). “Secular Soul” is the kind of song that forces you to stop what you’re doing and just listen.
A beautiful and sensitive portrayal of a young woman’s battle with mental illness, Lighthouse was iamthemorning’s second album. In my original review, I noted, “Imagine, if you will, a world where Aerial-era Kate Bush, Dumbarton Oaks-era Igor Stravinsky, and Sketches of Spain-era Miles Davis got together to compose a song cycle.”
One of the biggest surprises of 2016 was the triumphant return of Kansas. This was no cashing in on nostalgia – this was a truly excellent album that successfully compares to their classics from the ’70s and ’80s. Welcome back, boys!
These guys started out as Synaesthesia, and morphed into Kyros. Whatever they call themselves, Adam Warne and Co. are some of the most talented songwriters and musicians working today. Vox Humana was a 2-disc concept album about a scientist who creates an artificial human, and the problems that ensue. Highly recommended.
The Similitude Of A Dream was the Neal Morse Band’s second album, and it was a monster. Over 2 hours long, it told the story of John Bunyan’s Pilgrim’s Progress. Upon its release, it was immediately hailed as a prog classic.
Opeth’s Sorderess topped a lot of critics’ Best of 2016 lists. With this album, Opeth laid to rest any remains of their death metal past, and jumped headlong into prog.
In 2016, Pineapple Thief released what I consider to be their finest album to date, Your Wilderness. Bruce Soord came up with a diverse and satisfying set of songs that really rocked (“Tear You Up”). Gavin Harrison plays drums, and he kicks them into high gear.
Radiohead rediscovered melody on A Moon Shaped Pool and came up with a beautiful album. String quartets, gentle synth washes, and massed voices combine for one of their finest hours.
Australia’s Sean Timms (keyboards) and Danny Lopresto (vocals, guitar) lead this marvelous new prog band. Their debut was one of the best albums of 2016, with “The Bridge That Binds” the standout track.
I listened to this album by Syd Arthur more than practically anything else in 2016. It is a funky, catchy set of songs that remind me a bit of Talking Heads. I dare you to sit still while listening to “No Peace”.
And finally, an offering from an old veteran: Vangelis. He can veer dangerously close to cheesy romanticism, but Rosetta is one of his best set of songs in his long career. He composed them to accompany the European Space Agency’s Rosetta spacecraft that successfully landed on a comet. It is appropriately spacey and atmospheric.
Whew! I hope this long post convinced you that 2016 was one of the best for great music. Let us know in the comments below what you enjoyed back then.
2 thoughts on “Those Awkward Teenage Years – The 2010’s, pt. 7: 2016”
Beat is my favorite King Crimson album of all time. I think you would really like the Cyril Paralyzed. They deserve a much wider audience.
Ahh, 2016 … the year I finally discovered Big Big Train via the Stone & Steel audio on Spotify. Going forward to Folklore and backward to English Electric: Full Power, I was gone, & I picked up the entire catalog. (A friend who saw my BBT screensaver said, “you should read what my friend Brad Birzer says about them online” – more history made.) I second the nods to Haken and Neal Morse as well.
My list also included:
J.S. Bach, Goldberg Variations (Angela Hewitt’s 2015 recording)
The Hamilton Mixtape
Marillion, FEAR (my album of the year)
Joshua Redman & Brad Mehldau, Nearness
Esperanza Spalding, Emily’s D+Evolution
John Wesley, A Way You’ll Never Be
Weezer, The White Album
Plus these reissues:
Phil Collins, Hello, I Must Be Going!
King Crimson, Beat
UK, Ultimate Collectors’ Edition
And these discoveries from previous years;
Hamilton, original cast recording
Snarky Puppy & the Metropole Orchestra, Sylva
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