Best of Yes, Post 1983

For most music fans, and especially prog rockers, Yes existed between 1969 and 1983.

Some would even end Yes around 1979.

Amazingly enough, though, Yes still exists. And, while the band has never produced a perfect album since 1983’s 90125, it has produced a number of tracks equal to the best of the “classic Yes” period.

The two best albums of this later period were Magnification (2001) and Fly from Here-Return Trip (2018).

For those interested (and with ears to hear), here are my favorites from 1987-present.

  • Birthright (Anderson Bruford Wakeman Howe, 1989)
  • Dreamtime (Magnification, 2001)
  • Endless Dream (Talk, 1994)
  • Evensong (Union, 1991)
  • Fly From Here (Fly From Here-Return Trip, 2018)
  • Homeworld (The Ladder, 1999)
  • I’m Running (Big Generator, 1987)
  • In the Presence Of (Magnification, 2001)
  • Into the Storm (Fly From Here-Return Trip, 2018)
  • Life on a Film Set (Fly From Here-Return Trip, 2018)
  • Magnification (Magnification, 2001)
  • Minddrive (Keys to Ascension 2, 1997)
  • New Language (The Ladder, 1999)
  • Order of the Universe (Anderson Bruford Wakeman Howe, 1989)
  • Shoot High Aim Low (Big Generator, 1987)
  • Silent Talking (Union, 1991)
  • Spirit of Survival (Magnification, 2001)
  • Subway Walls (Heaven and Earth, 2014)
  • Themes (Anderson Bruford Wakeman Howe, 1989)

Six Colors: Apple, technology, and other stuff from Jason Snell and Friends

The keyboard itself is good, though the entire keyboard surface is made of gray plastic that feels a little cheap when compared to the aluminum-framed keyboards you’ll find in Apple’s laptops (or Brydge’s iPad Pro keyboard). The keycaps have a smooth texture and typing feel that remind me of classic Apple laptop keys. (That’s a good thing.) There’s a full function row, giving you control over keyboard backlighting, screen brightness, media playback, volume, and other shortcuts that users of Apple’s own Smart Keyboard Folio don’t have access to. The arrow keys are in the familiar inverted-T configuration that Apple has unfortunately moved away from in its own laptops.
— Read on sixcolors.com/

Using a Mac from iOS, Part 2 – Luna Display and macOS as an App – MacStories

These are just some examples of tasks that I need to perform for my job and apps I need to use for personal reasons that, despite my unending iOS optimism, cannot be completed in a reasonably efficient way on the iPad alone. Which means that, while I consider the iPad Pro my primary computer, I also have a use for the Mac these days, and I don’t begrudge this at all. I like using macOS for what it’s good at, and I’m having fun re-learning my way around apps like Hazel and Keyboard Maestro.
— Read on www.macstories.net/ipad-diaries/using-a-mac-from-ios-part-2-luna-display-and-macos-as-an-app/

Barnes and Noble isn’t doing enough to protect their shoppers

Almost all of these problems occured in the past few months inside Barnes and Noble bookstores and right in front of them. Obviously for any problem that actually makes the news, there are likely dozens that go unreported. This could be due to the customer feeling ashamed that they let it happen, outright denial or it isn’t worth reporting, it is easier to just leave and not come back. Retail shoppers make up the vast majority of sales, and if B&N is not protecting them, this leads to a crisis of confidence.
— Read on goodereader.com/blog/barnes-and-noble-nook-ereader-news/barnes-and-noble-is-not-doing-enough-to-protect-their-shoppers

Faith, Family, and the Future of Europe ~ The Imaginative Conservative

“Hungarians are family-oriented,” she says, “and they love their families, their culture and their traditions. We’ve been given this direction by the Hungarian people. We want to strengthen families, women and young people. We want to provide security, and we want to protect our Christian culture.”

In the light of such heart-kindling wisdom from the peoples and governments of Poland and Hungary, rooted in faith and family and the future they offer, we are seeing the sun rising in Europe’s East, even as we see it setting in its decadent West.
— Read on theimaginativeconservative.org/2019/05/faith-family-europe-joseph-pearce.html

Seeking the Humane: Big Big Train’s “Grand Tour” ~ (Birzer’s Second Review)

If all of this sounds too intelligent and too good to be a part of popular culture, it’s because it is! No, no, no. This is not pop. This is art. True, good, real, and beautiful. Imagine, for a moment, how many other manifestations of secular culture take seriously a Christian saint, let alone analyze the very stones used in the art of Byzantium? Truly, what this band offers us is a precious gem. And, while the members of the band (at least as far as I know) are not religious, they certainly take the religion of the past quite seriously. Not just Theodora, but the band has also written gorgeously on its previous releases about St. Edith, the granddaughter of King Alfred, the first great English king, the first to codify Anglo-Saxon common law, and the blessed recipient of Marian visions.
— Read on theimaginativeconservative.org/2019/05/big-big-train-grand-tour-bradley-birzer.html

Causal Chain

Recently, I went riding at the margins of the Olympic National Park. The plan was to loop through a couple of scenic forest roads, but eventually, I ran into a closed gate. So, had to turn around and ride back through the same bridge I had crossed earlier. And not just the same bridge; I crossed paths with the same hiker who was now walking back from the other end. Clearly, even he was amused at the coincidence. How often do paths of a motorcyclist and a hiker in the wilderness converge on a bridge — twice!

In a way, coincidences or accidents are just separate causal chains intersecting at some point. For instance, ferry times, riding patterns, and outdated GPS maps are all preceding links in my causal chain. If we go further back, there are other causal sequences that explain why ferry times are the way they are, or how I ended up riding in a specific way. But we can only speculate about the causal events related to the mysterious hiker.

All we can say is – every event has a causal chain with known and unknown preceding events. Even in my case, we can only speculate whether the map was incorrect and led to a private road or if someone just shut that gate on that particular day. Maybe my riding pattern was immaterial. That means if all the other factors remained the same, all types of riders would have faced the mysterious hiker twice! To estimate causal weight, we’d need to replay events and control for variables – practically impossible. That implausibility hints at the layered, multidimensional nature of the system.

 Causal chains operate at multiple levels as well. For instance, the riding pattern could be attributed to upstream causes of motorcycle gear ratios. The engineering of gearboxes has its own causal chains. But a motorcycle spare part is an abstract, reusable node involved in multiple chains – linking several motorcycles, models, and riders. Such a part’s functions are abstracted enough to serve multiple similar purposes. Eventually, the world itself can be interpreted as an interconnected network of abstract sub-systems, each with its own contextual functions. Larger sub-systems are composed of smaller systems and nodes with similar abstract qualities. Imagine building blocks with clear, logical, and physical boundaries, but operating without explicitly articulating their internal structure.

All kinds of systems — biological, chemical, or even social frameworks can be modeled through such a view. In the case of societies, components involved are individuals, families, organizations, and their workflows. For instance, the same individuals when at work serve a different contextual purpose than at home — becoming time-shared abstract nodes within different domain-specific workflows. The structural parallels between larger social institutions and a lonely motorcyclist in the wilderness illustrate the concept of organized complexity. They both function with a level of efficiency that hides the chaos of their own causal chains.

Within any such order — recurring patterns typically indicate underlying drivers. With complex systems, there is a difficulty in isolating them. There are even more challenges with designing optimal solutions for obvious problems. For instance, rising college tuition, health care costs, or government deficit spending are recurring and contentious phenomena. But there are also recurring beneficial patterns – like plummeting smartphones or fast-food prices! Rarely do we see political rallies about unaffordable fries.

The dominant agency causing these patterns can be a specific group of people, natural forces, or an incentive structure. But general discourse is rarely about correcting complex causal factors that led to a contentious pattern. This happens because it’s expensive to dive deep, isolate causality, then arrive at a hypothesis that fits multiple contexts, and then propose and test a generic solution. The general tendency is to introduce new factors into the mix as workarounds — like price/licensing controls, a new tax, maybe a trade war, or even an actual war. There is also a strong political incentive not to do root cause analysis of social problems — often, they ruffle too many feathers. The benefit of a complex interconnected system is overall productivity, and there is even a romantic side to all this.

Republished at ridersmodel.com

What Hath the train Wrought, Part II

Part II of our symposium. A second indepth look at the philosophy and emotions behind Big Big Train’s latest album, GRAND TOUR.

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Beginning with genteel blushings and awed whispers, David Longdon’s vocals—so plaintive and so earnest and so full of wonder—begin Grand Tour by sharing hard-earned wisdom.

After all, this story begins far from home, and the craft in question flies along shadowed paths beyond all human sight, but never beyond human imagination. By whatever measure of success or failure, the craft made the attempt. And, by necessity, so did those who launched it in the first place.

Whatever the fate of that craft, it was made by human hands, and those hands should be celebrated. And, thus we should celebrate not just the act of creation but the very life that gave the very intelligence to act.

We are, after all, ALIVE!

And thus begins Big Big Train’s latest album, Grand Tour, a masterpiece even among masterpieces. Ostensibly, this hook—which catches onto the eighteenth-century ideal of English travel throughout the European continent and, especially, into and around the Mediterranean and Aegean—ties the latest album together. By employing such a story, the band can travel not only across space but also back through time. The album explores ideas and as well as biographies.

This is, simply put, an album for the intelligent and meaningful person.

With track three, “The Florentine,” the band looks at the very core of the Italian Renaissance and one of its four greatest figures, Leonardo.

On track four, “Roman Stone,” the band digs deep back into western civilization, finding the very stones that created the Roman Republic and the various Mediterranean powers of the ancient world. There is both regret at the loss and admiration at the gain. See what we once were, the band claims. See what we could’ve been, the band asks. After all, things that have broken have often been made whole again. Sometimes even with the very material that had fallen into ruin becomes the cornerstone.

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What Hath the Train Wrought, Part I

Given that this site’s patron is also the patron saint of music, it seems meet and just to review our favorite music. Thus, I give you the awesome Tad Wert’s first entry into the symposium, “What Hath the Train Wrought,” a deep look at Big Big Train’s GRAND TOUR.–Brad, editor

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“GRAND TOUR” by Tad Wert

There are and can exist but two ways of investigating and discovering truth. The one hurries on rapidly from the senses and particulars to the most general axioms, and from them, as principles and their supposed indisputable truth, derives and discovers the intermediate axioms. This is the way now in use. The other constructs its axioms from the senses and particulars, by ascending continually and gradually, till it finally arrives at the most general axioms, which is the true but unattempted way. 
–Francis Bacon, Novum Organum

Never let it be said that Big Big Train doesn’t think big. Their latest opus, Grand Tour, is a massive undertaking, taking the listener on a voyage from the cliffs of Dover to Italy, Constantinople, and out to interstellar space. Along the way, we pay our respects to Leonardo da Vinci, Saints Theodora and Justinian, exiled Prospero and Ariel, and Percy Bysshe Shelley. Oh, and we mustn’t forget to say hello to Francis Bacon, the first “modern” thinker.

If this project were attempted by any other artist, they would be ridiculed for their pretentiousness. To BBT’s credit, they have done their research, and every song on this amazing album is filled with respect, appreciation, and love for their subjects. In the 18th and 19th centuries, every well-educated European took a “Grand Tour”, which included visits to famous cultural and religious sites, such as Rome, Florence, Paris, etc. Thanks to BBT, we can embark upon our own grand tour via their artistry.

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An Ode to Progressive Rock | The American Conservative

Its most famous member is Dave Gregory, formerly the lead guitarist for XTC. Like every member of the band, Gregory is an extraordinary musician pursuing a high art. He is also, I’m happy to note, a true gentleman and, like everyone in the band, a perfectionist. From the beginning of its existence, BBT has honed its complex song structures, riveting melodies, and gorgeous historical, poetic, and mythic lyrics. Almost all of the band’s songs celebrate excellence, innovation, and struggle. Typical themes include World War I and II ace fighters, beekeepers, medieval saints, architects, and survivors of trauma. Lyrically, the band is levels above almost anything being written in popular culture today, and, in the rock-pop world, certainly well beyond Elvis, Madonna, and Lady Gaga.
— Read on www.theamericanconservative.com/articles/an-ode-to-progressive-rock/